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APS Bolex 16mm Reflex Proficiency Test

2018-04-30T15:47:41Z

Coreth18: Removed Question 9 about Lap Dissolve

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Please read manual and complete written portion of test prior to operational proficiency. Bring answers with you with your name and TESC ID number clearly indicated to workshop or proficiency test.[[File:Bolex bayonet front.jpg|thumb]]
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'''Written Test'''
# What other accessories are necessary to check out when checking out a Bolex.
# List the four steps necessary to set the diopter adjustment.
# What is the range of frames per second (FPS) that the Bolex is capable of shooting. How does changing the FPS effect the look of the film?
# What is the standard frame rate for shooting on 16mm film?
# What kind of viewing system does the Bolex H16 employ? Describe how it works.
# Explain the difference between Bolex RX lenses and non-RX lenses. What do you need to do to compensate for the difference?
# Describe the difference between a bayonet mount and a turret mount camera.
# What is the function of the turret plug?
# List the steps necessary to load the camera.
# What is film fog and how can you avoid it?
# What should you always do before putting the Bolex away?
# What is the extent of your financial responsibility in case of loss, or damage to the camera?
 '''Operational Proficiency Test'''
* Identify all of the parts and control of the Bolex H16.
* Set the diopter.
* Show how to wind the camera motor
* Demonstrate how to insert and change filters in the camera.
* Set the fps at 24, set the counter at 0.
* Observe the differences between slow and fast frame rates.
* Load film in the camera.
* Demonstrate how to create a lap dissolve.
* Demonstrate extended exposure and animation features.
* Display proper lens mounting on both the turret and bayonet mount cameras.
* Properly attach a cable release.
* Demonstrate how to use a rewind.
* Wind the camera down before putting it away.


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[[Category:Media Loan]]

Parabolic Microphone Kit Gear Guide

2018-04-03T18:47:05Z

2017-09-07T18:19:07Z

Coreth18:

This is a restricted piece of equipment for advanced video students only. Students must be in an approved program for access to this equipment. [[APS Gimbal Proficiency Test|The gimbal also requires a proficiency.]]
==INTRO==
Using Advanced Production Services equipment is a privilege
and works differently than the rest of media loan. In order to request APS
equipment, you must send in a work order 48 hours in advance to when you
request the equipment. If you are not on time for pickup, the equipment you
reserved may be given to someone else who requested it. Checkouts are for 2-3
days and there are NO RENEWALS for APS equipment UNLESS you fill out an
equipment renewal form 24 hours in advance. For more information about APS policy,
visit: '''<nowiki>http://www.evergreen.edu/medialoan/aps-policies</nowiki>'''

Handheld
3-axis gimbals are used in stabilization systems designed to give the camera
operator the independence of handheld shooting without camera vibration or
shake. Powered by three brushless motors, the gimbals have the ability to keep
the camera level on all axes as the camera operator moves the camera. An
inertial measurement unit (IMU) responds to movement and utilizes its three
separate motors to stabilize the camera. With the guidance of algorithms, the
stabilizer is able to notice the difference between deliberate movement such as
pans and tracking shots from unwanted shake. This allows the camera to seem as
if it is floating through the air.

The Advanced Production Services ''3-Axis Gimbal'' allows for steady camera movements in the x, y, and
zed directions. The three
axes to this gimbal are: Tilt Axis, The Roll Axis, and the Pan Axis.

==CARE==
The gimbal at Media Loan is a complicated (and expensive!) piece of equipment that requires special attention and care. If not used and stored properly it can be permanently damaged. These potential damages may lead to accidents and hazards. Please use thorough care with this equipment. 

