Help Wiki - User contributions [en]

Media Loan Catalog

2026-04-02T21:28:43Z

Stewarts:

{{Media Loan Covid Message}}
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<div class="lead">[[File:Media Loan Logo.png|left|frameless|90x90px|link=http://helpwiki.evergreen.edu/wiki/index.php/File:Media_Loan_Logo.png]] Media Loan gear available to all Evergreen students. </div></div></div></div>

== '''Overview:''' ==
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=== '''General Access:''' ===
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This catalog shows all "General Access" gear available at Media Loan. General Access means any enrolled student can use it. Some items have gear guides for more information about how to use them. Some gear guides have videos produced in house or sourced online. We have more equipment that is only accessible to specific classes. To see more equipment, see our other catalogs linked in the sidebar on the right. All of our other General Access gear does not require instruction in order to check it out from us. For that reason be sure to review the gear guide and especially the precautions in each gear. If you would like any help learning our gear or have any issues feel free to reach out to us at the front desk, or call or email. See our website linked in the sidebar on the right for contact information.

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{{Media Loan Basic Sidebar}}


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=== '''Media Loan Intro Video''' ===
{{#ev:youtube|C5rL0-HZTbM|1000|left}}

== Catalog==
=== Camera and Accessories===
{| class="wikitable mw-collapsible" style="text-align: center; vertical-align:middle"
|+

!Item
!Brand & Model
!Description
|-
|DSLR
Camera
|[[File:Rebel.png|frameless|150x150px|alt=Canon Rebel T6i DSLR Camera]]
Canon Rebel T6i
|[[Canon Rebel T5i/T6i/T7i Gear Guide|Canon Rebel T6i Gear Guide]] & [[Camera Fundamentals]]
Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.

We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. We have EF and EF-S Mounts that connect to the Canon Rebels. Some notable qualities are Macro, Portrait, Fisheye, and the improved kit lens
|-
|Palmcorder
|[[File:Vixia.png|frameless|150x150px]]
Vixia HF M500
|[[Vixia HD Camcorder Gear Guide]]
Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.
|-
|Go Pro
|[[File:IMG 0110.jpg|frameless|150x150px]]
Go Pro Hero 4
|[[GoPro Hero 4 Gear Guide]]
Used for action shots and timelapse. This well-known camera comes with a waterproof case.
|-
|Point and Shoot Camera
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]
Olympus Tough TG-2
|A simple camera that requires the least experience and camera knowledge to use. This camera is also waterproof.
|-
|35mm Film
Camera
|[[File:K1000front.png|frameless|150x150px]]
Pentax K-1000
|[[35mm SLR Camera Gear Guide]] & [[Camera Fundamentals]]

Our most popular film camera. We have fixed and zoom lens options ranging from focal lengths of 8mm to 210mm. These lenses are K mount, meaning they only connect to our 35mm film cameras like the K-1000. We have some lenses that are fisheye as well as macro. We have other options for film cameras like the Holga 120 GCFN Medium format camera. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]
|-
|Light Meter
|[[File:Light meter.png|frameless|150x150px]]
Sekonic L-308s
|A tool that analyzes light in order to help set the correct exposure in film photography.
|-
|LED Light
|[[File:GA 2 light kit.png|frameless|150x150px]]
Genarary SP-E-240B
|[https://youtu.be/OJtJ_gPrXLw LED With 3 Point Lighting Gear Guide]
This kit comes with 2 adjustable lights and all the stands and power to make it work. We also have the GVM 560AS 2 light kit, the Dracast 500 S-Series Kit 3 light kit, Genaray Spectroled Studio 500, GVM Ring light, and Smallrig RM100 LED.
|-
|Lighting Control
|[[File:Light tools.png|frameless|150x150px]]
|We have an assortment of accessories like gels, diffusers, scrim, bounce, grey card, lens hoods, lens filters, C-stands, etc. We have many tools to adjust existing lighting and other related aspects of photography and videography.

We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.
|-
|Camera Flash
|[[File:Flash on camera.png|frameless|125x125px]]
|Photography tool used to add more flash than the built in flash of a camera.

We have a well stocked Speedlite flash kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more.

We also have the a studio flash kit, read the [[Elinchrom Studio Flash Kit Gear Guide|Elinchrom Studio Flash Kit Gear Guide.]]

Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the lights.
|-
|Tripod
|[[File:Photo tripod.png|frameless|150x150px]]
|We have different sizes of tripods for stabilizing shots. Specialized tripods are for photos and others are for video. The the video tripod is different from a photo tripod because it has a "fluid head" which allows for smooth movements. We have smaller options like Joby Gorillapod with posable legs, and the monopod with just one leg for lighter packing.
|-
|Phone Gimbal
|DJI OM6
|Small automated stabilizer for making smooth handheld shot on phone camera.
|-
|Sandbag
|[[File:Sandbag.png|frameless|150x150px|link=http://helpwiki.evergreen.edu/wiki/index.php/File:Sandbag.png]]
|Used to weigh stands. These are essential for top heavy set ups. we have 15lb bags and 5lb bags
|-
|Intervalometer
|[[File:Timelapse.png|frameless|150x150px]]
Vello ShutterBoss II
|A tool that plugs into a DSLR like the Canon Rebel and can be used make a timelapse by taking photos at an interval of your choosing.
|-
|Clapboard
|[[File:Clap board.png|frameless|150x150px|link=http://helpwiki.evergreen.edu/wiki/index.php/File:Clap_board.png]]
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.
|}

=== Audio ===
{| class="wikitable mw-collapsible" style="text-align: center; vertical-align:middle"
|+

!Item
!Brand & Model
!Description
|-
|Stage Mic
|[[File:SM5-8.png|frameless|170x170px]]
Shure SM-58
|[[Microphones in General Access]]
[[Audio Fundamentals]]

The most popular mic in the world.
|-
|Podcast Mic
|[[File:Electrovoice edit.png|frameless|170x170px]]Electrovoice RE27ND
|A mic often used by professional broadcasts and podcasts.
|-
|Shotgun Mic
|[[File:Sennheiser combo.png|frameless|170x170px]]Sennheiser K6 Kit
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern.
|-
|Lavalier Mic
|[[File:Lapel.JPG|frameless|132x132px]]
AudioTechnica AT899
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.
|-
|Camera Mounted Mic
|[[File:Mic RODE.png|frameless|170x170px]]
Rode Videomic
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.
|-
|Field Recorder
|[[File:H4N recorder.png|frameless|150x150px]]
Zoom H4n
|[[Zoom H4n Audio Recorder Gear Guide]]
[[Olympus LS-100 Audio Recorder Gear Guide]]

.

[[Audio Fundamentals]]

An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above. We also have the H4essential
|-
|2 channel interface
|[[File:Motu M2.png|frameless|150x150px]]
Motu M2
|[https://youtu.be/HuU7OoR7InE Motu M2 Video Gear Guide]
An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing. We also have the Mackie BlackJack.
|-
|Over-Ear
|[[File:HeadphonesBehringer.png|frameless|120x120px]]
Behringer HPM1000
|Good headphones that go around your ears.
|-
|Small Speaker
|[[File:Mackie speaker.png|frameless|150x150px]]
Mackie SRM150
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem. We have other speaker options as well.
|-
|Synthesizer
|Moog Mother 32
|A powerful semi-modular synthezier with 10 patch cable. It can be played as a keyboard and sequence on its own, as well as connect to other eurorack synthesizers.
|-
|Mic Floor Stand
|[[File:Mic stand.png|frameless|225x225px]]
|The most common kind of stand you see on stage and in studio. We have standard height and shorter stand. We also have desk stands that is perfect for voice over, interviews, or audio project that happens at a desk
|-
|Boom Pole
|[[File:Boom Pole Gen.png|centre|frameless|226x226px|alt=A boom pole fully retracted with no microphone]]

Rode BoomPole
|A pole that can hold a microphone on one end while a "boom operator" holds the other end. used to get good sound right next to a source without being in camera frame.
|-
|Cable and Adapter Assortment
|Many Items
|[https://www.youtube.com/watch?v=T7BAYs1-hq4 Cable Wrapping VIdeo]
We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4"(guitar), 1/8"(ipod), and RCA. We also have DI Boxes for guitars and much more. See the [[Cables and Adapters Catalog]] for what is available.
|}

=== Presentation ===
[[Category:Media Loan Catalogs]]
{| class="wikitable mw-collapsible" style="text-align: center; vertical-align:middle"
|+

!Item
!Brand & Model
!Description
|-
|Projector
|[[File:Projector.png|frameless|150x150px]]
Vivitek Qumi Q6
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily. We also have the Sharp XG C435X-L. We have various screens to project to.
|-
|USB capable Document Camera
|[[File:Epson DC21.png|frameless|147x147px]]

Epson DC-21
|A document camera that can connect over USB to project or make a "2nd camera" as a "shared screen" while video conferencing. Can zoom in and focus on documents and objects in the document area. We also have the DC-20
|-
|Video Player
|[[File:Bluray.png|frameless|150x150px]]Panasonic Dmp-bd85
|We have players for DVD, Blu-Ray Player, CD and VHS Player. We also have the Mica Video Player for looping video from a flashdrive.
|-
|Audio for presentation
|[[File:MHA-SureSM58.jpg|frameless]]
Shure SM58
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie SRM150 Speaker.
|-
|Display Adapters Assortment
|Many Items
|Many connections for, USB (A, B and C), HDMI, RCA, VGA

and SD Card Readers
|}

__NOEDITSECTION__

Media Loan Catalog

2026-03-10T21:20:16Z

Stewarts:

{{Media Loan Covid Message}}

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<div class="lead">[[File:Media Loan Logo.png|left|frameless|90x90px]] Media Loan gear available to all Evergreen students. </div>

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'''General Access:''' This catalog shows all "General Access" gear available at Media Loan. "General Access" means any enrolled student can use it. Some items have gear guides for more information about how to use them. Some gear guides have videos produced in house or sourced online. We have more equipment that is only accessible to specific classes. To see more equipment, see our other catalogs linked to the right.

'''Proficiency:''' In the "Proficiency Required?" columns, you can see that none of our General Access equipment requires a proficiency test to prove you are ready to use the gear, students can just start using them. For that reason be sure to review the gear guide and especially the precautions in each gear. If you need any help learning our gear or have any issues feel free to reach out to us at the front desk, or call or email. See our website linked to the right for contact information.

'''Media Loan Intro Video'''

__TOC__

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{{Media Loan Basic Sidebar}}


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__NOEDITSECTION__
{{#ev:youtube|C5rL0-HZTbM|1000|left}}
== Camera and Accessories==
{| class="wikitable mw-collapsible" style="text-align: center; vertical-align:middle; background: #C5d2ba;"
|+
Camera_and_Accessory_Catalog
!Type
!Item
!Brand & Model
!Gear Guide
!Description
!Proficiency Required?
!Access
!Quantity of This Model
!Quantity of Similar Models
!Code
|-
|Digital Camera
|DSLR
Camera
|[[File:Rebel.png|frameless|150x150px]]
Canon Rebel T6i
|[[Canon Rebel T5i/T6i/T7i Gear Guide]]
.

[[Camera Fundamentals]]
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.
|No
|General
Access
|29
|Rebel T7i (7)
Rebel T5i (26)

Rebel T2i (30)

Rebel T1i (5)
|CDI
|-
|Digital Camera
|Palmcorder
|[[File:Vixia.png|frameless|150x150px]]
Vixia HF M500
|[[Vixia HD Camcorder Gear Guide]]
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.
|No
|General
Access
|18
|HFM400,

HFM300,

HFM200 (total 21)
|VCH
|-
|Digital Camera
|Go Pro
|[[File:IMG 0110.jpg|frameless|150x150px]]
Go Pro Hero 4
|[[GoPro Hero 4 Gear Guide]]
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera.
|No
|General
Access
|5
|No additional models to document
|VGH
|-
|Digital Camera
|Point and Shoot
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]
Olympus Tough TG-2
|No Guide
|A simple camera that requires the least experience and camera knowledge to use.
|No
|General
Access
|22
|No additional models to document
|CDO
|-
|Lens for Digital Camera
|Wide Angle Lens
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of
EF and EF-S Mounts
|No Guide
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.
'''Fixed Lens:''' 20mm, 28mm, 35mm

'''Zoom '''Lens''':''' 8-15mm (fisheye), 11-18mm, 10-24mm
|No
|General
Access
|Many Models
|Many Models
|CWZ
CWF
|-
|Lens for Digital Camera
|Normal Angle Lens
|[[File:Rebel lens variety.png|frameless|150x150px]]
Many Models of
EF and EF-S Mounts
|No Guide
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.
'''Fixed Lens:''' 50mm, 50mm (macro), 60mm (macro

'''Zoom '''Lens''':''' 24-70mm, 28-75mm (improved kit lens)
|No
|General
Access
|Many Models
|Many Models
|CMZ
CMF
|-
|Lens for Digital Camera
|Telephoto Lens
|[[File:Rebel lens variety.png|frameless|150x150px]]
Many Models of
EF and EF-S Mounts
|No Guide
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.
'''Fixed Lens:''' 85mm (portrait), 100mm (macro), 105mm (macro)

'''Zoom Lens:''' 28-105mm, 55-200mm, 55-250mm, 75-300mm
|No
|General
Access
|Many Models
|Many Models
|CTPF

CLZ
|-
|Film Camera
|35mm SLR
Camera
|[[File:K1000front.png|frameless|150x150px]]
Pentax K-1000
|[[35mm SLR Camera Gear Guide]]
.

