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		<updated>2026-08-16T09:05:10Z</updated>
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	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43457</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43457"/>
				<updated>2022-04-04T23:16:07Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
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&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
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&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;/div&amp;gt; &lt;br /&gt;
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This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
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&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|170x170px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:Electrovoice edit.png|frameless|170x170px]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:Sennheiser combo.png|frameless|170x170px]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:Mic NT4.png|frameless|170x170px]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:Mic RODE.png|frameless|170x170px]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|150x150px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Mic LS-100.png|frameless|165x165px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|170x170px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43456</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43456"/>
				<updated>2022-04-04T23:09:27Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|170x170px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:Electrovoice edit.png|frameless|170x170px]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:Sennheiser combo.png|frameless|170x170px]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:Mic NT4.png|frameless|170x170px]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:Mic RODE.png|frameless|170x170px]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|150x150px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Mic LS-100.png|frameless|165x165px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|165x165px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:Voice_recorder.png&amp;diff=43455</id>
		<title>File:Voice recorder.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:Voice_recorder.png&amp;diff=43455"/>
				<updated>2022-04-04T23:08:37Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:Voice recorder.png&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;a voice recorder shown with the internal mics on the top and most controls on the right. Photo by Miette Deschenes.&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43451</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43451"/>
				<updated>2022-04-04T21:17:54Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|170x170px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:Electrovoice edit.png|frameless|170x170px]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:Sennheiser combo.png|frameless|170x170px]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:Mic NT4.png|frameless|170x170px]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:Mic RODE.png|frameless|170x170px]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|150x150px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Mic LS-100.png|frameless|165x165px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43450</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43450"/>
				<updated>2022-04-02T00:21:21Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|150x150px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:Electrovoice edit.png|frameless|150x150px]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:Sennheiser combo.png|frameless|150x150px]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:Mic NT4.png|frameless|165x165px]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:Mic RODE.png|frameless|150x150px]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|150x150px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Mic LS-100.png|frameless|165x165px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43446</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43446"/>
				<updated>2022-03-31T00:09:19Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
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&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
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&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
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&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
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&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|150x150px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:Electrovoice edit.png|frameless|150x150px]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:Sennheiser combo.png|frameless|150x150px]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:Mic NT4.png|frameless|165x165px]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:Mic RODE.png|frameless|150x150px]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|150x150px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Mic LS-100.png|frameless|155x155px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43445</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43445"/>
				<updated>2022-03-31T00:02:32Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|82x82px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:Electrovoice edit.png|frameless|82x82px]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:Sennheiser combo.png|frameless|82x82px]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:Mic NT4.png|frameless|82x82px]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:Mic RODE.png|frameless|82x82px]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|82x82px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Mic LS-100.png|frameless|109x109px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43444</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43444"/>