'''ALWAYS:'''
*Make sure all screws and locks are secured tightly before operation
*Store in a cool, dry place
*Only use handles to carry gimbal.
*Use the stand to set-up the gimbal for use
*Make sure that the roll and pitch axis cables do not become tangled
*Properly balance the gimbal prior to operation
 
'''NEVER:'''
*Expose to excessive heat, such as a furnace
*Store any items in the case besides those included in the kit
*Use excessive force with any of the parts
*Use in a location with strong static electricity
*Set the gimbal directly on a surface. You MUST use the stand.
*Use in the rain or non-dry weather
*Pick up the gimbal with any other part than the handles
*Force the gimbal to move when locked

====BATTERY====
*Only use the included battery with this equipment
*Use only the included charger
*Do not overcharge (when fully charged, the indicator light will be solid green)
* · '''NEVER REMOVE BATTERY PACK FROM GIMBAL'''

==CONTENTS==
*· 3-axis gimbal, · gimbal stand, · One Lithium Polymer Battery Pack attached to gimbal ('''Stays on gimbal!'''), · One Lithium Polymer Fast Charge System, · Gimbal remote and it’s charging station (USB), · camera mount, · and camera mount adaptor.

==BASIC GIMBAL MECHANICS==
[[file:Gimbal_3_axes_rotation.gif|right]]
The more you understand the mechanics of a gimbal, the easier it will be for you to use.

===3-AXIS===
There are three axes to this gimbal: the yaw, pitch, and roll. Imagine three lines running through a camera mounted on the gimbal and intersecting at the camera's center of gravity. The gimbal moves and adjusts on these axes to create smooth camera operation.

'''Yaw:''' Rotation around the vertical axis. You can think of yaw movement as pivoting, or turning, the position of the camera horizontally. 
'''Pitch:''' Rotation around the side-to-side axis. You can think of pitch movement as up-and-down vertical tilting. 
'''Roll:''' Rotation around the front-to-back axis.

==BALANCING==
Prior to operation, '''the gimbal must be properly balanced.''' If it's not, the gimbal will not function properly. '''Balanced''' means that the gimbal and camera is centered and leveled, with no part tilting up/down or to the side. 

Use the following steps, explained further below, to adjust the gimbal balance. '''DO NOT POWER ON THE BATTERY UNTIL AFTER BALANCING.'''

===6-POINT CALIBRATION===
Prior to calibration, first set the gimbal up on the stand and mount the camera onto the gimbal. Then, follow the 6-point calibration steps listed below. 

You will know the gimbal is balanced if it reverts back to center and level after manipulation. Test the balance by gently tilting the pitch and roll and making the gimbal moves back into the level position. Yaw is the only point that does not revert back as it is a freely-moving axis until the gimbal is powered on. 

'''Tip:''' Use a camera that has a programmed or built-in level, such as the Canon 6D from APS. 

Manipulate the following adjustments to achieve proper balance:
#Pitch axis horizontal (PAH)
#Pitch axis vertical (PAV)
#Row
#Rotation
#Roll axis
#Yaw axis

Each calibration adjustment affects the axes in different ways. We recommend that you follow this order, but you may find as you balance that you may need to re-adjust the different points as you go.

====PITCH AXIS HORIZONTAL (PAH)====
The '''PAH''' is the orientation of the camera mount plate on the gimbal. As the name implies, the '''PAH''' affects the pitch (or up-down tilt) of the camera. You may need to move this forward or back, depending on the camera, if you wish to access the various input/outputs on the side of your camera. Do not mount the camera too far forward to too far back, try to find a position towards the center.

#Open the '''PAH lock catch'''.
#Move the camera forward or back to desired position
#Close the lock catch to secure the position of the '''mount plate'''

====PITCH AXIS VERTICAL (PAV)====
The '''PAV''' is the position height of the camera. As the name implies, the PAV affects the pitch (or up-down tilt) of the camera. You will need to move the camera higher or lower to level the camera and eliminate up-down tilt.

#Open the two '''PAV lock catches'''.
#On both sides, use the '''PAV adjustment knobs''' to raise/lower the height of the camera. Set to a position in which the camera remains level.
#Make sure both sides are in a matched position on their prospective '''PAV scales'''.
#Close the '''PAV lock catches'''.

'''Note:''' The best PAV position for the Canon 6D is the lowest.

====ROW====
The row adjustment affects the roll axis and changes the horizontal positioning of the camera. Adjust the row to the left or right to eliminate side-to-side leaning of the camera.

#Loosen the '''row lock knobs'''.
#Adjust the camera to the left or right until level. Let go of camera to test leaning.
#Tighten the '''row lock knobs'''.