[[Camera Fundamentals]]
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the "lens for 35mm SLR Camera" section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]
|No
|General
Access
|56
|Pentax Zx-M (12)
Promaster 2500PK (10)

Vivitar 35mm (23)
|CSP
|-
|Film Camera
|Medium Format
|[[File:HolgaPhoto.jpg|centre|150x150px]]Holga 120 GCFN
|No Guide
|A simple medium format camera with minimal controls. Good for beginners in medium format. Non-detachable 60mm focal length lens.
|No
|General
Access
|38
|No additional models to document
|CSH
|-
|Lens for 35mm SLR Camera
|Lens
|[[File:K mount lens variety.png|frameless|150x150px]]
Many Models of

K Mount
|No Guide
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 210mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.

'''Fixed Lens:''' 8mm (fisheye),14mm (fisheye), 16mm (fisheye), 28mm, 100mm (macro), 135mm

'''Zoom '''Lens''':''' 28-80mm (macro), 35-80mm, 28-200mm, 70-200mm, 70-210mm (macro)
|No
|General
Access
|Many Models
|Many Models
|Many codes starting with LS
|-
|Light Meter
|Light Meter
|[[File:Light meter.png|frameless|150x150px]]
Many Models
|No Guide
|A tool that analyzes light in order to help set the correct exposure in film photography.
|No
|General
Access
|Many Models
|Many Models
|EMF
|-
|Lighting
|LED kit
|[[File:GA 2 light kit.png|frameless|150x150px]]
Genarary SP-E-240B Kit with 2 lights
|[https://youtu.be/OJtJ_gPrXLw LED With 3 Point Lighting Gear Guide]
|This kit comes with 2 adjustable lights and all the stands and power to make it work
|No
|General
Access
|6
|Dracast 500 S-Series Kit with 3 lights (2)
|LED
|-
|Lighting
|LED single
|Genaray Spectroled Studio 500
|
|A single adjustable light, can be attached to a light stand.
|No
|General
Access
|8
|No additional models to document
|LEDS
|-
|Lighting
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc
|[[File:Light tools.png|frameless|150x150px]]
Many items
|No Guide
|We have many tools to adjust existing lighting and other related aspects of photography and videography.

We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.
|No
|General
Access
|Ask for relevant count
|Many Items
|Many Items
|-
|Lighting
|Camera Flash
|[[File:Flash on camera.png|frameless|225x225px]]Many Models
|No Guide
|Photography tool used to add more flash than the built in flash of a camera.
|No
|General
Access
|Ask for relevant count
|Many Models
|Many Models
|-
|Lighting
|Flash Kit
|[[File:Flashkit.png|frameless|150x150px]]Speedlite
|No Guide
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more
|No
|General
Access
|3
|No additional models to document
|EFX
|-
|Lighting
|Studio Flash
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit
|[[Elinchrom Studio Flash Kit Gear Guide]]
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.
|No
|General
Access
|2
|EFE
|-
|Stabilizers
|Photo Tripod
|[[File:Photo tripod.png|frameless|225x225px]]
Many Models
|No Guide
|We have different sizes of tripod for stabilizing shots.
|No
|General
Access
|55 total
|Many Models
|TPI
|-
|Stabilizers
|Video Tripod
|[[File:Large video tripod.png|frameless|225x225px]]
Many Models
|No Guide
|This is different from a photo tripod because it has a "fluid head" which allows for smooth movements.
|No
|General
Access
|36 total
|Many Models
|TPB
|-
|Stabilizers
|Gorillapod
|[[File:Gorilla pod.png|frameless|150x150px]]
Joby Gorillapod
|No Guide
|A small tripod with
posable legs.
|No
|General
Access
|12
|No additional models to document
|TPG
|-
|Stabilizers
|Monopod
|[[File:Monopod.png|frameless|225x225px]]
Gitzo GM3350XL
|No Guide
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.
|No
|General
Access
|10
|No additional models to document
|TPBX
|-
|Stabilizers
|Tripod Dolly (Spreader)
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked
|No Guide
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.
|No
|General
Access
|4
|No additional models to document
|TRYX
|-
|Stabilizers
|Pocket Skater
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2
|No Guide
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.
|No
|General
Access
|2
|No additional models to document
|PSK
|-
|Stabilizers
|Weighted Stabilizer
|[[File:Weighted stablilizer.png|frameless|150x150px]]
ProAm Autopilot
|No Guide
|A handheld camera mount with weights to stabilize camera movement.
|No
|General
Access
|4
|No additional models to document
|GDC
|-
|Stabilizers
|Phone Gimbal
|DJI OM5
|No Guide
|Small automated stabilizer for making smooth handheld shot on phone camera.
|No
|General
Access
|15
|No additional models to document
|GCP
|-
|Stabilizers
|Sandbag
|[[File:Sandbag.png|frameless|150x150px|link=http://helpwiki.evergreen.edu/wiki/index.php/File:Sandbag.png]]Unmarked
|No Guide
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags
|No
|General
Access
|24 Total
|No additional models to document
|LQMXM
|-
|Stabilizers
|C-Stand
|Unmarked
|No Guide
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.
|No
|General
Access
|14 Total
|No additional models to document
|LQMX
|-
|Other
Camera

Accessories
|Assortment of camera specific cables.
|Many Items
|No Guide
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.
|No
|General
Access
|Ask for relevant count
|Many Items
|Many Items
|-
|Other
Camera

Accessories
|DSLR intervalometer for timelapse
|[[File:Timelapse.png|frameless|150x150px]]
Vello ShutterBoss II
|No Guide
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing.
|No
|General
Access
|8
|No additional models to document
|CDVR
|-
|Other
Camera

Accessories
|Clapboard
|[[File:Clap board.png|frameless|150x150px|link=http://helpwiki.evergreen.edu/wiki/index.php/File:Clap_board.png]]Unmarked
|No Guide
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.
|No
|General
Access
|12
|No additional models to document
|CLSX
|}

== Audio ==
{| class="wikitable mw-collapsible" style="text-align: center; vertical-align:middle; background:#C5d2ba;"
|+
Audio_Catalog
!Type
!Item
!Brand & Model
!Gear Guide
!Description
!Proficiency
Required?
!Access
!Quantity of This Model
!Quantity of Similar Models
!Code
|-
|Microphones
|Stage
|[[File:SM5-8.png|frameless|170x170px]]
Shure SM-58
|[[Microphones in General Access]]
.

[[Audio Fundamentals]]
|The most popular mic in the world.
|No
|General
Access
|19
|Check [[Microphones in General Access]] to see all available Microphones.
|MHA
|-
|Microphones
|Podcast
|[[File:Electrovoice edit.png|frameless|170x170px]]Electrovoice RE27ND
|[[Microphones in General Access]]
|A mic often used by professional broadcasts and podcasts.
|No
|General
Access
|10
|Check [[Microphones in General Access]] to see all available Microphones.
|MEV
|-
|Microphones
|Shotgun
|[[File:Sennheiser combo.png|frameless|170x170px]]Sennheiser K6 Kit
|[[Microphones in General Access]]
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern.
|No
|General
Access
|34
|Check [[Microphones in General Access]] to see all available Microphones.
|MNC
|-
|Microphones
|USB
|[[File:Yeti.png|frameless|150x150px]]
Blue Yeti Pro
|[[Microphones in General Access]]
|Can connect directly to a computer.
|No
|General
Access
|2
|Check [[Microphones in General Access]] to see all available Microphones.
|MBY
|-
|Microphones
|Lavalier
|[[File:Lapel.JPG|frameless|132x132px]]
AudioTechnica AT899
|[[Microphones in General Access]]
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.
|No
|General
Access
|12
|Check [[Microphones in General Access]] to see all available Microphones.
|MOJ
|-
|Microphones
|Stereo
|[[File:Mic NT4.png|frameless|170x170px]]
Rode NT4
|[[Microphones in General Access]]
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.
|No
|General
Access
|4
|Check [[Microphones in General Access]] to see all available Microphones.
|MCNT
|-
|Microphones
|Camera Mounted
|[[File:Mic RODE.png|frameless|170x170px]]
Rode Videomic
|[[Microphones in General Access]]
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.
|No
|General
Access
|30
|Check [[Microphones in General Access]] to see all available Microphones.
|MCV
|-
|Recorders
| rowspan="2" |Field Recorders
|[[File:H4N recorder.png|frameless|150x150px]]
Zoom H4n
|[[Zoom H4n Audio Recorder Gear Guide]]
.

[[Audio Fundamentals]]
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above
|No
|General
Access
|32
|H4 Essential (30)
|RDZ
|-
|Recorders
|[[File:Mic LS-100.png|frameless|165x165px]]
Olympus LS-100
|[[Olympus LS-100 Audio Recorder Gear Guide]]
.

[[Audio Fundamentals]]
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.
|No
|General
Access
|48
|No additional models to document
|RDL
|-
|Recorders
|Voice Recorder
|[[File:Voice recorder.png|frameless|170x170px]]
Sony ICD-SX750
|No Guide
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.
|No
|General
Access
|16
|Olympus DS30 (23)
Olympus WS-100 (26)
|RDS
|-
|Mixers
|10 channel mixer
|[[File:MG10.png|frameless|140x140px]]
Yamaha MG10XU
|No Guide
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.
|No
|General
Access
|2
|Behringer Q1202USB (2)
|MXY
|-
|Interface
|2 channel interface
|[[File:Motu M2.png|frameless|150x150px]]Motu M2
|[https://youtu.be/HuU7OoR7InE Motu M2 Video Gear Guide]
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.
|No
|General
Access
|19
|Mackie BlackJack (6)
|MTU
|-
|Headphones
|Over-Ear
|[[File:HeadphonesBehringer.png|frameless|120x120px]]
Behringer HPM1000
|No Guide
|Good headphones that go around your ears.
|No
|General
Access
|35
|AudioTechnica (40)
Polsen (7)

JVC (20)
|HPBX
|-
|Headphones
|USB Headset
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB
|No Guide
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB.
|No
|General
Access
|8
|No additional models to document
|MHU
|-
|Speakers
|Small
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150
|No Guide
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.
|No
|General
Access
|12
|Anchor AN-1000X (2)
|SPM
|-
|Speakers
|Large
|[[File:LargeSpeaker.PNG|frameless|120x120px]]
Behringer B212A
|No Guide
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.
|No
|General
Access
|2
|No additional models to document
|SPB
|-
|Speakers
|Other Speakers
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]

JVC RCEX20 BoomBox
|No Guide
|A variety of other speakers including: Rogue MPM 504, and Electrovoice Sentry 100EL
|No
|General
Access
|3
|No additional models to document
|DPP
|-
|Keyboard
|Midi Keyboard
|[[File:Keyboard.png|frameless|120x120px]]
Samson Graphite M32
|No Guide
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.
|No
|General
Access
|2
|No additional models to document
|MIDI
|-
|Synthesizer
|Semi Modular Synth
|Moog Mother 32
|No Guide
|
|Yes
|General
Access
|2
|No additional models to document
|SMS
|-
|Stands
|Mic Desk Stand
|[[File:Desk stand.png|frameless|150x150px]]
Many Models
|No Guide
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk
|No
|General
Access
|24
|No additional models to document
|MSDX
|-
|Stands
|Mic Floor Stand
|[[File:Mic stand.png|frameless|225x225px]]
Many Models
|No Guide
|The most common kind of stand you see on stage and in studio.
|No
|General
Access
|30 total
|Tall (21)
Short (9)
|MSFX
|-
|Stands
|Boom Pole
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]