				<updated>2022-03-30T23:39:04Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
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&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
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&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
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&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
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&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|300x300px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:Electrovoice edit.png|frameless]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:Sennheiser combo.png|frameless]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:Mic NT4.png|frameless]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:Mic RODE.png|frameless]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|82x82px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Mic LS-100.png|frameless|109x109px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:Mic_LS-100.png&amp;diff=43443</id>
		<title>File:Mic LS-100.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:Mic_LS-100.png&amp;diff=43443"/>
				<updated>2022-03-30T23:38:33Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4N_recorder.png&amp;diff=43442</id>
		<title>File:H4N recorder.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4N_recorder.png&amp;diff=43442"/>
				<updated>2022-03-30T23:37:37Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:H4N recorder.png&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43426</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43426"/>
				<updated>2022-03-28T23:50:46Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|300x300px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:Electrovoice edit.png|frameless]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:Sennheiser combo.png|frameless]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:Mic NT4.png|frameless]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:Mic RODE.png|frameless]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|82x82px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:LS-100 top.jpg|frameless|120x120px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:Mic_RODE.png&amp;diff=43425</id>
		<title>File:Mic RODE.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:Mic_RODE.png&amp;diff=43425"/>
				<updated>2022-03-28T23:49:33Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
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		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43424</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43424"/>
				<updated>2022-03-28T23:48:30Z</updated>
		
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&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|300x300px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:Electrovoice edit.png|frameless]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:Sennheiser combo.png|frameless]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:Mic NT4.png|frameless]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:MCV-RodeVideoMic.jpg|frameless]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|82x82px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:LS-100 top.jpg|frameless|120x120px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:Mic_NT4.png&amp;diff=43423</id>
		<title>File:Mic NT4.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:Mic_NT4.png&amp;diff=43423"/>
				<updated>2022-03-28T23:46:46Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:Mic NT4.png&lt;/p&gt;
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		<author><name>Wtcp8731</name></author>	</entry>

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		<title>File:Mic NT4.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:Mic_NT4.png&amp;diff=43422"/>
				<updated>2022-03-28T23:45:50Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
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		<title>File:Nt4.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:Nt4.png&amp;diff=43385"/>
				<updated>2022-03-12T01:45:36Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
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	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43332</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43332"/>
				<updated>2022-03-05T01:17:06Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|300x300px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:Electrovoice edit.png|frameless]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:Sennheiser combo.png|frameless]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:MCNTG4-RodeNT4.jpg|frameless]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:MCV-RodeVideoMic.jpg|frameless]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|82x82px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:LS-100 top.jpg|frameless|120x120px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:Electrovoice_edit.png&amp;diff=43331</id>
		<title>File:Electrovoice edit.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:Electrovoice_edit.png&amp;diff=43331"/>
				<updated>2022-03-05T01:15:42Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
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		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:Sennheiser_combo.png&amp;diff=43330</id>
		<title>File:Sennheiser combo.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:Sennheiser_combo.png&amp;diff=43330"/>
				<updated>2022-03-05T00:17:52Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:Sennheiser combo.png&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43326</id>