====ROTATION====
Rotation refers to the forward-backward leaning of the entire gimbal body. The '''spine''' of the body should be straight up and down. This adjustment re-distributes the weight of the gimbal along the '''neck'''. If there is a dip in the front of the gimbal, this means that the front is heavier, and this adjustment needs to be moved back. If there is a rise in the front, move this forward.

#Open the '''rotation lock catch'''.
#Move the '''rotate knob''' forward or back until the spine is straight and there is no rise or dip in the front of the gimbal.
#Close the '''rotation lock catch'''.

====ROLL====
Use the '''roll screw''' to change the roll adjustment if the camera is not able to roll freely. Do not over-tighten or over-loosen this screw.

====YAW====
The YAW can be set to any position prior to usage, but the standard set-up is for the '''neck''' to be perpendicular with the '''arm'''.

==REMOTE OPERATION==
The remote is necessary for operation of the gimbal. The three main functions of the remote are:
*Adjusting the desired set-up position of the gimbal
*Selecting the '''operation mode''' of the gimbal
*Performing camera movements (pan, tilt).

To operate the remote, use the '''power/mode button''' to turn the remote on/off as well as to select the desired '''operation mode''' of the gimbal. Use the '''joystick''' to control pitch and yaw of the gimbal for camera tilts and pans.

====TO TURN ON/OFF====
Press and the '''power/mode button''' for 3 seconds, or until the indicator light turns on/off. A '''green light''' means the battery is charged and the signal is normal. A '''slowly-flashing red light''' means the battery is getting low, and a '''quickly-flashing red light''' means the remote needs to be charged immediately.

====OPERATION MODE & SELECTION====
After the remote is on, you can use the '''power/mode button''' to set the '''operation mode''' for the gimbal. 

'''Before selecting a mode''' to use, set the gimbal in the desired position (after balancing!). The default position for most shooting situations is completely center and level. You may desire a different effect however, such as a slight tilt up/down. '''DO NOT CHANGE THE AXIS ADJUSTMENTS TO PLACE THE CAMERA IN AN ALTERNATE POSITION''', excluding yaw. Use only the remote to make these adjustments so as to not mess up the balance. 

After positioning the gimbal, change the mode by pressing the '''power/mode button''' the following number of times:
# '''follow pitch, follow yaw.''' The gimbal will respond and adjust to new pitch and yaw positions as you move. This mode is ideal for a versatile subject/shot that needs quick adaptation.
# '''lock pitch, follow yaw.''' The gimbal will remain at the set pitch position, but you will will be able to adjust the yaw position as you move. This mode is ideal for a tracking shot around a corner.
# '''lock pitch, lock yaw.''' The pitch and yaw positions will remain the locked. This mode is ideal for linear tracking shots.

====REMOTE CHARGING====
Charge the remote with the included power adaptor and cable. The remote needs 1.5 hours to fully charge and typically lasts for 8 hours.

==BATTERY OPERATION==
'''Check the power level:''' Quickly press the '''power button''' once. The light will indicate the power level. 
'''To turn on:''' Quickly press the p'''ower button''' once, the indicator light will turn on. Press and hold the power button again and the battery will turn on. You'll know it's on when the lights stay lit and the gimbal beeps. 
'''To turn off:''' Quickly press the '''power button''' once, the indicator light will flash. Press and hold the power button again until the lights turn off. You'll know it's off when you can freely move the axis.

==TROUBLESHOOTING==
You may experience some issues when attempting to operate the gimbal, such as vibration and drifting. The most common cause of gimbal misbehavior is improper balancing. If you're experiencing these difficulties, use the various axis adjustments to properly, and completely, re-balance the gimbal. If the gimbal continues to misbehave, or is having an issue with battery/motor power, please ask for help from APS by stopping in or calling x5506 during open hours.