Many Models

like the Rode BoomPole
|No Guide
|A pole that can hold a microphone on one end while a "boom operator" holds the other end. used to get good sound right next to a source without being in camera frame.
|No
|General
Access
|20
|No additional models to document
|MSH
|-
|Cables and Adapters
|An Assortment
|Many Items
|[https://www.youtube.com/watch?v=T7BAYs1-hq4 Cable Wrapping VIdeo]
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4"(guitar), 1/8"(ipod), and RCA. We also have DI Boxes for guitars and much more.
|No
|General
Access
|Many Items
|See the [[Cables and Adapters Catalog]] for what is available.
|Many Items
|}

== Presentation ==
[[Category:Media Loan Catalogs]]
{| class="wikitable mw-collapsible" style="text-align: center; vertical-align:middle; background:#C5d2ba"
|+
Presentation_Catalog
!Type
!Item
!Brand & Model
!Gear Guide
!Description
!Proficiency
Required?
!Access
!Quantity of This Model
!Quantity of Similar Models
!Code
|-
|Modern Projection
|Projector
|[[File:Projector.png|frameless|150x150px]]
Vivitek Qumi Q6
|No Guide
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.
|No
|General
Access
|10
|Sharp XG C435X-L with no Case (10)
|VDPQ
|-
|Modern Projection
|Screen for Projection
|Many Models
|No Guide
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.
|No
|General
Access
|6
|No additional models to document
|SCT
|-
|Modern Projection
|Display Adapters Assortment
|Many Items
|No Guide
|We have many kinds of solutions available to connect equipment for video.
|No
|General
Access
|x
|See the [[Cables and Adapters Catalog]] for what is available.
|Many Items
|-
|Document Camera
|USB capable Doc Cam
|[[File:Epson DC21.png|frameless|147x147px]]

Epson

DC-21
|No Guide
|A document camera that can connect over USB to project or make a "2nd camera" as a "shared screen" while video conferencing. Can zoom in and focus on documents and objects in the document area.
|No
|General
Access
|2
|DC20 (2)
|PES
|-
|Video Players
|DVD & Blu-Ray Player
|[[File:Bluray.png|frameless|150x150px]]
Panasonic Dmp-bd85
|No Guide
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.
|No
|General
Access
|4
|No additional models to document
|BLU
|-
|Video Players
|CD & DVD Player
|[[File:Sony DVP DVD.png|frameless|169x169px]]

Sony DVP N557P
|No Guide
|A player for CDs and DVDs that outputs audio and/or video.
|No
|General
Access
|9
|No additional models to document
|DVD
|-
|Video Players
|VHS Player
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]

Panasonic PV4561
|No Guide
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.
|No
|General
Access
|2
|Sony SV0 1550 (1)
|VRH
|-
|Audio For Presentation
|Microphones
|[[File:MHA-SureSM58.jpg|frameless]]
Shure SM58
|No Guide
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker
|No
|General
Access
|See the Audio section above for count.
|Check [[Microphones in General Access]] to see all available Microphones.
|MHA
|-
|Audio For Presentation
|Speakers
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150
|No Guide
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.
|No
|General
Access
|See the Audio section above for count.
|[[Microphones in General Access]]
|SPM
|}
Quantity last updated July 2021.

__NOEDITSECTION__

Microphones in Audio Studio

2022-01-21T22:10:08Z

Stewarts:

This page is going to be deleted. Newest page is [[Microphone Catalog|Microphone Catalog.]]

Audio is a subjective field. Use your ears and good judgement to find out which mics you like for the different applications. The only thing that is not subjective is the fact that both ribbon and condenser microphones are more delicate and sensitive than dynamics, and thus easier to damage if treated carelessly or used to mic kick drums.
{| class="wikitable" style="text-align: center; background: Lavender;"
|-
! TESC SKU !! Image !! Brand/Model !! Pattern !! Usage !! Dynamic / Condenser !! Battery Type!! Connection !! More details
|-
|MAA||[[File:Maa.png|frameless]]||AKG D202E
|CARDIOID
|Designed to eliminate proximity effect, very flat frequency response.
|D
|||XLR
||30HZ-15KHZ
|-
|MAB
|[[File:Mab.png|frameless]]
|AKG D224E
|CARDIOID
|Designed to handle high SPL, good midrange,
-20db rear attenuation at all freqs
|D
|||XLR
|20HZ-20KHZ
|-
|MAE
|[[File:Mae.png|frameless]]
|AKG 460B
|CARDIOID
|Low self-noise. Equipped with low cut filters or 10db pad.
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MAF
|[[File:Maf.png|frameless]]
|AKG D112
|CARDIOID
|Used primarily on kick drums. Handles high SPL.
|D
|||XLR
|20HZ-17KHZ
|-
|MAH
|[[File:Mah.png|frameless]]
|AKG C414
|VARIOUS
|Large diaphragm condenser.

Used on instruments
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MAN
|[[File:Man.png|frameless]]
|ASTON

ORIGIN
|CARDIOID
|Large diaphragm condenser. Used on instruments and vocals
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MAV
|[[File:Mav.png|frameless]]
|AUDIO

TECHNICA

4060
|CARDIOID
|Vacuum tube condenser. Used on vocals, instruments and amps.
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MBN
|[[File:Mbn.png|frameless]]
|NEUMANN

KM-84
|CARDIOID
|Small diaphragm FET condenser. Used for drum overheads and on hi-hats
|C
|48V
|XLR
|40HZ-16KHZ
|-
|MBO
|[[File:Mbo.png|frameless]]
|NEUMANN

U87
|VARIOUS
|Used for vocals. has low cut, 10db pad, and omni, cardioid, and figure 8 pickup switches
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MPB
|[[File:Mbp.png|frameless]]
|NEUMANN

KM-83
|OMIN
|The Omnidirectional equivalent of the km-84.
|C
|48V
|XLR
|40HZ-16KHZ
|-
|MBQ
|[[File:Mpq.png|frameless]]
|NEUMANN

U47

(FET)
|HYPER

CARDIOID
|Large diaphragm FET condenser. Good for studio vocals.
|C
|48V
|XLR
|40HZ-16KHZ
|-
|MCK
|[[File:Mck.png|frameless]]
|AVANTONE

CK-40
|STEREO

VARIOUS
|Stereo condenser with adjustable pickup patterns and swiveling capsule. Good for recording a room or in a figure 8 pattern.
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MCNT
|[[File:Mcnt.png|frameless]]
|RODE NT4
|STEREO

CARDIOID
|Used for stereo recording of live performances, ensembles, etc
|C
|
9V BAT

ONLY
|XLR OR 1/8"
|20HZ-20KHZ
|-
|MCP
|[[File:Mcp.png|frameless]]
|CROWN

PZM
|HEMI-

SPHERICAL
|Used for recording multiple voices in a conference or meeting setting.
|PZM
|48V OR 2X9V BAT
|XLR
|50HZ-15KHZ

VARIES
|-
|MCS
|[[File:Mcs.png|frameless]]
|STUDIO

PROJECTS

C4
|CARDIOID AND OMNI CAPSULES
|Small diaphragm condenser. Used for overhead or stereo recording of instruments or ensembles.
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MED
|[[File:Med.png|frameless]]
|ELECTRO

VOICE (EV)

635A
|OMNI
|
A live interview microphone designed to eliminate plosives and other proximity effects.
|D
|
|XLR
|80HZ-13KHZ
|-
|MEG
|[[File:Meg.png|frameless]]
|EV RE-16
|SUPERCARDIOID
|
Excellent for podium use where high intelligibility is important.
|D
|
|XLR
|80HZ-15KHZ
|-
|MEJ
|[[File:Mej.png|frameless]]
|EV RE-15
|SUPERCARDIOID
|Used for broadcasting and instrument recordings. Also used to mic speaker cabinets.
|D
|
|XLR
|80HZ-15KHZ
|-
|MEM
|[[File:Mem.png|frameless]]
|EV RE-55
|OMNI
|Handheld vocal use for interviews or recording of orchestras etc.
|D
|
|XLR
|40HZ-20KHZ
|-
|MEO
|[[File:Meo.png|frameless]]
|EV CS-15
|CARDIOID, OMNI CAPSULES
|Increased bass response at close proximities. Handheld vocal use.
|C
|48V
|XLR
|40HZ-18KHZ
|-
|MEP
|[[File:Mep.png|frameless]]
|EV RE-20
|CARDIOID
|Very popular vocal recording mic, used extensively in broadcasting.
|D
|
|XLR
|45HZ-18KHZ
|-
|MER
|[[File:Mer.png|frameless]]
|EV RE-18
|SUPERCARDIOID
|Designed to reduce microphone handling noise. Used for spoken word/announcing.
|D
|||XLR
|80HZ-15KHZ
|-
|MES
|[[File:Mes.png|frameless]]
|EV 408B
|SUPERCARDIOID
|Instrument mic, used mostly on instruments with high SPL, drums, horns, etc.
|D
|
|XLR
|40HZ-19KHZ
|-
|MET
|[[File:Met.png|frameless]]
|EV 308B
|CARDIOID
|Slightly less directional version of the 408b. Instrument mic.
|D
|
|XLR
|45HZ-18KHZ
|-
|MEW
|[[File:Mew.png|frameless]]
|EARTH

WORKS

TC 20
|OMNI
|Reference flat microphone, 150db SPL rating, used for calibration or for very loud instruments/sound effects
|C
|48V
|XLR
|10HZ-20KHZ
|-
|MFH
|[[File:Mfh.png|frameless]]
|CASCADE

FATHEAD
|FIGURE 8
|Used for mid-side pickup, and on instruments and vocals.
|RIBBON
|NO
|XLR
|60HZ-8KHZ
|-
|MHA
|[[File:Mha.png|frameless]]
|SHURE SM58
|CARDIOID
|
Suitable for vocal use in live performance, sound reinforcement, and studio recording.
|D
|
|XLR
|50HZ-18KHZ
|-
|MHB
|[[File:Mhb.png|frameless]]
|SHURE

BETA

87A
|SUPERCARDIOD
|Hand held vocal mic

good feedback rejection
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MHD
|[[File:Mhd.png|frameless]]
|SHURE SM53
|CARDIOID
|Vintage hand held vocal mic, designed for low proximity effect.
|D
|
|XLR
|70HZ-16KHZ
|-
|MHE
|[[File:Mhe.png|frameless]]
|SHURE SM57
|CARDIOID
|good for live sound reinforcement, instruments and vocals. bright, clean sound.
|D
|
|XLR
|40HZ-15KHZ
|-
|MHF
|[[File:Mhf.png|frameless]]
|SHURE SM81
|CARDIOID
|Used on instruments, popular for pianos.
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MHG
|[[File:Mhg.png|frameless]]
|SHURE VP88
|CARDIOID,

FIGURE 8
|Stereo recording mic used in broadcasting.
|C
|48V
|XLR
|40HZ-20KHZ
|-
|MHK
|[[File:Mhk.png|frameless]]
|SHURE KSM32
|CARDIOID
|General purpose condenser mic, useable for vocals/instruments etc. equipped with -15db and low cut switches.
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MHM
|[[File:Mhm.png|frameless]]
|SHURE KSM137
|CARDIOID
|Small diaphragm condenser designed for instruments.
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MHS
|[[File:Mhs.png|frameless]]
|SHURE SM7B
|CARDIOID
|Shure’s response to the EV RE-20, a popular broadcasting vocal mic.
|D
|
|XLR
|50HZ-20KHZ
|-
|MEF
|[[File:BETA52A.JPG|frameless|155x155px]]
|SHURE BETA 52A
|SUPERCARDIOID
|Supercardioid specifically for kick drums
|D
|
|XLR
|20HZ-
10KHZ
|-
|MML
|[[File:Mml.png|frameless]]
|MARSHAL

MXL2003
|CARDIOID
|General purpose condenser mic, useable on vocals, instruments, ensembles etc
|C
|48V
|XLR
|20HZ-23KHZ
|-
|MNA
|[[File:Mna.png|frameless]]
|SENNHEISER 421
|CARDIOID
|Vocal or instrument mic popular in studios
|D
|
|XLR
|30HZ-17KHZ
|-
|MKH
|[[File:MKH40.jpg|centre|frameless|152x152px]]
|SENNHEISER MKH 40
|CARDIOID
|The MKH 40 P 48 is a high frequency condenser microphone with an excellent frequency range.
|C
|48V
|XLR
|40HZ-
20KHZ
|-
|MAD
|[[File:E605.JPG|frameless|160x160px]]
|SENNHEISER
E604 DRUM MIC KIT
|CARDIOID
|Mic kit specifically built for snare drums. Emphasis on mid and high frequencies, with a fairly clear low frequency clarity. Based on MD 421 technology.
|D
|
|XLR
|40HZ-
18KHZ
|-
|MNC
|[[File:Mnc.png|frameless]]
|MNC CONDENSER COMBO KIT
|VARIOUS
|Useful for field recording, comes with various pickup patterns for versatility of recording.
|C
|48V OR AA
|XLR
|
|-
|MND
|[[File:Mnd.png|frameless]]
|SENNHEISER 441
|SUPERCARDIOID
|Vocal and instrument mic equipped with a 5 position bass roll off switch and a treble boost switch
|D
|
|XLR
|40HZ-20KHZ
|-
|MNE
|[[File:Mne.png|frameless]]
|DR.NORMAR'S BINAURAL HEAD
(MKE 2002)
|OMNI
|Sennheiser binaural microphone pair, for recording a 3d stereo field for playback over headphones.
|C
|9V ONLY
|XLR
|40HZ-20KHZ
|-
|MOF
|[[File:Mof.png|frameless]]
|SONY ECM50
|OMNI
|Vintage lavalier vocal mic
|C
|48V