		<title>File:SM5-8.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43326"/>
				<updated>2022-03-04T23:49:20Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:SM5-8.png&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43325</id>
		<title>File:SM5-8.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43325"/>
				<updated>2022-03-04T23:43:18Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:SM5-8.png&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43324</id>
		<title>File:SM5-8.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43324"/>
				<updated>2022-03-04T23:41:51Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:SM5-8.png&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43314</id>
		<title>File:SM5-8.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43314"/>
				<updated>2022-03-04T22:32:14Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:SM5-8.png&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:Sennheiser_combo.png&amp;diff=43253</id>
		<title>File:Sennheiser combo.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:Sennheiser_combo.png&amp;diff=43253"/>
				<updated>2022-03-01T00:42:24Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:Sennheiser combo.png&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43252</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43252"/>
				<updated>2022-03-01T00:41:37Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|120x120px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:RE 27 Photo.jpeg|frameless]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:Sennheiser combo.png|frameless]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:MCNTG4-RodeNT4.jpg|frameless]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:MCV-RodeVideoMic.jpg|frameless]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|82x82px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:LS-100 top.jpg|frameless|120x120px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:Sennheiser_combo.png&amp;diff=43251</id>
		<title>File:Sennheiser combo.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:Sennheiser_combo.png&amp;diff=43251"/>
				<updated>2022-03-01T00:40:41Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43250</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43250"/>
				<updated>2022-03-01T00:36:49Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
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&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
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&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
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__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:SM5-8.png|frameless|120x120px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:RE 27 Photo.jpeg|frameless]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:MCNTG4-RodeNT4.jpg|frameless]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:MCV-RodeVideoMic.jpg|frameless]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|82x82px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:LS-100 top.jpg|frameless|120x120px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43249</id>
		<title>File:SM5-8.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43249"/>
				<updated>2022-03-01T00:36:27Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:SM5-8.png&lt;/p&gt;
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		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43248</id>
		<title>File:SM5-8.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43248"/>
				<updated>2022-03-01T00:34:11Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:SM5-8.png&lt;/p&gt;
&lt;hr /&gt;
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		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43247</id>
		<title>File:SM5-8.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:SM5-8.png&amp;diff=43247"/>
				<updated>2022-03-01T00:33:52Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
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	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4N_recorder.png&amp;diff=43246</id>
		<title>File:H4N recorder.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4N_recorder.png&amp;diff=43246"/>
				<updated>2022-03-01T00:24:21Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:H4N recorder.png&lt;/p&gt;
&lt;hr /&gt;
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		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43245</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43245"/>
				<updated>2022-03-01T00:16:59Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless|120x120px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:RE 27 Photo.jpeg|frameless]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:MCNTG4-RodeNT4.jpg|frameless]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:MCV-RodeVideoMic.jpg|frameless]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:H4N recorder.png|frameless|82x82px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:LS-100 top.jpg|frameless|120x120px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4N_recorder.png&amp;diff=43244</id>
		<title>File:H4N recorder.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4N_recorder.png&amp;diff=43244"/>
				<updated>2022-03-01T00:07:34Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: Wtcp8731 uploaded a new version of File:H4N recorder.png&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4N_recorder.png&amp;diff=43243</id>
		<title>File:H4N recorder.png</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4N_recorder.png&amp;diff=43243"/>
				<updated>2022-03-01T00:04:43Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4n.resize.jpg&amp;diff=43228</id>
		<title>File:H4n.resize.jpg</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4n.resize.jpg&amp;diff=43228"/>
				<updated>2022-02-09T21:55:04Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4n_recorder_edit.jpg&amp;diff=43227</id>