[[Category:Media Loan]]

APS Gimbal Operating Guide

2017-09-07T18:17:48Z

Coreth18:

This is a restricted piece of equipment for advanced video students only. Students must be in an approved program for access to this equipment. [[APS Gimbal Proficiency Test|The gimbal also requires a proficiency.]]
==INTRO==
Using Advanced Production Services equipment is a privilege
and works differently than the rest of media loan. In order to request APS
equipment, you must send in a work order 48 hours in advance to when you
request the equipment. If you are not on time for pickup, the equipment you
reserved may be given to someone else who requested it. Checkouts are for 2-3
days and there are NO RENEWALS for APS equipment UNLESS you fill out an
equipment renewal form 24 hours in advance. For more information about APS policy,
visit: '''<nowiki>http://www.evergreen.edu/medialoan/aps-policies</nowiki>'''

Handheld
3-axis gimbals are used in stabilization systems designed to give the camera
operator the independence of handheld shooting without camera vibration or
shake. Powered by three brushless motors, the gimbals have the ability to keep
the camera level on all axes as the camera operator moves the camera. An
inertial measurement unit (IMU) responds to movement and utilizes its three
separate motors to stabilize the camera. With the guidance of algorithms, the
stabilizer is able to notice the difference between deliberate movement such as
pans and tracking shots from unwanted shake. This allows the camera to seem as
if it is floating through the air.

The Advanced Production Services ''3-Axis Gimbal'' allows for steady camera movements in the x, y, and
zed directions. The three
axes to this gimbal are: Tilt Axis, The Roll Axis, and the Pan Axis.

==CARE==
The gimbal at Media Loan is a complicated (and expensive!) piece of equipment that requires special attention and care. If not used and stored properly it can be permanently damaged. These potential damages may lead to accidents and hazards. Please use thorough care with this equipment. 

'''ALWAYS:'''
*Make sure all screws and locks are secured tightly before operation
*Store in a cool, dry place
*Only use handles to carry gimbal.
*Use the stand to set-up the gimbal for use
*Make sure that the roll and pitch axis cables do not become tangled
*Properly balance the gimbal prior to operation
 
'''NEVER:'''
*Expose to excessive heat, such as a furnace
*Store any items in the case besides those included in the kit
*Use excessive force with any of the parts
*Use in a location with strong static electricity
*Set the gimbal directly on a surface. You MUST use the stand.
*Use in the rain or non-dry weather
*Pick up the gimbal with any other part than the handles
*Force the gimbal to move when locked

====BATTERY====
*Only use the included battery with this equipment
*Use only the included charger
*Do not overcharge (when fully charged, the indicator light will be solid green)

==CONTENTS==
*CAME-TV Argo Gimbal
*Battery & Charger with cables
*Stand
*Remote
*Tripod Adapter
* Micro USB & wall charger (for remote)

==BASIC GIMBAL MECHANICS==
[[file:Gimbal_3_axes_rotation.gif|right]]
The more you understand the mechanics of a gimbal, the easier it will be for you to use.

===3-AXIS===
There are three axes to this gimbal: the yaw, pitch, and roll. Imagine three lines running through a camera mounted on the gimbal and intersecting at the camera's center of gravity. The gimbal moves and adjusts on these axes to create smooth camera operation.

'''Yaw:''' Rotation around the vertical axis. You can think of yaw movement as pivoting, or turning, the position of the camera horizontally. 
'''Pitch:''' Rotation around the side-to-side axis. You can think of pitch movement as up-and-down vertical tilting. 
'''Roll:''' Rotation around the front-to-back axis.

==BALANCING==
Prior to operation, '''the gimbal must be properly balanced.''' If it's not, the gimbal will not function properly. '''Balanced''' means that the gimbal and camera is centered and leveled, with no part tilting up/down or to the side. 

Use the following steps, explained further below, to adjust the gimbal balance. '''DO NOT POWER ON THE BATTERY UNTIL AFTER BALANCING.'''

===6-POINT CALIBRATION===
Prior to calibration, first set the gimbal up on the stand and mount the camera onto the gimbal. Then, follow the 6-point calibration steps listed below. 

You will know the gimbal is balanced if it reverts back to center and level after manipulation. Test the balance by gently tilting the pitch and roll and making the gimbal moves back into the level position. Yaw is the only point that does not revert back as it is a freely-moving axis until the gimbal is powered on. 

'''Tip:''' Use a camera that has a programmed or built-in level, such as the Canon 6D from APS. 