OR E90

BAT
|XLR
|40HZ-14KHZ
|-
|MOH
|[[File:Moh.png|frameless]]
|SONY ECM22P
|CARDIOID
|Instrument/vocal mic, can use external phantom power or battery power between 3.7 and 9 volts
|C
|206 BAT OR

48V
|XLR
|40HZ-15KHZ
|-
|MPP
|[[File:Mpp.png|frameless]]
|PACIFIC PRO LD1
|CARDIOID
|Large diaphragm condenser, used for vocals, instruments, ensembles etc
|C
|48V
|XLR
|20HZ-20KHZ
|-
|MRB
|[[File:Mrb.png|frameless]]
|BEYER M160
|HYPERCARDIOID
|Designed for instruments, popular on strings.
|RIBBON
|
|XLR
|40HZ-18KHZ
|-
|MRC
|[[File:Mrc.png|frameless]]
|COLES 4038
|FIGURE 8
|Vocal/instrument mic, popular with BBC broadcasting and recording studios.
|RIBBON
|
|XLR
|30HZ-15KHZ
|-
|MRR
|[[File:Mrr.png|frameless]]
|RCA 77DX
|VARIOUS
|Vintage ribbon mic, featuring cardioid, omni, and figure 8 polar patterns. Popular in broadcasting for vocals.
|RIBBON
|
|XLR
|20HZ-20KHZ
|-
|MRY
|[[File:Mry.png|frameless|100x100px]]
|ROYER R121
|FIGURE 8
|High quality ribbon instrument mic.
|RIBBON
|
|XLR
|40HZ-18KHZ
|-
|MTS
|[[File:Mts.png|frameless|110x110px]]
|CHAMELEON LABS TS-1
|OMNI,
CARDIOID
|Small diaphragm tube mic, used primarily on instruments
|C
|EXT
|XLR
|20HZ-20KHZ
|-
|MTS2
|[[File:Mts2.png|frameless|100x100px]]
|CHAMELEON LABS TS-2
|VARIOUS
|Large diaphragm tube condenser, used primarily on vocals.
|C
|EXT
|XLR
|20HZ-20KHZ
|-
|MSV
|[[File:Msv.png|frameless]]
|SE ELECTRONICS SE 5000
|
|Large diaphragm tube condenser, used on vocals
|C
|EXT
|XLR
|
|-
|MSZ
|[[File:Msz.png|frameless]]
|SE ELECTRONICS SE 5600
|
|Large diaphragm tube condenser, used on vocals
|C
|EXT
|XLR
|
|}

Media Labs and Studios Catalog

2022-01-21T21:28:49Z

Stewarts:

{{Media Loan Covid Message}}

<div class="container-fluid">

<div class="row">

<div class="col-md-8">

<div class="lead">

<div class="lead">[[File:Media Loan Logo.png|left|frameless|90x90px]] -PAGE IN PROGRESS- The catalog of all labs and studios used for audio, video, photo, animation, editing. </div>

<div class="pull-right"></div>

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__NOTOC__

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<div class="col-md-1"></div>
<div class="col-md-3 sidebar">
{{Media Loan Basic Sidebar}}


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</div>

__NOEDITSECTION__

== Areas with Many Computers==
These are spaces that anyone can drop in and use when open.
{| class="wikitable" style="text-align: center; vertical-align:middle; background:#ffeeee;"
|+

!Use
!Name
!Building
!Room Number
!Manager / Contact
!Lab Description
!Hours
!Keys Needed
!Key Pickup
!How to Schedule
!''<u>Proficiency</u>''
''<u>Required?</u>''
!''<u>Class Required?</u>''
|-
|Photo
|Digital Imaging Studio
|Evans Hall
|LIB 1324
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|No
|-
|Media
|Multimedia Lab (MML)
|Evans Hall
|LIB 1404
|Aaron Kruse krusea@evergreen.edu (360) 867-6842
| -
| -
|No
|N/A
| -
|Yes
|No
|}
== Media Labs and Studios for Individual Checkout==
These are spaces that people need to become proficient in before use and then can schedule studio time in.
{| class="wikitable" style="text-align: center; vertical-align:middle; background:#ffeeee;"
|+

!Use
!Name
!Building
!Room Number
!Manager / Contact
!Lab Description
!Hours
!Keys Needed
!Key Pickup
!How to Schedule
!''<u>Proficiency</u>''
''<u>Required?</u>''
!''<u>Class Required?</u>''
|-
|Audio
|Audio Mix Bench
|Evans Hall
|LIB 1520,
LIB 1522
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5277
| https://www.evergreen.edu/electronicmedia/audio-mixing-benches
|Library Building Hours
|Yes
|Media Loan
|Media Loan
or MML
|Yes
|No
|-
|Audio
|Sound Effects Studio
|Evans Hall
|LIB 1358
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5277
| https://www.evergreen.edu/electronicmedia/sound-effects-studio
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|No
|-
|Audio
|5.1 Mix Suite
|Evans Hall
|LIB 1328
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/51-surround-mix-lab
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|No
|-
|Audio
|Audio Lab
|Evans Hall
|LIB 1360
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/audio-lab-control-room-and-studio
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|Yes
|-
|Audio
|Music Technology Lab
|Communications
Building
|COM 343,
COM 344,

COM 346,

COM 347
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/music-technology
|COM Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|Yes,

Music Technology
|-
|Audio
|Intermediate Audio Studio
|Communications Building
|Com 110/111A
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
|https://www.evergreen.edu/electronicmedia/intermediate-audio-recording-studios
|
|
|
|
|
|
|-
|Audio
|Intermediate Audio Studio
|Communications Building
|Com 107/212A
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
|https://www.evergreen.edu/electronicmedia/intermediate-audio-recording-studios
|
|
|
|
|
|
|-
|Audio
|Advanced Multitrack
|Communications
Building
|COM 118
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/com-118-advanced-multitrack-studio
|COM Building Hours
|Yes
|Media Loan
|Patrick LaBahn
|Yes
|Yes,

Multitrack Composition
|-
|Photo
|Photolab
|Evans Hall
|LIB 1310
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|
|-
|Photo
|Darkroom
|Evans Hall
|LIB 1310
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|
|-
|Video
|Video Edit Suites
|Evans Hall
|LIB 1522,
LIB 1524,

LIB 1526
| -
MML@evergreen.edu

-
| -
|Library Building Hours
|Yes
|Media Loan
|Media Loan
or MML
|Yes
|
|-
|Video
|TV Studio
|Evans Hall
|CCAM
LIB 1344
|Dave Cramton
Cramtond@evergreen.edu

(360) 867-5505
| -
| -
|Yes
| -
|Media Loan
|Yes
|Yes,

Advanced Media Program
|-
|Video
|Lynda Lab
|Evans Hall
|CCAM
LIB 1344
|Dave Cramton
Cramtond@evergreen.edu

(360) 867-5505
| -
|Library Building Hours
|Yes
| -
|Media Loan
|Yes
|Yes,

Advanced Media Program
|-
|Animation
|2D Multi-Use Lab
|Communications
Building
|COM 309
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|2D Rotoscope Lab
|Evans Hall
|LIB 1408
| -
Animation@evergreen.edu

(360) 867-7446
| -
|Library Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|3D Animation Lab
|Communications
Building
|COM 310
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|Animation Rotoscoping
|Communications
Building
|COM 310A
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|Animation Light Table
|Communications
Building
|COM 310B
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|16mm Film
|16mm Transfer Station
|Evans Hall
|LIB 1521
| -
| -
|Offline
|Yes
|Media Loan
| -
|Yes
|
|-
|16mm Film
|16mm Film Edit Bench
|Communications
Building
|COM 325 A, B, C, D
| -
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|}

__NOEDITSECTION__

Media Labs and Studios Catalog

2022-01-21T19:25:48Z

Stewarts:

{{Media Loan Covid Message}}

<div class="container-fluid">

<div class="row">

<div class="col-md-8">

<div class="lead">

<div class="lead">[[File:Media Loan Logo.png|left|frameless|90x90px]] -PAGE IN PROGRESS- The catalog of all labs and studios used for audio, video, photo, animation, editing. </div>

<div class="pull-right"></div>

</div>

__NOTOC__

</div>

<div class="col-md-1"></div>
<div class="col-md-3 sidebar">
{{Media Loan Basic Sidebar}}


</div>


</div>


</div>

__NOEDITSECTION__

== Areas with Many Computers==
These are spaces that anyone can drop in and use when open.
{| class="wikitable" style="text-align: center; vertical-align:middle; background:#ffeeee;"
|+

!Use
!Name
!Building
!Room Number
!Manager / Contact
!Lab Description
!Hours
!Keys Needed
!Key Pickup
!How to Schedule
!''<u>Proficiency</u>''
''<u>Required?</u>''
!''<u>Class Required?</u>''
|-
|Photo
|Digital Imaging Studio
|Evans Hall
|LIB 1324
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|No
|-
|Media
|Multimedia Lab (MML)
|Evans Hall
|LIB 1404
|Aaron Kruse krusea@evergreen.edu (360) 867-6842
| -
| -
|No
|N/A
| -
|Yes
|No
|}
== Media Labs and Studios for Individual Checkout==
These are spaces that people need to become proficient in before use and then can schedule studio time in.
{| class="wikitable" style="text-align: center; vertical-align:middle; background:#ffeeee;"
|+

!Use
!Name
!Building
!Room Number
!Manager / Contact
!Lab Description
!Hours
!Keys Needed
!Key Pickup
!How to Schedule
!''<u>Proficiency</u>''
''<u>Required?</u>''
!''<u>Class Required?</u>''
|-
|Audio
|Audio Mix Bench
|Evans Hall
|LIB 1520,
LIB 1522
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5277
| https://www.evergreen.edu/electronicmedia/audio-mixing-benches
|Library Building Hours
|Yes
|Media Loan
|Media Loan
or MML
|Yes
|No
|-
|Audio
|Sound Effects Studio
|Evans Hall
|LIB 1358
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5277
| https://www.evergreen.edu/electronicmedia/sound-effects-studio
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|No
|-
|Audio
|5.1 Mix Suite
|Evans Hall
|LIB 1328
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/51-surround-mix-lab
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|No
|-
|Audio
|Audio Lab
|Evans Hall
|LIB 1360
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/audio-lab-control-room-and-studio
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|Yes
|-
|Audio
|Music Technology Lab
|Communications
Building
|COM 343,
COM 344,

COM 346,

COM 347
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/music-technology
|COM Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|Yes,

Music Technology
|-
|Audio
|Advanced Multitrack
|Communications
Building
|COM 118
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/com-118-advanced-multitrack-studio
|COM Building Hours
|Yes
|Media Loan
|Patrick LaBahn
|Yes
|Yes,

Multitrack Composition
|-
|Photo
|Photolab
|Evans Hall
|LIB 1310
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|
|-
|Photo
|Darkroom
|Evans Hall
|LIB 1310
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|
|-
|Video
|Video Edit Suites
|Evans Hall
|LIB 1522,
LIB 1524,

LIB 1526
| -
MML@evergreen.edu

-
| -
|Library Building Hours
|Yes
|Media Loan
|Media Loan
or MML
|Yes
|
|-
|Video
|TV Studio
|Evans Hall
|CCAM
LIB 1344
|Dave Cramton
Cramtond@evergreen.edu

(360) 867-5505
| -
| -
|Yes
| -
|Media Loan
|Yes
|Yes,

Advanced Media Program
|-
|Video
|Lynda Lab
|Evans Hall
|CCAM
LIB 1344
|Dave Cramton
Cramtond@evergreen.edu

(360) 867-5505
| -
|Library Building Hours
|Yes
| -
|Media Loan
|Yes
|Yes,

Advanced Media Program
|-
|Animation
|2D Multi-Use Lab
|Communications
Building
|COM 309
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|2D Rotoscope Lab
|Evans Hall
|LIB 1408
| -
Animation@evergreen.edu