		<title>File:H4n recorder edit.jpg</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=File:H4n_recorder_edit.jpg&amp;diff=43227"/>
				<updated>2022-02-09T21:44:18Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Licensing ==&lt;br /&gt;
{{subst:uwl}}&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43225</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43225"/>
				<updated>2022-02-08T00:55:24Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless|120x120px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:RE 27 Photo.jpeg|frameless]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:MHP-DolphinEar.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:MCNTG4-RodeNT4.jpg|frameless]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:MCV-RodeVideoMic.jpg|frameless]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:Zoomh4front.jpg|frameless|120x120px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:LS-100 top.jpg|frameless|120x120px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43224</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43224"/>
				<updated>2022-02-08T00:37:22Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless|120x120px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:RE 27 Photo.jpeg|frameless]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:Hydrophone.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:MCNTG4-RodeNT4.jpg|frameless]]&lt;br /&gt;
Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:MCV-RodeVideoMic.jpg|frameless]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:Zoomh4front.jpg|frameless|120x120px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:LS-100 top.jpg|frameless|120x120px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43223</id>
		<title>Media Loan Catalog</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Media_Loan_Catalog&amp;diff=43223"/>
				<updated>2022-02-08T00:33:46Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Media Loan Covid Message}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;container-fluid&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;row&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;col-md-8&amp;quot;&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]] All Media Loan gear available to students. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
This catalog shows all gear available at Media Loan. There are details about who can access the gear and if people need to pass a proficiency test before using. Some Items have gear guides for more information about how to use them. In the &amp;quot;Proficiency Required?&amp;quot; columns, you can see if you need to pass a proficiency test to use the gear as well as the Gear Guide to do so.  If it is not required then you can use it now, without taking a test. The &amp;quot;Access&amp;quot; column refers to who is allowed to use the equipment. &amp;quot;Everyone&amp;quot; in the Access column means Evergreen students who have paid Media Fees as part of their class, as well as staff and faculty. Some items are only for faculty, or students in APS (Advanced Production Services) classes. The two columns with &amp;quot;Quantity&amp;quot; information are only updated annually, and primarily intended for faculty to determine how many items their students will have access to. The number reflects total items and not what is currently available.   &lt;br /&gt;
&lt;br /&gt;
Quantity last updated July 2021.   &lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
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&amp;lt;div class=&amp;quot;col-md-1&amp;quot;&amp;gt;&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;div class=&amp;quot;col-md-3 sidebar&amp;quot;&amp;gt; &lt;br /&gt;
{{Media Loan Basic Sidebar}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end col-md-3--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end row--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Technical note for source editors: end container--&amp;gt; &lt;br /&gt;
&amp;lt;/div&amp;gt; &lt;br /&gt;
&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt; &lt;br /&gt;
__NOEDITSECTION__ &lt;br /&gt;
&lt;br /&gt;
== Camera and Accessories==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background: #C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Camera_and_Accessory_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Digital Camera&lt;br /&gt;
|DSLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:Rebel.png|frameless|150x150px]]&lt;br /&gt;
Canon Rebel T6i&lt;br /&gt;
|Used for photo and video. Our most popular camera that is ideal for new camera users but has all the features a professional would need. Can connect with our many lenses, stabilizers and flashes.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon Rebel T5i/T6i/T7i Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|Rebel T7i (7)&lt;br /&gt;
Rebel T5i (26)&lt;br /&gt;
&lt;br /&gt;
Rebel T2i (19)&lt;br /&gt;
&lt;br /&gt;
Rebel T1i (5)&lt;br /&gt;
&lt;br /&gt;
Rebel Xsi (8)&lt;br /&gt;
|CDI&lt;br /&gt;
|-&lt;br /&gt;
|Palmcorder&lt;br /&gt;
|[[File:Vixia.png|frameless|150x150px]]&lt;br /&gt;
Vixia HF M500&lt;br /&gt;
|Used for video. This camcorder is easy to use and can get good footage with minimal menu diving.&lt;br /&gt;
|Required&lt;br /&gt;
[[Vixia HD Camcorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|17&lt;br /&gt;
|HFM400,&lt;br /&gt;
&lt;br /&gt;
HFM300,&lt;br /&gt;
&lt;br /&gt;
HFM200 (total 21)&lt;br /&gt;
|VCH&lt;br /&gt;
|-&lt;br /&gt;
|Go Pro&lt;br /&gt;
|[[File:IMG 0110.jpg|frameless|150x150px]]&lt;br /&gt;
Go Pro Hero 4&lt;br /&gt;
|Used for for action shots and timelapse. This well known camera comes with a water proof case and is our only waterproof camera. &lt;br /&gt;
|Required&lt;br /&gt;
[[GoPro Hero 4 Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|5&lt;br /&gt;
|x&lt;br /&gt;
|VGH&lt;br /&gt;