Manipulate the following adjustments to achieve proper balance:
#Pitch axis horizontal (PAH)
#Pitch axis vertical (PAV)
#Row
#Rotation
#Roll axis
#Yaw axis

Each calibration adjustment affects the axes in different ways. We recommend that you follow this order, but you may find as you balance that you may need to re-adjust the different points as you go.

====PITCH AXIS HORIZONTAL (PAH)====
The '''PAH''' is the orientation of the camera mount plate on the gimbal. As the name implies, the '''PAH''' affects the pitch (or up-down tilt) of the camera. You may need to move this forward or back, depending on the camera, if you wish to access the various input/outputs on the side of your camera. Do not mount the camera too far forward to too far back, try to find a position towards the center.

#Open the '''PAH lock catch'''.
#Move the camera forward or back to desired position
#Close the lock catch to secure the position of the '''mount plate'''

====PITCH AXIS VERTICAL (PAV)====
The '''PAV''' is the position height of the camera. As the name implies, the PAV affects the pitch (or up-down tilt) of the camera. You will need to move the camera higher or lower to level the camera and eliminate up-down tilt.

#Open the two '''PAV lock catches'''.
#On both sides, use the '''PAV adjustment knobs''' to raise/lower the height of the camera. Set to a position in which the camera remains level.
#Make sure both sides are in a matched position on their prospective '''PAV scales'''.
#Close the '''PAV lock catches'''.

'''Note:''' The best PAV position for the Canon 6D is the lowest.

====ROW====
The row adjustment affects the roll axis and changes the horizontal positioning of the camera. Adjust the row to the left or right to eliminate side-to-side leaning of the camera.

#Loosen the '''row lock knobs'''.
#Adjust the camera to the left or right until level. Let go of camera to test leaning.
#Tighten the '''row lock knobs'''.

====ROTATION====
Rotation refers to the forward-backward leaning of the entire gimbal body. The '''spine''' of the body should be straight up and down. This adjustment re-distributes the weight of the gimbal along the '''neck'''. If there is a dip in the front of the gimbal, this means that the front is heavier, and this adjustment needs to be moved back. If there is a rise in the front, move this forward.

#Open the '''rotation lock catch'''.
#Move the '''rotate knob''' forward or back until the spine is straight and there is no rise or dip in the front of the gimbal.
#Close the '''rotation lock catch'''.

====ROLL====
Use the '''roll screw''' to change the roll adjustment if the camera is not able to roll freely. Do not over-tighten or over-loosen this screw.

====YAW====
The YAW can be set to any position prior to usage, but the standard set-up is for the '''neck''' to be perpendicular with the '''arm'''.

==REMOTE OPERATION==
The remote is necessary for operation of the gimbal. The three main functions of the remote are:
*Adjusting the desired set-up position of the gimbal
*Selecting the '''operation mode''' of the gimbal
*Performing camera movements (pan, tilt).

To operate the remote, use the '''power/mode button''' to turn the remote on/off as well as to select the desired '''operation mode''' of the gimbal. Use the '''joystick''' to control pitch and yaw of the gimbal for camera tilts and pans.

====TO TURN ON/OFF====
Press and the '''power/mode button''' for 3 seconds, or until the indicator light turns on/off. A '''green light''' means the battery is charged and the signal is normal. A '''slowly-flashing red light''' means the battery is getting low, and a '''quickly-flashing red light''' means the remote needs to be charged immediately.

====OPERATION MODE & SELECTION====
After the remote is on, you can use the '''power/mode button''' to set the '''operation mode''' for the gimbal. 

'''Before selecting a mode''' to use, set the gimbal in the desired position (after balancing!). The default position for most shooting situations is completely center and level. You may desire a different effect however, such as a slight tilt up/down. '''DO NOT CHANGE THE AXIS ADJUSTMENTS TO PLACE THE CAMERA IN AN ALTERNATE POSITION''', excluding yaw. Use only the remote to make these adjustments so as to not mess up the balance. 

After positioning the gimbal, change the mode by pressing the '''power/mode button''' the following number of times:
# '''follow pitch, follow yaw.''' The gimbal will respond and adjust to new pitch and yaw positions as you move. This mode is ideal for a versatile subject/shot that needs quick adaptation.
# '''lock pitch, follow yaw.''' The gimbal will remain at the set pitch position, but you will will be able to adjust the yaw position as you move. This mode is ideal for a tracking shot around a corner.
# '''lock pitch, lock yaw.''' The pitch and yaw positions will remain the locked. This mode is ideal for linear tracking shots.