(360) 867-7446
| -
|Library Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|3D Animation Lab
|Communications
Building
|COM 310
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|Animation Rotoscoping
|Communications
Building
|COM 310A
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|Animation Light Table
|Communications
Building
|COM 310B
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|16mm Film
|16mm Transfer Station
|Evans Hall
|LIB 1521
| -
| -
|Offline
|Yes
|Media Loan
| -
|Yes
|
|-
|16mm Film
|16mm Film Edit Bench
|Communications
Building
|COM 325 A, B, C, D
| -
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|}

__NOEDITSECTION__

Media Labs and Studios Catalog

2022-01-21T19:22:19Z

Stewarts:

{{Media Loan Covid Message}}

<div class="container-fluid">

<div class="row">

<div class="col-md-8">

<div class="lead">

<div class="lead">[[File:Media Loan Logo.png|left|frameless|90x90px]] -PAGE IN PROGRESS- The catalog of all labs and studios used for audio, video, photo, animation, editing. </div>

<div class="pull-right"></div>

</div>

__NOTOC__

</div>

<div class="col-md-1"></div>
<div class="col-md-3 sidebar">
{{Media Loan Basic Sidebar}}


</div>


</div>


</div>

__NOEDITSECTION__

== Areas with Many Computers==
These are spaces that anyone can drop in and use when open.
{| class="wikitable" style="text-align: center; vertical-align:middle; background:#ffeeee;"
|+

!Use
!Name
!Building
!Room Number
!Manager / Contact
!Lab Description
!Hours
!Keys Needed
!Key Pickup
!How to Schedule
!''<u>Proficiency</u>''
''<u>Required?</u>''
!''<u>Class Required?</u>''
|-
|Photo
|Digital Imaging Studio
|Evans Hall
|LIB 1324
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|No
|-
|Media
|Multimedia Lab (MML)
|Evans Hall
|LIB 1404
|Aaron Kruse krusea@evergreen.edu (360) 867-6842
| -
| -
|No
|N/A
| -
|Yes
|No
|}
== Media Labs and Studios for Individual Checkout==
These are spaces that people need to become proficient in before use and then can schedule studio time in.
{| class="wikitable" style="text-align: center; vertical-align:middle; background:#ffeeee;"
|+

!Use
!Name
!Building
!Room Number
!Manager / Contact
!Lab Description
!Hours
!Keys Needed
!Key Pickup
!How to Schedule
!''<u>Proficiency</u>''
''<u>Required?</u>''
!''<u>Class Required?</u>''
|-
|Audio
|Audio Mix Bench
|Evans Hall
|LIB 1520,
LIB 1522
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5277
| https://www.evergreen.edu/electronicmedia/audio-mixing-benches
|Library Building Hours
|Yes
|Media Loan
|Media Loan
or MML
|Yes
|No
|-
|Audio
|Sound Effects Studio
|Evans Hall
|LIB 1358
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5277
| https://www.evergreen.edu/electronicmedia/sound-effects-studio
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|No
|-
|Audio
|5.1 Mix Suite
|Evans Hall
|LIB 1328
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/51-surround-mix-lab
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|No
|-
|Audio
|Audio Lab
|Evans Hall
|LIB 1360
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/audio-lab-control-room-and-studio
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|Yes
|-
|Audio
|Music Technology Lab
|Communications
Building
|COM 343,
COM 344,

COM 346,

COM 347
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| -
|COM Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|Yes,

Music Technology
|-
|Audio
|Advanced Multitrack
|Communications
Building
|COM 118
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/com-118-advanced-multitrack-studio
|COM Building Hours
|Yes
|Media Loan
|Patrick LaBahn
|Yes
|Yes,

Multitrack Composition
|-
|Photo
|Photolab
|Evans Hall
|LIB 1310
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|
|-
|Photo
|Darkroom
|Evans Hall
|LIB 1310
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|
|-
|Video
|Video Edit Suites
|Evans Hall
|LIB 1522,
LIB 1524,

LIB 1526
| -
MML@evergreen.edu

-
| -
|Library Building Hours
|Yes
|Media Loan
|Media Loan
or MML
|Yes
|
|-
|Video
|TV Studio
|Evans Hall
|CCAM
LIB 1344
|Dave Cramton
Cramtond@evergreen.edu

(360) 867-5505
| -
| -
|Yes
| -
|Media Loan
|Yes
|Yes,

Advanced Media Program
|-
|Video
|Lynda Lab
|Evans Hall
|CCAM
LIB 1344
|Dave Cramton
Cramtond@evergreen.edu

(360) 867-5505
| -
|Library Building Hours
|Yes
| -
|Media Loan
|Yes
|Yes,

Advanced Media Program
|-
|Animation
|2D Multi-Use Lab
|Communications
Building
|COM 309
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|2D Rotoscope Lab
|Evans Hall
|LIB 1408
| -
Animation@evergreen.edu

(360) 867-7446
| -
|Library Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|3D Animation Lab
|Communications
Building
|COM 310
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|Animation Rotoscoping
|Communications
Building
|COM 310A
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|Animation Light Table
|Communications
Building
|COM 310B
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|16mm Film
|16mm Transfer Station
|Evans Hall
|LIB 1521
| -
| -
|Offline
|Yes
|Media Loan
| -
|Yes
|
|-
|16mm Film
|16mm Film Edit Bench
|Communications
Building
|COM 325 A, B, C, D
| -
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|}

__NOEDITSECTION__

Media Labs and Studios Catalog

2022-01-21T19:13:40Z

Stewarts:

{{Media Loan Covid Message}}

<div class="container-fluid">

<div class="row">

<div class="col-md-8">

<div class="lead">

<div class="lead">[[File:Media Loan Logo.png|left|frameless|90x90px]] -PAGE IN PROGRESS- The catalog of all labs and studios used for audio, video, photo, animation, editing. </div>

<div class="pull-right"></div>

</div>

__NOTOC__

</div>

<div class="col-md-1"></div>
<div class="col-md-3 sidebar">
{{Media Loan Basic Sidebar}}


</div>


</div>


</div>

__NOEDITSECTION__

== Areas with Many Computers==
These are spaces that anyone can drop in and use when open.
{| class="wikitable" style="text-align: center; vertical-align:middle; background:#ffeeee;"
|+

!Use
!Name
!Building
!Room Number
!Manager / Contact
!Lab Description
!Hours
!Keys Needed
!Key Pickup
!How to Schedule
!''<u>Proficiency</u>''
''<u>Required?</u>''
!''<u>Class Required?</u>''
|-
|Photo
|Digital Imaging Studio
|Evans Hall
|LIB 1324
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|No
|-
|Media
|Multimedia Lab (MML)
|Evans Hall
|LIB 1404
|Aaron Kruse krusea@evergreen.edu (360) 867-6842
| -
| -
|No
|N/A
| -
|Yes
|No
|}
== Media Labs and Studios for Individual Checkout==
These are spaces that people need to become proficient in before use and then can schedule studio time in.
{| class="wikitable" style="text-align: center; vertical-align:middle; background:#ffeeee;"
|+

!Use
!Name
!Building
!Room Number
!Manager / Contact
!Lab Description
!Hours
!Keys Needed
!Key Pickup
!How to Schedule
!''<u>Proficiency</u>''
''<u>Required?</u>''
!''<u>Class Required?</u>''
|-
|Audio
|Audio Mix Bench
|Evans Hall
|LIB 1520,
LIB 1522
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5277
| https://www.evergreen.edu/electronicmedia/audio-mixing-benches
|Library Building Hours
|Yes
|Media Loan
|Media Loan
or MML
|Yes
|No
|-
|Audio
|Sound Effects Studio
|Evans Hall
|LIB 1358
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5277
| https://www.evergreen.edu/electronicmedia/sound-effects-studio
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|No
|-
|Audio
|5.1 Mix Suite
|Evans Hall
|LIB 1328
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/51-surround-mix-lab
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|No
|-
|Audio
|Audio Lab
|Evans Hall
|LIB 1360
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/audio-lab-control-room-and-studio
|Library Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|Yes
|-
|Audio
|Music Technology Lab
|Communications
Building
|COM 343,
COM 344,

COM 346,

COM 347
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| -
|COM Building Hours
|Yes
|Media Loan
|Media Loan
|Yes
|Yes,

Music Technology
|-
|Audio
|Advanced Multitrack
|Communications
Building
|COM 118
|Patrick LaBahn
Labahnp@evergreen.edu

(360) 867-5227
| https://www.evergreen.edu/electronicmedia/com-118-advanced-multitrack-studio
|COM Building Hours
|Yes
|Media Loan
|Patrick LaBahn
|Yes
|Yes,

Multitrack Composition
|-
|Photo
|Photolab
|Evans Hall
|LIB 1310
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|
|-
|Photo
|Darkroom
|Evans Hall
|LIB 1310
|Carrie Chema
Carolyn.chema@evergreen.edu

(360) 867-6274
| -
|TBD
|No
|N/A
|Schedule Evergreen
or Lab Aide
|Yes
|
|-
|Video
|Video Edit Suites
|Evans Hall
|LIB 1522,
LIB 1524,

LIB 1526
| -
MML@evergreen.edu

-
| -
|24 Hours
|Yes
|Media Loan
|Media Loan
or MML
|Yes
|
|-
|Video
|TV Studio
|Evans Hall
|CCAM
LIB 1344
|Dave Cramton
Cramtond@evergreen.edu

(360) 867-5505
| -
| -
|Yes
| -
|Media Loan
|Yes
|Yes,

Advanced Media Program
|-
|Video
|Lynda Lab
|Evans Hall
|CCAM
LIB 1344
|Dave Cramton
Cramtond@evergreen.edu

(360) 867-5505
| -
|24 hours
|Yes
| -
|Media Loan
|Yes
|Yes,

Advanced Media Program
|-
|Animation
|2D Multi-Use Lab
|Communications
Building
|COM 309
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|2D Rotoscope Lab
|Evans Hall
|LIB 1408
| -
Animation@evergreen.edu

(360) 867-7446
| -
|24 Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|3D Animation Lab
|Communications
Building
|COM 310
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|Animation Rotoscoping
|Communications
Building
|COM 310A
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|Animation
|Animation Light Table
|Communications
Building
|COM 310B
| -
Animation@evergreen.edu

(360) 867-7446
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|-
|16mm Film
|16mm Transfer Station
|Evans Hall
|LIB 1521
| -
| -
| -
|Yes
|Media Loan
| -
|Yes
|
|-
|16mm Film
|16mm Film Edit Bench
|Communications
Building
|COM 325 A, B, C, D
| -
| -
|COM Building Hours
|Yes
|Media Loan
| -
|Yes
|
|}

__NOEDITSECTION__

Canon Rebel T5i/T6i/T7i Gear Guide

2020-03-19T17:28:45Z

Stewarts: /* LCD Flip-out Screen */

'''A proficiency test is required to check out this camera.''' Schedule a proficiency at the front desk of Media Loan or by calling 360-867-6253. Read this operating guide, and complete the written portion of the [[Canon Rebel Proficiency Test]] prior to your scheduled proficiency. Bring your answer sheet with you to the test, which should take approximately 30 - 45 minutes. <br />
*[http://wikis.evergreen.edu/computing/images/8/8b/Rebel_t5i_guide.pdf Canon Rebel T5i Complete Manual]

== Caring for the Canon Rebel==
Media Loan has a limited number of Canon Rebel cameras. We appreciate your help in caring for this item to insure its long-term use at Evergreen.

'''DO NOT''':
<br />
Drop this camera
<br />
Point camera toward Sun.
<br />
Submerge this camera in water
<br />
Leave this camera near a strong magnetic field!
<br />
Leave this camera in excessive heat, such as a car
<br />
Store this camera in excessive heat or cold
<br />
Use a blow dryer to blow dust from the camera
<br />
Store this camera in a location where there may be corrosive chemicals
<br />
Use excessive physical force<br />
Touch the mirror or sensor
<br />
Please be gentle with this camera; it looks hardy, but it's delicate!

== New Features to the T5i/T6i==
The newer Rebel models have a separate video mode switch, a flip-out LCD monitor, touch screen functionality, and a depth-of-field preview button.

===LCD Flip-out Screen===
To flip the monitor out, pull on the right side of the screen. When it is swung out you can rotate it up, down, or over 180 degrees to face the subject. This allows you to view your Live View image or exposure settings from various angles.