|-&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|alt=A Canon 6D DSLR camera with two cine lenses next to it.|153x153px|centre|frameless]]&lt;br /&gt;
Canon 6D&lt;br /&gt;
|Used primarily for photography and also video. Can create higher resolution pictures than the Rebel T6i.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format DSLR &lt;br /&gt;
|[[File:IMG 0125.jpeg|frameless|150x150px]]&lt;br /&gt;
Pentax 645Z&lt;br /&gt;
|Only a few people will be allowed to use this camera because we only have one.&lt;br /&gt;
|Required&lt;br /&gt;
[[Pentax 645Z Digital Medium Format Gear Guide]]&lt;br /&gt;
|Limited&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CPZ&lt;br /&gt;
|-&lt;br /&gt;
|Point and Shoot&lt;br /&gt;
|[[File:Olympus Tough TG-2.png|frameless|150x150px]]&lt;br /&gt;
Olympus Tough TG-2&lt;br /&gt;
|A simple camera that requires the least experience and camera knowledge to use.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|20&lt;br /&gt;
|x&lt;br /&gt;
|CDO&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Lens for Digital Camera&lt;br /&gt;
|Wide Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 10mm to 75mm. Simply put, these are used to see more of a scene, making objects look smaller.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CWZ&lt;br /&gt;
CWF&lt;br /&gt;
|-&lt;br /&gt;
|Normal Angle Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 28mm to 100mm. Simply put, these are designed to see objects more similar to human eyes than the other lens types.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CMZ&lt;br /&gt;
CMF&lt;br /&gt;
|-&lt;br /&gt;
|Telephoto Lens&lt;br /&gt;
|[[File:Rebel lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
EF and EF-S Mounts&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 75mm to 300mm. Simply put, these are used to see less of a scene, making objects look bigger.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|CTPF&lt;br /&gt;
&lt;br /&gt;
CLZ&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Film Camera&lt;br /&gt;
|35mm SLR&lt;br /&gt;
Camera&lt;br /&gt;
|[[File:K1000front.png|frameless|150x150px]]&lt;br /&gt;
Pentax K-1000&lt;br /&gt;
|Our most popular film camera. Can use a wide variety of lenses (K mount) listed below in the &amp;quot;lens for 35mm SLR Camera&amp;quot; section. Film can be developed in [https://sites.evergreen.edu/photoland/ Photoland.]&lt;br /&gt;
|Required&lt;br /&gt;
[[35mm SLR Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|29&lt;br /&gt;
|Pentax Zx-M (12)&lt;br /&gt;
Promaster 2500PK (10)&lt;br /&gt;
&lt;br /&gt;
Vivitar 35mm (19)&lt;br /&gt;
|CSP&lt;br /&gt;
|-&lt;br /&gt;
|Medium Format&lt;br /&gt;
|[[File:Mamiya-top.jpg|frameless|150x150px]]Mamiya Twin lens&lt;br /&gt;
|A camera that uses bigger film that results in higher resolution images. We have many kinds of Medium format Cameras. Check the Guide for information about each kind.&lt;br /&gt;
|Required&lt;br /&gt;
[[Medium Format Cameras Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Pentax 6x7 (5) Bronica 645 (3)&lt;br /&gt;
Bronica 6x6 (2)&lt;br /&gt;
|CSY&lt;br /&gt;
|-&lt;br /&gt;
|Large Format&lt;br /&gt;
|[[File:LargeFormat.png|frameless|150x150px]]&lt;br /&gt;
Calumet&lt;br /&gt;
|Our biggest film cameras. They use large sheets of film resulting in the highest resolution image possible.&lt;br /&gt;
|Required&lt;br /&gt;
[[Large Format (4x5) Camera Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|Graflex (1)&lt;br /&gt;
|CSC&lt;br /&gt;
|-&lt;br /&gt;
|Lens for 35mm SLR Camera&lt;br /&gt;
|Lens&lt;br /&gt;
|[[File:K mount lens variety.png|frameless|150x150px]]&lt;br /&gt;
Many Models of &lt;br /&gt;
&lt;br /&gt;
K Mount&lt;br /&gt;
|We have fixed and zoom lens options ranging from focal lengths of 8mm to 300mm. These lens are K mount, meaning they only connect to our 35mm film cameras like the K-1000.&lt;br /&gt;
&lt;br /&gt;
'''For Fixed:''' 8mm (fisheye), 10mm,14mm, 16mm (fisheye), 28mm, 135mm, 100mm (macro) &lt;br /&gt;
&lt;br /&gt;
'''For Zoom:''' 28-200mm, 28-105mm, 35-80mm, 70-200mm, 28-80mm (macro), 70-210mm (macro) &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many codes starting with LS&lt;br /&gt;
|-&lt;br /&gt;
|Light Meter&lt;br /&gt;
|Light Meter&lt;br /&gt;
|[[File:Light meter.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A  tool that analyzes light in order to help set the correct exposure in film photography. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|EMF&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Lighting&lt;br /&gt;
|LED kit&lt;br /&gt;
|[[File:GA 2 light kit.png|frameless|150x150px]]&lt;br /&gt;
Genarary SP-E-240B Kit with 2 lights&lt;br /&gt;
|This kit comes with 2 adjustable lights and all the stands and power to make it work&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|Dracast 500 S-Series Kit with 3 lights (2)&lt;br /&gt;
|LED&lt;br /&gt;
|-&lt;br /&gt;
|LED single&lt;br /&gt;
|Genaray Spectroled Studio 500&lt;br /&gt;
|A single adjustable light, can be attached to a light stand.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|LEDS&lt;br /&gt;
|-&lt;br /&gt;
|Hotlight kit&lt;br /&gt;
|[[File:Hot light up close.png|frameless|150x150px]]&lt;br /&gt;
Lowell Pro-Light 3 light kit&lt;br /&gt;
|Hotlights don't use LED. They get dangerously hot and need much more power. each kit comes with stands and barn doors.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|Lowell Omni 3 light kit (5)&lt;br /&gt;
|LQS&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of accessories like Gels, Diffusers, scrim, bounce, grey card, lens hoods, lens filters, etc&lt;br /&gt;
|[[File:Light tools.png|frameless|150x150px]]&lt;br /&gt;
Many items&lt;br /&gt;
|We have many tools to adjust existing lighting and other related aspects of photography and videography.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Camera Flash&lt;br /&gt;