====REMOTE CHARGING====
Charge the remote with the included power adaptor and cable. The remote needs 1.5 hours to fully charge and typically lasts for 8 hours.

==BATTERY OPERATION==
'''Check the power level:''' Quickly press the '''power button''' once. The light will indicate the power level. 
'''To turn on:''' Quickly press the p'''ower button''' once, the indicator light will turn on. Press and hold the power button again and the battery will turn on. You'll know it's on when the lights stay lit and the gimbal beeps. 
'''To turn off:''' Quickly press the '''power button''' once, the indicator light will flash. Press and hold the power button again until the lights turn off. You'll know it's off when you can freely move the axis.

==TROUBLESHOOTING==
You may experience some issues when attempting to operate the gimbal, such as vibration and drifting. The most common cause of gimbal misbehavior is improper balancing. If you're experiencing these difficulties, use the various axis adjustments to properly, and completely, re-balance the gimbal. If the gimbal continues to misbehave, or is having an issue with battery/motor power, please ask for help from APS by stopping in or calling x5506 during open hours.

[[Category:Media Loan]]

APS Sound Devices 302 Portable Field Mixer

2016-11-28T21:54:49Z

Coreth18:

[[Category:Media Loan]]
Under Construction . . .

The Sound Devices 302 mixer is an industry standard field mixer for capturing professional audio. Its superb preamps and circuitry will give your film audio to the next level. It is available through APS at Media Loan. While it is possible to record your film audio directly from your microphones into your recorded (or, if you dare, even straight into the camera), using this mixer as an intermediary will greatly enhance the the overall experience of your film. In film, audio quality is equally if not more important than image quality.

===INTRO===
Designed to capture audio for film, this high-end mixer features three XLR inputs and two XLR outputs. It includes an AC power adapter but can also be powered by three AA batteries for use in the field. Each channel has both coarse and fine trim knobs, 12V or 48V phantom power, a variable low-cut filter, and a pan selector switch. This mixer's other capabilities like stereo outputs (hence the 3 inputs with only 2 outputs) makes is a versatile tool. Its daylight-visible LED meter, carrying bag that can consolidate the mixer, recorder, and cables makes it convenient for quickly capturing professional audio.

===GETTING SET UP===
Depending on your power source move the power switch in the bottom right corner to the correct position (INT for using battery bower, EXT for power adapter). Some lights should light up to indicate the mixer is on.
====INS AND OUTS====
Plug your inputs into the left side of the mixer, outputs go in the right side. Next to each input is a mic/line switch and and mic powering switch. Select "PH" to activate phantom power on that input. Either 12V or 48V phantom power can be selected with the switch in the upper right corner. This applies to all inputs with "PH" selected. Most condenser mics that need phantom power will use 48V, but ''always double check and know your microphones!'' "DYN" stands for "dynamic". Since dynamic microphones don't need phantom power, this setting essentially means that powering is turned off for that input. The "T" setting stands for T-power which is another kind of power for some microphones. However, T-power is seldom used and only a small amount of microphones actually use it.

Despite being an output, the headphone jack is located on the left side of the mixer with the rest of the inputs.

Plug your outputs into the right side of the mixer. There are three XLR inputs and only two outputs. This is for stereo recording and will be explained below. For now, plug in your outputs and connect them to their destination. This will usually be a recording device. Media Loan offers field recording devices like the [[Olympus LS-100 Multi-Track PCM Recorder Operating Guide|Olympus LS-100]] or the Zoom H6 (APS). Both of these require proficiencies to check out.

You will have to tell the mixer where to send each input. This allows for greater control of your signal flow and is done using the "L C R" pan switch assigned to each channel on the front panel of the mixer. Switched to "L" sends that channel to the left output and "R" to the right. "C" sends the channel equally to both outputs.