===Touch Screen===
The LCD screen monitor on the T5i/T6i has touch screen capabilities, unlike the other Rebel models available at Media Loan. You can use the touch screen to navigate the MENU, adjust settings, and change exposure. It is automatically activated in Live View mode and the MENU; with Live View off you will need to press the Q button to activate the touch screen and navigate the Q Menu. Touch screen can be enabled/disabled in the MENU. The touch shutter function, activated in Live View mode, enables you to take a picture by simply tapping the LCD screen with your finger.

==T5i/T6i Differences==
The Canon Rebel T5i and T6i are very similar in design and functionality. They are both equipped with the same censor, the APS-C 332.3mm2 and have the same ISO range of 100-12,800. Media Loan has very few T6i’s available. Here are the major differences between these models:<br>
* Megapixels: 18MP – T5i vs. 24.2MP – T6i<br>
* Pixels: T5i – Bigger pixels, better in low-light vs. T6i – More pixels, higher resolution<br>
* Even though they have the same ISO range, the T6i handles noise better<br>
* The T6i has more Auto-Focus (AF) points<br><br>
They have slight differences in exterior buttons, explained below.

==T5i Diagrams==
<gallery>
File:T5i front.jpg|T5i front diagram
File:T5i back.jpg|T5i front diagram
File:T5i Dial.jpg|T5i front diagram
</gallery>

==T6i Diagrams==
<gallery>

</gallery>
[[File:Canon T6i Front Diagram.png|none|thumb|186x186px|T6i Front Diagram ]]
[[File:Canon Rebel T6i Back Diagram.png|none|thumb|177x177px|T6i Back Diagram]]
[[File:Canon T6i Mode Dial.png|none|thumb|178x178px]]

==Battery==
To insert a battery into the Canon Rebel:
# Open the battery door located on the bottom of the camera by pulling on the latch and swinging the door open.
# Align the battery attachment on the camera to the attachment in the slot.
# Slide the battery into place and lock it in.
# Close the battery door.
<br />

The battery will only fit in one way, so if it does not seem to be working, the battery is not oriented correctly. When the camera is powered off, it takes several seconds to clean the sensor. Because of this, make sure that the "Sensor Cleaning" logo is no longer on the screen before removing the battery.<br><br>
To charge the battery, slide it into the provided charger and then plug the charger into a standard 120 VAC outlet. '''Do not charge more than 24 hours. Do not use any charger other than the one provided with the camera.'''<br>

===Battery Life===
The Canon Rebel shows charge level in three stages: "Battery OK", "Battery Low", and "Needs to be Charged". To conserve battery life, the Rebel will go into a sleep mode after a period of disuse with default settings. To wake the camera, press the shutter button down halfway. If you know you will not be using the camera, it is best to fully turn the camera off.

==Camera Memory==
The T5i/T6i can use SD, SDHC, and SDXC memory cards. Most Media Loan Rebels will come with a 16 gigabyte card already in the camera. If you wish to use your own card, make sure the speed rating is at least Class 4 for RAW photos, and Class 10 45mb/s for video.<br><br>
To switch memory cards, open the door on the back of the camera's hand grip, and press the back of the memory card. The card will pop out far enough to grab the back. Remove the card. To insert a new card, make sure it is oriented correctly, and insert the new memory card until it stops.

==Canon Rebel Lenses==
The Canon Rebel will accept any Canon EF of EF-S bayonet lenses. Media Loan has several different zoom and prime lenses that can be checked out alongside a Canon Rebel. Prime lenses (fixed focal length) are recommended for faster apertures and picture quality, while zoom lenses are recommended for changing shooting settings, or long telephoto applications.
===Removing and Replacing Lenses===
'''Please do not remove the included kit lens from the camera unless you intend to attach a different lens immediately.'''<br>On the Canon Rebel, there is a half-circle shaped button on the right side of the lens mount (viewed from the front of the camera). To remove the lens, press this button, and turn the lens approximately 90 degrees clockwise. To attach a new lens, find the guide mark on the lens body. If it is an EF lens, the guide mark will be a red circle. If the lens is EF-S, the guide mark will be a white square. Line up the guide mark with the matching mark on the Canon rebel body, set the lens into the mount, and turn it approximately 90 degrees counter clockwise until it locks into place.
===Auto / Manual Focus Switch===
The Canon Rebel uses an in-lens focusing system, which is switched on and off on the body of the lens. Regardless of the settings on the camera body, if the switch on the lens is set to MF (Manual Focus), the camera will not perform AF (Auto Focus) functions.
===Image Stabilization===
Some canon lenses feature an optical IS (Image Stabilization) function. This can be useful for shooting fast-moving hand-held shots, shots in low-light environments, etc. Because the IS is optical, it will not deteriorate the quality of the image as digital image stabilization does. However, using the IS feature on a lens will drain the battery much faster. Due to power consumption concerns, we recommend that the IS be turned off when shooting from a tripod, or at high enough shutter speeds that hand movement will not be a concern. The IS controlled on the lens body, and if the lens has an IS feature, the switch will be next to the AF/MF switch next to the lens mount.

==Controls==
The T6i has two added buttons on top of the camera body, above the Mode Dial: DISP. and one for Auto-Focus (AF) functionality. The DISP. button will turn the LCD screen on/off when Live View is disengaged, and the AF allows for quick access to Auto-Focus settings.
===Mode Dial===
<gallery>

</gallery>
====A-DEP====
A-DEP (Automatic DEPth of Field) mode on the Canon Rebel is designed to maximize focus across a picture, and is primarily intended for landscapes or large groups of people. A-DEP must be used with AF turned on, as the camera will use the AF sensor array to search through the frame for the distance of all subjects, then determine aperture and shutter values to create a depth of field that will keep all subjects in focus. A-DEP is not recommended for moving subjects, portraits, or shots where foreground and background de-focus is desired. The only controllable exposure settings in A-DEP mode are ISO and Exposure compensation.

====M====
M (Manual) mode offers full control over all features on the Canon Rebel. All exposure settings and picture styles must be changed by the user. This allows for the most creative control over the camera, but also demands an understanding of the camera's features, and basic principals of photography. In manual mode, the shutter speed is controlled by the dial next to the shutter release button. Aperture is controlled by the same dial while the AV button on the back of the camera is pressed. ISO can be set by pressing the button on the top of the camera between the Mode Dial and the Shutter Speed Dial. While in M, you can choose Auto ISO.

====Av====
Av (Aperture Priority Auto-Exposure) mode is designed to let the user choose aperture values, and automatically determine shutter speed for correct exposure. While in Av mode, the dial next to the shutter button will control the aperture. ISO is controlled the same way as in M mode, and shutter speed is determined by the camera. Av mode is designed to let the user control depth of field in a shot (to customize deep of shallow focus), but may not be good for high speed subjects, as the camera may use a slow shutter speed to acquire correct exposure.

====Tv====
Tv (Shutter Priority Auto-Exposure) mode is designed for photography where shutter speed is crucial. In Tv mode, the shutter speed is controlled with the dial next to the shutter button. In this mode, the user determines shutter speed, and the camera will automatically determine an aperture value for correct exposure. ISO is controlled in the same manner as in M mode. Tv mode is designed for applications such as sports photography, where depth of field is not particularly important, but fast shutter speeds to minimize motion blur are desired.

====P====
P (Program Auto-Exposure) mode allows the camera to control both the shutter speed and the aperture value. Users may still set the ISO as in M mode. In P mode, the user may change the shutter / aperture combination by turning the dial next to the shutter button. When the user changes the shutter / aperture setting like this, the camera will automatically change both shutter speed and aperture value simultaneously to maintain correct exposure. This mode is good for shooting in rapidly changing environments, or learning how the combination of shutter and aperture change both exposure and visual elements within the picture.

====CA====
CA (Creative Auto) mode operates exactly like full automatic mode with several more user controlled options allowed. In CA mode, the user may turn the flash on or off, change exposure compensation, choose picture styles, and change the drive mode of the camera. All other values are locked to camera-control.

====Auto (Green Square)====
Auto mode locks all options into camera control. User cannot override any options on the camera, including exposure, picture style, or drive mode. Auto mode is not recommended for any shooting situation.

====Other Still Photo Modes====
The Canon Rebel has several specialized automatic modes, designed for various different applications. They mimic the manual control modes without giving the user any actual manual control of the camera. '''Flash Off''' mode runs like full auto, but locks out the flash. '''Portrait''' mode uses a wide aperture to defocus the background and emphasize the subject. '''Landscape''' mode uses a small aperture to create deep focus from the foreground to the background. '''Macro''' mode attempts to optimize exposure and shutter drive for close-up photography (NOTE: the close-focus distance of the rebel is determined by the lens, and will not change regardless of what mode the camera body is set to. To take photos with small subjects near the camera, check out a macro-specialized lens from Media Loan). '''Sports''' mode will use the fastest shutter speed possible to minimize motion blur in pictures. '''Night Portrait''' mode will fire the flash to get a clear photo of the foreground subject, and use a long shutter speed to capture the background. Although each of these modes has specific applications, manual camera modes will offer more control in any situation.

===Video Mode===
The T5i/T6i cameras have full-manual HD video functionality. Unlike other Rebel models at Media Loan, the video mode on the T5i/T6i is activated on the same switch '''near the Mode Dial as ON/OFF'''. This allows the user to easily change '''exposure modes with the mode dial''' while shooting video.<br><br>
Turn the switch to the video camera icon to engage video mode. The mirror will open, and live view will automatically activate '''(the Q menu is disabled in video mode)'''. To record or stop recording video, press the live view button. You can change the exposure and image settings the same way in video mode as in photo mode (exterior buttons, touch screen). You can also adjust image settings in the '''MENU'''. Pressing '''INFO''' will display more or less information.
===Aperture / Exposure Compensation Button===
The '''Aperture / Exposure Compensation''' button (Av +/-) allows control over the aperture while in manual shooting mode. While in other modes, the button controls exposure compensation, allowing the user to make the camera expose lighter or darker than the internal meter would under normal operation.

===Quick Control Button (Q) / Q Menu===
The '''Quick Control (Q)''' button allows camera settings to be controlled via the cross keys when the '''Q Menu''' is engaged. To use the quick control feature, turn off Live View and press the Q button. You can then use the cross keys to select the setting you wish to change.

===Display Button===
'''T6i ONLY'''. The '''Display''' (DISP) button on the camera will turn the the screen on and off during normal operation. When the camera is in video or live view mode, the '''Display''' button will cycle through different options for viewing exposure information on the screen.

===Info Button===
The '''INFO''' button on the camera will turn the screen on and off during normal operation. When the camera is in video or live view mode, the INFO button will cycle through different options for viewing exposure information on the screen.
When Live View mode is engaged, the INFO button will display exposure settings on the LCD screen. Press the INFO button multiple times to display more or less settings.

===Depth-of-field Preview Button===
The aperture opening changes only at the moment when the picture is taken. Otherwise, the aperture remains fully open. Therefore, when you look at the scene through the viewfinder or on the LCD screen, the depth of field will look narrow. Press the depth-of-field preview button (located on the camera body near the lens mount) to stop down the lens to the current aperture setting and check the actual depth of field (range of acceptable focus). This will darken the viewfinder considerably. This button can also be used to display the exposure settings in the bottom of the viewfinder.

==Live View==
Both the T5i/T6i are capable of shooting in Live View mode. This will open up the mirror and the shutter in the camera body and display a live image from the camera's sensor on the screen. To turn live view on or off, press the button on the camera next to the eyepiece with the circular red Record logo and a small logo of the camera back. You can enable/disable Live View mode in the MENU.
While in Live View, auto focus will be severely limited. All video is shot in Live View mode. While the camera is in Live View, '''DO NOT''' point the camera at the sun, as the sensor is exposed and will be damaged. Note that the appearance of the image on the screen in live view mode does not reflect the brightness of the actual picture. Always use the meter or histogram, as the brightness of the LCD cannot be trusted.
While the camera is in video mode, live view mode will turn on automatically. In this case, the '''Live View''' button becomes the '''Record / Stop''' button for video recording.

==Metering Modes==
The Canon Rebels have built-in light meter systems. The metering modes measure the light of an image in order to determine whether or not it is properly exposed. The light meter is displayed in multiple places, including in the bottom of the viewfinder, in the Q Menu, and the bottom of the LCD screen in Live View mode.<br><br>
T5i/T6i both have four different modes to meter the lighting in a scene.<br>
* '''Evaluative Metering''' is the camera's standard metering mode. It is suited for most shooting situations, including some moderate back-lighting of a subject.<br>
* '''Partial Metering''' is effective when the background is significantly brighter or darker than the subject.<br>
* '''Center-Weighted Average Metering''' takes the average of lighting across the frame with slight preference given to lighting in the center of the frame.<br>
* '''Spot Metering''' meters from a small area in the center of the frame. Spot metering is the most accurate, but only accounts for a small part of the picture, so several meter readings may be necessary to evaluate the lighting of a scene.