|[[File:Flash on camera.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Photography tool used to add more flash than the built in flash of a camera. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Models&lt;br /&gt;
|Many Models&lt;br /&gt;
|-&lt;br /&gt;
|Flash Kit&lt;br /&gt;
|[[File:Flashkit.png|frameless|150x150px]]Speedlite&lt;br /&gt;
|A well stocked kit with 2 flashes, a transmitter and many modifiers like reflector, bounce, beauty dish, honeycomb, filter, and more&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|EFX&lt;br /&gt;
|-&lt;br /&gt;
|Studio Flash&lt;br /&gt;
|[[File:Elinchrom.png|frameless|150x150px]]Elinchrom D-lite 2 light kit&lt;br /&gt;
|Lights that can be triggered to flash when a camera takes a picture. They come with stands and attachments to modify the light.&lt;br /&gt;
|Required&lt;br /&gt;
[[Elinchrom Studio Flash Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|White Lightning (1)&lt;br /&gt;
|EFE&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Stabilizers&lt;br /&gt;
|Photo Tripod&lt;br /&gt;
|[[File:Photo tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|We have different sizes of tripod for stabilizing shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|55 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPI&lt;br /&gt;
|-&lt;br /&gt;
|Video Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|This is different from a photo tripod because it has a &amp;quot;fluid head&amp;quot; which allows for smooth movements.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|36 total&lt;br /&gt;
|Many Models&lt;br /&gt;
|TPB&lt;br /&gt;
|-&lt;br /&gt;
|Gorillapod&lt;br /&gt;
|[[File:Gorilla pod.png|frameless|150x150px]]&lt;br /&gt;
Joby Gorillapod&lt;br /&gt;
|A small tripod with opposable legs. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|12&lt;br /&gt;
|x&lt;br /&gt;
|TPG&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|6&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod Dolly (Spreader)&lt;br /&gt;
|[[File:Spreader with tripod.png|frameless|210x210px]]Unmarked&lt;br /&gt;
|A collapsible platform to put a tripod on top of. effectively gives the tripod wheels for sliding shot.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRYX&lt;br /&gt;
|-&lt;br /&gt;
|Pocket Skater&lt;br /&gt;
|[[File:Pocket skater and camera.png|frameless|150x150px]]Edelkrone Pocket Skater 2&lt;br /&gt;
|A small, versitle camera mount. It has adjustable wheels and mounting platform to make many sliding shots.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|PSK&lt;br /&gt;
|-&lt;br /&gt;
|Weighted Stabilizer&lt;br /&gt;
|[[File:Weighted stablilizer.png|frameless|150x150px]]&lt;br /&gt;
ProAm Autopilot&lt;br /&gt;
|A handheld camera mount with weights to stabilize camera movement.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|GDC&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Camera Control&lt;br /&gt;
|Assortment of camera specific cables.&lt;br /&gt;
|Many Items&lt;br /&gt;
|DSLR cable release for DSLR and film camera, sync cables, wireless remotes for DSLR and more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Ask for relevant count&lt;br /&gt;
|Many Items&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|DSLR intervalometer for timelapse&lt;br /&gt;
|[[File:Timelapse.png|frameless|150x150px]]&lt;br /&gt;
Vello ShutterBoss II&lt;br /&gt;
|A tool that plugs into a DSLR like the Canon Rebel and can be used to take photos at an interval of your choosing. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CDVR&lt;br /&gt;
|-&lt;br /&gt;
|Panoramic Photograpy Device&lt;br /&gt;
|Gigapan&lt;br /&gt;
|A device that can automatically take all the pictures needed to later stitch together a panorama on a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|CDG&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Audio ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Audio_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;9&amp;quot; |Microphones&lt;br /&gt;
|Stage&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless|120x120px]]&lt;br /&gt;
Shure SM-58&lt;br /&gt;
|The most popular mic in the world.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|11&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Podcast&lt;br /&gt;
|[[File:RE 27 Photo.jpeg|frameless]]Electrovoice RE27ND&lt;br /&gt;
|A mic often used by professional broadcasts and podcasts.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MEV&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]Sennheiser K6 Kit&lt;br /&gt;
|A versatile mic kit with adjustable attachments to make the mic a shotgun, cardioid or omni-directional pick-up pattern. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|31&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MNC&lt;br /&gt;
|-&lt;br /&gt;
|USB&lt;br /&gt;
|[[File:Yeti.png|frameless|150x150px]]&lt;br /&gt;
Blue Yeti Pro&lt;br /&gt;
|Can connect directly to a computer.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MBY&lt;br /&gt;
|-&lt;br /&gt;
|Lavalier&lt;br /&gt;
|[[File:Lapel.JPG|frameless|132x132px]]&lt;br /&gt;
AudioTechnica AT899&lt;br /&gt;
|Good for interviews or other close mic situations where you want to attach the mic to the performers collar.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MOJ&lt;br /&gt;
|-&lt;br /&gt;
|Parabolic&lt;br /&gt;
|[[File:Parabolic-top.jpg|frameless|120x120px]]&lt;br /&gt;
Telinga Kit&lt;br /&gt;
|A microphone kit used to hear distant sounds it is pointed at. commonly used for birdsong recording.&lt;br /&gt;
|Required&lt;br /&gt;
[[Parabolic Microphone Kit Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MGP&lt;br /&gt;
|-&lt;br /&gt;
|Underwater&lt;br /&gt;
|[[File:Hydrophone.jpg|frameless|120x120px]]&lt;br /&gt;
DolphinEar Pro&lt;br /&gt;
|Our only Microphone that can record underwater.&lt;br /&gt;
|Required&lt;br /&gt;
[[DolphinEar/PRO Hydrophone Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MHP&lt;br /&gt;
|-&lt;br /&gt;
|Stereo&lt;br /&gt;
|[[File:MCNTG4-RodeNT4.jpg|frameless]]Rode NT4 &lt;br /&gt;