Here are some scenarios to help understand when to use each pan setting:
*You have two microphone and want the greatest control over your levels both while recording and in post-production. If one mic is close to your subject and the other is capturing more ambient room noise or is positioned in a place that is exposed to wind, this would be and ideal situation to pan your two inputs to separate outputs (L + R).
*You are filming two people taking and are using a lavalier mic on each person (inputs 1 & 2). You are also using a boom mic to capture the fuller sound of the room (input 3). Sending both lav mics to the same track will make editing in post-production much easier since they will already be consolidated and just need to be synced with the video. These could both be assigned to the left output (L). The boom however will sound different than the lavs and you might want to adjust the levels independently in post or use different effects to process its audio. Sending the boom to the right output (R) will allow you to keep the sources separate while still being able to capture audio from a variety of sources and save you time in post.
*If you needed to have three input sources, capturing similar sources, you could use the pan switches to send all of you inputs bunched together to one output while isolating one of those inputs to its own output channel in order to have more freedom in post. For example, if you wanted input 2 to be and isolated recording, you would pan input 1 right, input 2 center (so it's sending to both outputs), and input 3 right. Now the right output will include all three microphones on one track and the left will keep input 2 isolated.

====SETTING LEVELS====
Now that your inputs and outputs are setup, it's time to set the levels. This is done from the front panel of the mixer. Each channel has a coarse and a fine trim knob. The course knob should be set first. This is the smaller black knob to the upper right of the fine trim, larger knob. The coarse trim knob is spring loaded. Pushing it in will make it pop out so it can be adjusted. Push it back in so it will be out of the way and safe from accidental movements while recording. Your subject needs to be making noise before you set your levels. If you're recording a person, have them talk while you do this. Ask them about their breakfast, or something like that.
To set this knob, first set the fine trim knob to 0dB (when a level is at 0, it is at "unity"). Then adjust the coarse trim so the LED meter is registering somewhere in the mid range.
Now use the fine trim knob to bring the level up so it sits around -6dB on the meter. The fine trim knob is useful for making quick and small adjustments while recording. This is especially useful if the subject does not have a consistent volume.

====LOW-CUT & LIMITER====
Each channel has the option to apply a low-cut filter (also known as a high-pass filter). The switch is variable and can used for rolling off at 80Hz or 160Hz. This filter attenuates sound at a rate of 12dB per octave. Use this option to reduce low and unwanted rumbles that can come from wind, room noise, and other background muddiness. A low-cut filter is almost always a good choice for recording voices.

There is a single limiter switch located just right of the third gain knob. It has three positions, OFF, LIM, and LINK. LIM is for dual-mono use and applies a limiter to inputs and outputs. LINK is for stereo operation. By default, the limited is set to a threshold of +20dB.

===MONITORING//METERING===
While a decent pair of headphones should always be used to monitor when recording audio (also available as APS and Media Loan,) a visual meter is the primary way to confirm that levels are set and being adjusted properly. This mixer has an LED array that displays the level of each channel.

====LED METER====
By default, the meter will display output bus levels. It is also capable of sourcing PFL (pre-fader listen) levels, and return input levels. The output bus levels will be the main source to be concerned with. The other two will not usually be necessary to view. From sourcing the outputs levels, the meter can display a variety of information. This is selected by pressing the PK/VU button. PK stands for "peak" and VU for "volume units". By pressing that button, the selections cycled are VU, Peak, Peak-Hold and VU combination,
and Peak and VU combination. If these terms are arbitrary to you, stick with VU. This selection will not affect your audio in anyway, just how it is visually represented to the operator.

The meter is designed to be used in all lighting situations, even outdoors. Adjust the brightness of the meter by pushing the button with a sun next to it at the bottom left of the meter.

====HEADPHONE MONITORING====
Headphone monitoring adjustments are made with the two knobs directly under the meter. The right knob changes the volume in the headphones. Set this to a comfortable level but '''remember that this headphone volume does not accurately reflect the output volume being recorded.''' The left knob determines what audio is being sent to the headphones. This mixer offers 11 various sources. Most of these will be arbitrary for most users and selecting "M" or "ST" will do you no wrong. See the chart below for a detailed explanation of each selection.

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===STEREO RECORDING===

===ADJUST SETTINGS===

===SLATE MIC===

===ORGANIZING THE BAG===