==Shutter Drive Modes==
Shutter drive modes determine the way the camera will react when the shutter button is pressed. The T5i/T6i both have:<br>
* '''Single Shooting''' will take a picture each time the shutter button is fully depressed.<br>
* '''Continuous Shooting''' will take pictures as long as the shutter button is pressed down. The camera will take pictures as fast as the shutter mechanism and the data buffer will allow. (max. aprox. 3 shots/second)<br>
* '''Self Timer / Remote Control''' will allow the shutter to be released via wired or wireless remote, or, if the shutter button is depressed, take a single shot after 2 or 10 seconds.<br><br>
The T6i has some additional drive features that the T5i doesn’t:<br>
* '''Single silent shooting''' is single shooting with less sound<br>
* '''Silent continuous shooting''' is continuous shooting with less sound<br>
* '''Self-timer: Continuous''' Press the up and down arrow keys to set the number of multiple shots (2 to 10) to be taken with the self-timer. 10 seconds after you press the shutter button, the set number of multiple shots will be taken.<br>

==Image Size and Quality==
All Rebels have a number of image size and quality options. In most cases, the best option is to shoot at the highest resolution and quality possible, but space and processing limitations can make high-resolution images impractical.
===RAW Images===
Raw images are a direct feed from the camera's image sensor. Due to this, Raw files are extremely large and versatile. Raw image files have far better dynamic range than JPEG image files. Settings such as ISO and White balance can be changed during post processing, because Raw image files do not bake info into the image.

===JPEG Images===
JPEG images are compressed image files that save memory space by removing some of the detail and dynamic range from photographs. Canon Rebels apply a noise reduction process during the creation of JPEG images, which can make images look smoother in low-ISO situations, but can create a large amount of digital artifacts in high-ISO images. The T5i and T6i both have various resolution and quality settings for JPEG image capture.

=== Image-recording Quality Settings for the Canon Rebel T5i ===
[[File:Media Loan- Image Quality T5i.png|none|thumb|800x800px]]

==Menu System==
<gallery>
File:T2iMenu.jpg|T2i Menu Screen
File:T2iMenuNav.jpg|Menu Navigation Buttons
</gallery>
The full menu system of the Rebels can be accessed by pressing the '''MENU''' button on the back of the camera by the viewfinder. Image quality settings, picture style customization, memory management, screen brightness, and more are controlled from within the main menu. Use the cross keys to navigate the menu. Use the '''SET''' button to choose the highlighted option. At any time you can return to the main menu by pressing the '''MENU''' button again, or the home screen by halfway depressing the '''shutter release'''.

==Quick Exposure Settings Guide==
There are multiple ways to adjust the shutter speed, ISO and aperture settings on the T5i/T6i. Exposure settings are shown on the bottom of the viewfinder (enable with the depth-of-field preview button) and the LCD screen. The main ways to adjust exposure settings is with the top scroll wheel, the touch screen, set and cross keys, and the ISO and Av buttons.<br><br>
The exposure settings can be adjusted in multiple ways:<br>
* '''Exterior buttons:''' In either photo or video mode, with or without live view, there are exterior exposure button controls. To adjust the shutter speed, scroll back and forth with the top wheel. Aperture can be changed while holding down the Av button and scrolling with the top wheel. To adjust the ISO, press the ISO button (located on top of the camera near the mode dial) and then use the scroll wheel to make a selection.<br><br>
* '''Q Menu (Live View Off):''' Enable the Q menu by turning off Live View. You can then adjust exposure settings in manual shooting modes. Press the Q button to enable selections and set button to go into specific settings. You can use the touch screen instead of buttons, as well as the exterior buttons. <br><br>
* '''Live View:''' Enable the manipulation of the exposure settings in Live View by pressing the INFO button. Multiple depressions of INFO will enable various settings. Once engaged, you can use the touch screen or exterior buttons. <br>

== Custom White Balance ==
Custom white balance enables you to manually set the white balance for a specific light source for better accuracy. Perform this procedure under the actual light source to be used.

'''Photograph a white object.'''
* The plain, white object should fill the spot metering circle.
* Focus manually and set the standard exposure for the white object.
* You can have have any white balance set for initial photograph--AWB, daylight, etc.
<br />
'''Select Custom White Balance in the menus.'''
* Under the second camera sub menu, select Custom White Balance, then press set.
* The photo you took should appear and then select OK and this white balance data will be imported.
* When the menu reappears, press the MENU button to exit the menu.
<br />
'''Make sure you are on the custom white balance setting.'''
* Press the WB button or the Quick Menu and select custom white balance and press set.
[[File:Media Loan Custom White Balance.png|none|thumb|100x100px]]
<br />
== Putting your Media onto a Computer ==
There are two ways to put photos and videos onto a computer from you camera.<br>
* '''SD card:''' Remove the SD card from your camera. Use a card reader from media loan to connect it to the computer via a USB mini to USB A cable. a folder should pop up automatically to the computer desktop, or be seen in the computer's file management system like Apples “Finder”. Remember to “eject” the folder before disconnecting the SD card.
* '''Direct connection:''' Connect your camera to the computer using a USB mini to USB A cable. the cable connects to a socket on your camera labeled “A/V out Digital” behind a rubber flap. Once connected turn on you camera and open a photo viewing software like Apples “Photos” desktop application. Within the application, your photos from the camera should be available as a folder. It should work similarly on the equivalent Windows photo application.
[[Category:Media_Loan]]

Category:COM 118

2020-03-05T18:15:06Z

Stewarts:

COM 118 is the advanced multi-track recording studio located in the Communications Building. Only students enrolled in the advanced class can access this studio. This studio is managed by Patrick LaBahn.

[[category:Audio Studios]]

APS Gimbal Operating Guide

2020-02-06T17:30:29Z

Stewarts:

This is a restricted piece of equipment for advanced video students only. Students must be in an approved program for access to this equipment. [[APS Gimbal Proficiency Test|The gimbal also requires a proficiency.]]
[[File:001 zpsxh3b9mth.jpg|none|thumb|562x562px]]

==INTRO==
Using Advanced Production Services equipment is a privilege
and works differently than the rest of media loan. In order to request APS
equipment, you must send in a work order 24 hours in advance to when you
request the equipment. If you are not on time for pickup, the equipment you
reserved may be given to someone else who requested it. Checkouts are for 2-3
days and there are NO RENEWALS for APS equipment UNLESS you fill out an
equipment renewal form 24 hours in advance. For more information about APS policy,
visit: '''<nowiki>http://www.evergreen.edu/medialoan/aps-policies</nowiki>'''

Handheld
3-axis gimbals are used in stabilization systems designed to give the camera
operator the independence of handheld shooting without camera vibration or
shake. Powered by three brushless motors, the gimbals have the ability to keep
the camera level on all axes as the camera operator moves the camera. An
inertial measurement unit (IMU) responds to movement and utilizes its three
separate motors to stabilize the camera. With the guidance of algorithms, the
stabilizer is able to notice the difference between deliberate movement such as
pans and tracking shots from unwanted shake. This allows the camera to seem as
if it is floating through the air.

The Advanced Production Services ''3-Axis Gimbal'' allows for steady camera movements in the x, y, and
zed directions. The three
axes to this gimbal are: Tilt Axis, The Roll Axis, and the Pan Axis.

==CARE==
The gimbal at Media Loan is a complicated (and expensive!) piece of equipment that requires special attention and care. If not used and stored properly it can be permanently damaged. These potential damages may lead to accidents and hazards. Please use thorough care with this equipment. <br />

'''ALWAYS:'''
*Make sure all screws and locks are secured tightly before operation
*Store in a cool, dry place
*Only use handles to carry gimbal.
*Use the stand to set-up the gimbal for use
*Make sure that the roll and pitch axis cables do not become tangled
*Properly balance the gimbal prior to operation
<br />
'''NEVER:'''
*Expose to excessive heat, such as a furnace
*Store any items in the case besides those included in the kit
*Use excessive force with any of the parts
*Use in a location with strong static electricity
*Set the gimbal directly on a surface. You MUST use the stand.
*Use in the rain or non-dry weather
*Pick up the gimbal with any other part than the handles
*Force the gimbal to move when locked

====BATTERY====
*Only use the included battery with this equipment
*Use only the included charger
*Do not overcharge (when fully charged, the indicator light will be solid green)
** '''NEVER REMOVE BATTERY PACK FROM GIMBAL'''

==CONTENTS==
*3-axis gimbal
*gimbal stand
*One Lithium Polymer Battery Pack attached to gimbal ('''Stays on gimbal!''')
*One Lithium Polymer Fast Charge System
*Gimbal remote and it’s charging station (USB)
*camera mount
*and camera mount adaptor[[File:Gimbal 4-01.jpg|thumb|544x544px|none]]
### Gimbal Stand Handles
### Mount for Gimbal remote
### Handle Release - This will detach the gimbal from the handle. *'''DO NOT DO THIS'''*
### Pan Axis Adjustment - Moves entire gimbal spine back and forward.
### Lithium Polymer battery pack
### Camera Mount (TAA) - Slides back to front (Release duck tail knob)
### Roll Axis Adjustment - Moves from left to right, tightening screws located at back of gimbal.
### Vertical Tilt Axis Adjustment - Brings the camera mount up or down.

==BASIC GIMBAL MECHANICS==
[[file:Gimbal_3_axes_rotation.gif|right]]

Before
operating the gimbal, it is CRUCIAL to balance your camera on the gimbal in the
three axes in order to achieve fluid movement with all 6 points. Imagine three
circles rotating interdependently of each other, where each circle rests inside
the previous one. The first circle is the Tilt Axis which rotates vertically
around the Center of Gravity. Inside that circle is the Roll Axis which spins
horizontally from the Center of Gravity. Finally, the innermost circle is the Pan
Axis, this rests on the vertical axis of the Roll, instead of from the Center
of Gravity.

==BALANCING==
Prior to operation, '''the gimbal must be properly balanced.''' If it's not, the gimbal will not function properly. '''Balanced''' means that the gimbal and camera is centered and leveled, with no part tilting up/down or to the side.<br />

Use the following steps, explained further below, to adjust the gimbal balance. '''DO NOT POWER ON THE BATTERY UNTIL AFTER BALANCING.'''

====MOUNTING THE CAMERA====
[[File:Gimbal 3-02.jpg|none|thumb|197x197px]]
#Attach the camera mounting plate to your camera using provided ¼” screw
#If using a follow focus or similar device, mount it on the camera before adding the camera to the gimbal body.
#With the gimbal on the tuning stand facing outward, insert the camera until the safety lock is engaged. Make sure the gimbal is not turned on when balancing the camera.
#Tighten the camera base side clamp. You can adjust the tightness of the slide clamp with an M3 Allen wrench.
[[File:Gimbal 4-03.jpg|none|thumb]]

==== '''ADJUSTING HANDLE BARS''' ====
The
customizable handle bar on this gimbal can be adjusted for each individual
user. Use the levers on the grips to loosen and then adjust the grips on the
handle bar.
[[File:GIMBAL 1-03.jpg|none|thumb|385x385px]]

'''The whole'''
bar can be taken off when adjusting the grips. Leave the bar on this gimbal, it
is there for the safety and protection of yourself and the equipment.

====TILT AXIS ADJUSTMENT====
This axis affects the forward and back tilting of the camera on the
gimbal. There are two calibrations which make up the Tilt Axis:

#Begin with Tilt Axis Adjustment: The '''TAA''' is the orientation of the camera mount plate on the gimbal. As the name implies, the '''TAA''' affects the pitch (or up-down tilt) of the camera. You may need to move this forward or back, depending on the camera. It takes very small adjustments to balance the camera correctly. If properly balanced, the camera should be able to remain steady at any given tilt angle.
[[File:Gimbal 4-03.jpg|none|thumb|426x426px]]

'''Note:''' The best TAA position for the Canon 6D is the lowest.

====VERTICAL TILT ADJUSTMENT (VTA)====
The '''VTA''' is the position height of
the camera. As the name implies, the VTA affects the pitch (or up-down tilt) of
the camera. You will need to move the camera higher or lower to level the
camera and eliminate up-down tilt. To do this –

#Rotate Tilt Axis so that the camera points skyward.
#Loosen the two ducktail knobs on the bottom of the gimbal arm and adjust the two knobs to raise and lower the camera.
#Once the camera remains skyward after release, the Vertical Tilt is correctly adjusted. Make sure that the measurements on each side are the same or the motor could jam.
[[File:GIMBAL 1-02.jpg|none|thumb|298x298px]]
[[File:Gimbal 4-02.jpg|none|thumb]]
[[File:GIMBAL 1-01.jpg|none|thumb|299x299px]]

====ROLL AXIS====
This axis effects the rotational abilities of the
gimbal, and allows for fluid rotational movement from the neck and arm of the
gimbal. When the proper left/right roll balance is achieved, the camera will
stay level.