|A microphone that can capture 2 separate signals. Stereo recording sound can take advantage of the fact that people have 2 ears to determine space and direction of sound.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCNT&lt;br /&gt;
|-&lt;br /&gt;
|Camera Mounted&lt;br /&gt;
|[[File:MCV-RodeVideoMic.jpg|frameless]]&lt;br /&gt;
Rode Videomic&lt;br /&gt;
|A microphone that mounts on top of a camera like the Canon Rebel T6i and can give it much better sound than it's little built in mic.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|24&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|MCV&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Recorders&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Field Recorders&lt;br /&gt;
|[[File:Zoomh4front.jpg|frameless|120x120px]]&lt;br /&gt;
Zoom H4n&lt;br /&gt;
|An audio recorder well suited for field recording or interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above&lt;br /&gt;
|Required&lt;br /&gt;
[[Zoom H4n Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|30&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|[[File:LS-100 top.jpg|frameless|120x120px]]&lt;br /&gt;
Olympus LS-100&lt;br /&gt;
|An audio recorder well suited for field recording or  interviews. Has 2 built in mics, but can also use any 2 of mics like the ones listed above.&lt;br /&gt;
|Required&lt;br /&gt;
[[Olympus LS-100 Audio Recorder Gear Guide]]&lt;br /&gt;
|Everyone&lt;br /&gt;
|48&lt;br /&gt;
|x&lt;br /&gt;
|RDL&lt;br /&gt;
|-&lt;br /&gt;
|Voice Recorder&lt;br /&gt;
|[[File:Voice recorder.png|frameless|100x100px]]&lt;br /&gt;
Sony ICD-SX750&lt;br /&gt;
|A small audio recorder. It has less control and audio quality than our field recorders listed above, but is great when you need a small quick device for interviews.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|16&lt;br /&gt;
|Olympus DS30 (23)&lt;br /&gt;
Olympus WS-100 (26)&lt;br /&gt;
|RDS&lt;br /&gt;
|-&lt;br /&gt;
|Mixers&lt;br /&gt;
|10 channel mixer&lt;br /&gt;
|[[File:MG10.png|frameless|140x140px]]&lt;br /&gt;
Yamaha MG10XU&lt;br /&gt;
|An audio device that can take in audio signals, mix them together and send them to speakers. The MG10UX is a 10 channel mixer with 4 XLR inputs, built in effects, and USB interfacing for connecting to computers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|Behringer Q1202USB (2)&lt;br /&gt;
|MXY&lt;br /&gt;
|-&lt;br /&gt;
|Interface&lt;br /&gt;
|2 channel interface&lt;br /&gt;
|[[File:Motu M2.png|frameless|150x150px]]Motu M2&lt;br /&gt;
|An audio device built specifically for getting sounds in and out of a computer. This can get be used for audio recording or video conferencing.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|Mackie BlackJack (6)&lt;br /&gt;
|MTU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;2&amp;quot; |Headphones&lt;br /&gt;
|Over-Ear&lt;br /&gt;
|[[File:HeadphonesBehringer.png|frameless|120x120px]]&lt;br /&gt;
Behringer HPM1000&lt;br /&gt;
|Good headphones that go around your ears.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|35&lt;br /&gt;
|AudioTechnica (27)&lt;br /&gt;
Polsen (7)&lt;br /&gt;
&lt;br /&gt;
JVC (20)&lt;br /&gt;
|HPBX&lt;br /&gt;
|-&lt;br /&gt;
|USB Headset&lt;br /&gt;
|[[File:Usb headset.png|frameless|150x150px]]Plantronics 628USB&lt;br /&gt;
|A useful device for quickly and easily connecting a combined microphone and headphones to a computer over USB. &lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|MHU&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;6&amp;quot; |Speakers&lt;br /&gt;
|Small&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|A small speaker that you can use in various ways like connecting microphones directly to it for a simple public address sytem.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|Anchor AN-1000X (2)&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Large&lt;br /&gt;
|[[File:LargeSpeaker.PNG|frameless|120x120px]]&lt;br /&gt;
Behringer B212A&lt;br /&gt;
|We have 2 speakers, so enough to make a substantial stereo public address system. We have speaker stands to raise them up.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPB&lt;br /&gt;
|-&lt;br /&gt;
|Mixer Speaker Combo&lt;br /&gt;
|[[File:Rogue.png|frameless|198x198px]]Rogue MPM 504&lt;br /&gt;
|4 channel mixer built into a large speaker.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MMR&lt;br /&gt;
|-&lt;br /&gt;
|Studio Monitors&lt;br /&gt;
|[[File:Electrovoice Sentry 100EL Studio Monitor.png|frameless|162x162px]]&lt;br /&gt;
&lt;br /&gt;
Electrovoice Sentry 100EL&lt;br /&gt;
|We have enough speakers for stereo monitors. These are designed for studio settings, but can be used anywhere you need speakers.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SPV&lt;br /&gt;
|-&lt;br /&gt;
|Boom Box&lt;br /&gt;
|[[File:JVC RCEX20 Boombox.png|centre|frameless|139x139px]]&lt;br /&gt;
&lt;br /&gt;
JVC RCEX20&lt;br /&gt;
|Simple Boombox that can play CDs.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|DPP&lt;br /&gt;
|-&lt;br /&gt;
|Small BlueTooth&lt;br /&gt;
|[[File:Bluetooth speaker.png|frameless|100x100px]]&lt;br /&gt;
Sony SRS BTVS2&lt;br /&gt;
|Very small bluetooth speaker that can connect to a phone or other compatible device.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBT&lt;br /&gt;
|-&lt;br /&gt;
|Keyboard&lt;br /&gt;
|Midi Keyboard&lt;br /&gt;
|[[File:Keyboard.png|frameless|120x120px]]&lt;br /&gt;
Samson Graphite M32&lt;br /&gt;
|A keyboard that can connect to a computer and be used with any audio program like Ableton, Protools, or VCV Rack.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MIDI&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Stands&lt;br /&gt;
|Mic Desk Stand&lt;br /&gt;
|[[File:Desk stand.png|frameless|150x150px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|A small mic stand that is perfect for voice over, interviews, or audio project that happens at a desk&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|19&lt;br /&gt;