#Loosen the two lock-knobs at the bottom of the gimbal plate in order to make adjustments.
#Slide the camera left and right until the Roll Axis remains level
#Retighten the two lock-knobs which keep the Roll position.
[[File:GIMBAL ILL-03.jpg|none|thumb]]
[[File:Gimbal 3-01.jpg|none|thumb]]

====PAN AXIS ADJUSTMENT====
The '''PAA'''
is an adjustment of the gimbal’s '''spine''',
the space between the handles and the gimbal arm. To achieve balance while
panning:
# Loosen the ducktail knob on the top of the gimbal spine.
# Then, use the knob at the back of the gimbal above the battery pack to adjust the pan Axis. Check to see if the camera is either top heavy or bottom heavy and then turn the knob to adjust the forward and back position of the spine. While the gimbal is on the tuning stand, Rotate the gimbal along the pan axis by lifting one side of the handle bar. If the camera does not swing, the axis is properly balanced. Ensure the ducktail knob is tightened to keep the adjustment in place.
[[File:GIMBAL ILL-01.jpg|none|thumb|335x335px]]

====ADVANCED ROLL ADJUSTMENTS====
The '''ARA''' is
used when additional adjustment is needed. This is typically when the camera
body is too lightweight in comparison to the gimbal’s motor system. Use the
Allan knobs to loosen the adjustment and then slide the whole arm left or right
to compensate for the lightweight camera.

==REMOTE OPERATION==
Once the
camera is stabilized by going through 6-point calibration, turn on the gimbal
by pressing once, and then holding the button down a second time until the
lights flashes and you hear a beep. The gimbal will engage and keep the camera
balanced.

The remote
for the gimbal allows you to control the movements of the three axes with a
thumb-pad. The remote is turned on the same way, press the button once and then
hold the button down a second time to turn on.

====TO TURN ON/OFF====
Press and hold the '''power/mode button''' for 3 seconds, or until the indicator light turns on/off. A '''green light''' means the battery is charged and the signal is normal. A '''slowly-flashing red light''' means the battery is getting low, and a '''quickly-flashing red light''' means the remote needs to be charged immediately.
[[File:Gimbal 3-03.jpg|thumb|359x359px|none]]
1.   Directional thumb pad – Use to direct the direction the
gimbal moves.

2.   USB Charge port – Plug USB micro into wall adapter to charge
remote.

3.   Status Button – Green – Aligning code/ Status nominal button. Red – Not communicating with Gimbal/battery life low.

4.   Power switch/Mode change button – Press once to turn on, then
press again to sync with gimbal. Once on and synced, press the button the
number of times corresponding with the desired mode (1-3).

Use the
remote to make adjustments to tilt and pan, do not make those adjustments on
the gimbal itself, it may through the balance off.

The remote
does not have any visual indicator for which mode it is in. Instead it relies
on communicating with the gimbal in order to indicate which mode it is in.
Pressing the button once will put you into mode 1 and the gimbal will beep
once. Two times and it will enter the second mode and beep 2 times. Finally, if
you press the button 3 times, the gimbal enters mode 3 and beeps 3 times.

There are
three distinct remote settings:

# '''(Press Once - follow tilt, follow pan.)''' The gimbal will respond and adjust to new tilt and pan positions as you move. This mode is ideal for a versatile subject/shot that needs quick adaptation.
# '''(Press Twice - lock tilt, follow pan.)''' The gimbal will remain at the set tilt position, but you will be able to adjust the pan position as you move. This mode is ideal for a tracking shot around a corner.
# '''(Press Thrice - lock tilt, lock pan.)''' The tilt and pan positions will remain locked. This mode is ideal for linear tracking shots.
<br />Charge the remote with the included power adaptor and cable. The remote needs 1.5 hours to fully charge and typically lasts for 8 hours.

==BATTERY OPERATION==
1.
Check
the power level - Quickly press the
power button once. The light will indicate the power level (1-4 bars). The
charge will display on the 4 LEDS on the back, 4 bars is fully charged.

2.
To
Turn on – Quickly press the power button once, the indicator light will turn
on. Press and hold the power button again and the battery will turn on. You’ll
know it’s on when the lights remain lit and the gimbal beeps.

3.
To
Turn off – Quickly press the power button once, the indicator light will flash.
Press and hold the power button again until the lights turn off. You’ll know
it’s off when you can freely move all three axes.

== Operation Modes ==

=== Underslung Method - ===
1.
Underslung
mode is the standard, default mode. It can be used without any user input.

=== Upright Method - ===
# Flip the gimbal upwards 180 degrees to change to upright mode. Upright mode is ideal for high camera positions, as it allows you to shoot higher and/or at eye level. This mode can be used without any user input.

=== Briefcase Method - ===
# Briefcase mode allows you to hold the gimbal in a slim profile close to your body. To enter this mode, tilt the gimbal on the roll axis 90 degrees to the left or right.

'''When you are finished using'''
the gimbal, make sure to put away all equipment tidily, remove the battery pack
from the gimbal.

==TROUBLESHOOTING==
1.
'''The motor is weak''' ……………. Check to see if the voltage settings
are nominal or not

2.
'''Vibrating and jittering'''………… Double check your balance/calibration of
the axes, make sure all screws are locked and tightened.

3.
'''Roll Axis diverges at CoG'''…… Check if the CoG for the rotational axis
is set correctly. Otherwise, redo the calibration.

4.
'''Drifting'''……………………………The 6-point calibration is off or the gimbal
is being interrupted by a different magnetic field.

5.
'''Motor shutdown''' ………………. Check to see if the battery has a
charge left, it may have died.

'''You may experience some issues attempting to'''
operate this gimbal. The most common problems are caused by an improper
balancing of the device. If the gimbal continues to misbehave, or is having
technical issues that are not covered in this manual, bring the equipment back
to APS or call x5506 during business hours to receive aid from Media Loan
Staff.'''
[[Category:Media Loan]]'''

Lighting for Video

2020-01-07T22:22:05Z

Stewarts:

== Introduction ==
Everything we do with cameras and lenses is about capturing light. A scene may be lit with '''available light'''--using natural or man-made light that is already at the location--or with lighting the the filmmaker controls. The way a scene is lit influences both how we understand the scene and how we experience it emotionally. Light directs the viewer's attention. It provides cues, creates depth, surface texture, or can flatten, compress, and smooth over features. Quality of light has a powerful effect on the mood of a scene.

== Light ==
[[File:Media Lighting Moonlight Still.jpg|alt=Still from Moonlight, Barry Jenkins, 2016|none|thumb|Still from Barry Jenkins's "Moonlight," 2016]]

To start to understand light, look at a painting, photograph, or scene in a movie and ask yourself:
* What kind of shadow does it cast (crisp or diffuse)?
* What angle is it coming from?
* How bright is it (intensity)?
* How bright is it relative to other lights (lighting contrast)?
* What color is it?
<blockquote>When you are ready to shoot ask yourself the same questions.</blockquote>

=== Qualities of Light ===
The '''hardness''' of light is a way to describe the type of shadow it casts. '''Hard Light''', also called '''specular light''', is made up of parallel rays that produce clean, hard shadows that outline the shapes of objects. Hard light is crisp and can feel harsh.

'''Soft''', or '''diffuse''', light is less directional. It's comprised of rays of light going in many different directions and produces gentler shadows.

* Hard light can be produced artificially with lensed or focused lamps that emit a clearly directed beam.
[[File:Media Lighting Hard Lighting.jpg|alt=Film Noir scene from "Mildred Pierce" with hard lighting. |thumb|Still from Micheal Curtiz's "Mildred Pierce," 1945|none]]

* Soft light sources produce a broad and even glow, not a beam of light. Soft sources are often indirect.
[[File:Media Lighting Soft Lighting.jpg|alt=Movie still from "Revolutionary Road" of Actor Kate Winslet being lit by soft lighting outside of a house. The lighting is meant to emulate sun around dusk. |none|thumb|Still from Sam Mendes's "Revolutionary Road," 2008.]]

=== Directionality ===
Light coming from the general direction of the camera is called a '''front light'''. '''Front axial light''' comes from very near the camera's lens, where most of its shadows are mostly not visible from the camera position.

'''Full frontal light''' can be thought of like light emitting from the number 6 on a clock face whose center is the subject (the camera is also positioned at the number 6.) This type of lighting can be harsh and flattening. Fashion photos often deploy full frontal lighting.

'''Offset light''' (the light around 5 or 7) and '''three-quarter front light''' (around 4:30 or 7:30) can be used for portraiture when more shadowing is desired.

'''Full side light''' (around 3 or 9) provides good modeling and indication of texture (since texture is revealed by the pattern of tiny individual shadows visible from the camera position). Side light can be dramatic and produces shadows that fall clearly across the frame and reveal depth of the objects in the space.

'''Backlight''' comes from behind (and usually above) the subject. It tends to outline the subject's shape to differentiate it from the background. Backlight can produce a bright edge or halo on a subject's hair and shoulders. '''Contre-jour''' is when a backlight predominates and it can create a moody or romantic effect. If the background is bright and no light falls on the camera side of the subject, the subject will be in '''silhouette'''.

The '''vertical angle''' of the light will also impact the lighting.

'''Top light''', which shines down from directly above the subject, can make deep shadows in eye sockets. Top light can also make landscapes seem more two-dimensional, because few shadows are visible (think of sunlight at noon or on a bright day). Most filming is done with lights angled about 40 degrees from the floor or slightly higher for the best modeling without casting excessive shadows.

'''Underlighting''', in which the light comes up from below the subject and casts shadows upward, occurs rarely in nature and is used often in horror films.

=== Lighting Contrast ===
Much of the atmosphere and mood of a lighting scheme is determined by lighting contrast. This is the relationship in light intensity between brightly lit areas and shadow areas. Lighting contrast results from the relationship of the '''key light''' (which casts the primary shadows) and the '''fill light''' (that fills the key's shadows).

'''Low-key''' lighting design has high lighting contrast with dark shadow areas predominating over light areas. Low-key lighting is associated with night, emotion, tension, mystery, etc. Film-noir movies utilize this type of lighting.
[[File:Media Lighting LowKey.jpg|alt=A film still from Citizen Kane that contains a lot of shadows with contrast. |none|thumb|Still from Orson Welles's "Citizen Kane," 1941. ]]

'''High-key''' lighting has low contrast and bright tones predominate, making everything appear bright and cheery. This is used for daytime scenes, comedy, and most studio-shot television shows. In high-key lighting, the light is evenly distributed around the set, which is convenient for situations in which several cameras are shooting simultaneously from different angels or when an actor must be able to move freely around the set without walking into deep shadows.
[[File:Media Lighting Highkey.jpg|alt=A still from ABC's "Grey's Anatomy" that is evenly lit across the scene to example high-key lighting. |none|thumb|Still from ABC's "Grey's Anatomy," 2018.]]

[[Category:Video Production]]

Olympus LS-100 Proficiency Test

2019-12-06T19:12:16Z

Stewarts: /* WRITTEN TEST */

==== WRITTEN TEST ====
Answers may be found in the [[Olympus LS-100 Multi-Track PCM Recorder Operating Guide]]
Complete this written portion and bring it with you to your scheduled operational proficiency. Call 867-6253 if you have any questions.
# What is the point of formatting the internal memory of the recorder before you record audio?
# What are the steps you take in order to format the recorder correctly?
# What is the built in mic configuration on the recorder?
# What sub menus does the device offer in its menu system?
# What is the "Low Cut Filter"?
# How do you keep the display from turning off?
# What are the steps to enable the recorder two use to XLR inputs?
# How do you set the Time & Date of your files?
# Write the steps to insert a SD card.
# What is the extent of your financial responsibility when you checkout equipment from Media Loan?

==== OPERATIONAL PROFICIENCY ====
(TO BE DONE DURING YOUR SCHEDULED APPOINTMENT )
# Turn the recorder on.
# Demonstrate how to navigate through the menus of recorder.
# Format the recorder correctly and prepare for recording.
# Plug preferred mic to correct input.
# Record 30 seconds of audio.
# Connect headphones or speakers to line-out and playback your track.
# Add another track manually.
# Erase track.
# Show that you understand how to import your audio files from the recorder to the computer.
[[category:Media Loan]]