|x&lt;br /&gt;
|MSDX&lt;br /&gt;
|-&lt;br /&gt;
|Mic Floor Stand&lt;br /&gt;
|[[File:Mic stand.png|frameless|225x225px]]&lt;br /&gt;
Many Models&lt;br /&gt;
|The most common kind of stand you see on stage and in studio.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|15&lt;br /&gt;
|x&lt;br /&gt;
|MSFX&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole Gen.png|centre|frameless|226x226px]]&lt;br /&gt;
&lt;br /&gt;
Many Models&lt;br /&gt;
&lt;br /&gt;
like the Rode BoomPole&lt;br /&gt;
|A pole that can hold a microphone on one end while a &amp;quot;boom operator&amp;quot; holds the other end. used to get good sound right next to a source without being in camera frame.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|13&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Cables and Adapters&lt;br /&gt;
|An Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many XLR cables for microphones ranging from 6ft to 50ft. We have many adapters for XLR, 1/4&amp;quot;(guitar), 1/8&amp;quot;(ipod), and RCA. We also have DI Boxes for guitars and much more.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|Many Items&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|} &lt;br /&gt;
&lt;br /&gt;
== Presentation ==&lt;br /&gt;
[[Category:Media Loan Catalogs]]&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
Presentation_Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency&lt;br /&gt;
Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Modern Projection&lt;br /&gt;
|Projector&lt;br /&gt;
|[[File:Projector.png|frameless|150x150px]]&lt;br /&gt;
Vivitek Qumi Q6&lt;br /&gt;
|A small portable projector that can use HDMI and a variety of other inputs. Can be set up quickly and easily.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|9&lt;br /&gt;
|Sharp XG C435X-L with no Case (11)&lt;br /&gt;
|VDPQ&lt;br /&gt;
|-&lt;br /&gt;
|Screen for Projection&lt;br /&gt;
|Many Models&lt;br /&gt;
|We have many projection screens that can be set up for locations that don't have screens installed or blank white walls.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|SCT&lt;br /&gt;
|-&lt;br /&gt;
|Display Adapters Assortment&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many kinds of solutions available to connect equipment for video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|x&lt;br /&gt;
|See the [[Cables and Adapters Catalog]] for what is available.&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
|Document Camera&lt;br /&gt;
|USB capable Doc Cam&lt;br /&gt;
|[[File:Epson DC21.png|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Epson &lt;br /&gt;
&lt;br /&gt;
DC-21&lt;br /&gt;
|A document camera that can connect over USB to project or make a &amp;quot;2nd camera&amp;quot; as a &amp;quot;shared screen&amp;quot; while video conferencing. Can zoom in and focus on documents and objects in the document area.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|2&lt;br /&gt;
|DC20 (2)&lt;br /&gt;
|PES&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Video Players&lt;br /&gt;
|DVD &amp;amp; Blu-Ray Player&lt;br /&gt;
|[[File:Bluray.png|frameless|150x150px]]&lt;br /&gt;
Panasonic Dmp-bd85&lt;br /&gt;
|A video player that can take both DVDs and Blurays. It comes with a remote. Can be connected to a projector or TV with a variety of cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|BLU&lt;br /&gt;
|-&lt;br /&gt;
|CD &amp;amp; DVD Player&lt;br /&gt;
|[[File:Sony DVP DVD.png|frameless|169x169px]]&lt;br /&gt;
&lt;br /&gt;
Sony DVP N557P&lt;br /&gt;
|A player for CDs and DVDs that outputs audio and/or video.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|7&lt;br /&gt;
|x&lt;br /&gt;
|DVD&lt;br /&gt;
|-&lt;br /&gt;
|VHS Player&lt;br /&gt;
|[[File:Panasonic PV4561 VHS Player.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Panasonic PV4561&lt;br /&gt;
|VHS player, outputs audio and video. Can be a part of a complete set-up with other Media Loan gear and cables.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|Sony SV0 1550 (1)&lt;br /&gt;
|VRH&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Audio For Presentation&lt;br /&gt;
|Microphones&lt;br /&gt;
|[[File:MHA-SureSM58.jpg|frameless]]&lt;br /&gt;
Shure SM58&lt;br /&gt;
|The most popular mic the world. Just needs an XLR cable and something to connect it to like a Mackie Speaker&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|Check  [[Microphones in General Access]] to see all available Microphones.&lt;br /&gt;
|MHA&lt;br /&gt;
|-&lt;br /&gt;
|Speakers&lt;br /&gt;
|[[File:Mackie speaker.png|frameless|150x150px]]Mackie SRM150&lt;br /&gt;
|An speaker that you connect a microphone and an iPod into for simple presentation set ups.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|See the Audio section above for count.&lt;br /&gt;
|[[Microphones in General Access]]&lt;br /&gt;
|SPM&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Microphones For Faculty Only&lt;br /&gt;
|[[File:Shure PG4 WIreless Mic.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
Shure PG4&lt;br /&gt;
|A kit that comes with a with a wireless microphone and receiver. You plug the receiver into a speaker or any other destination you might want.&lt;br /&gt;
|No&lt;br /&gt;
|Faculty Only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|MSXW&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Old School Projection&lt;br /&gt;
|Overhead (transparency) Projector&lt;br /&gt;
|Eiki Still Picture Projector&lt;br /&gt;
|Clear, well lit surface for placing tranparency sheets over to project onto a wall or screen.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|POP&lt;br /&gt;
|-&lt;br /&gt;
|Slide Projector&lt;br /&gt;
|Kodak Ektagraphic III&lt;br /&gt;
|Projector for slides.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|PSE&lt;br /&gt;
|-&lt;br /&gt;
|16mm Film Projector&lt;br /&gt;
|[[File:Eiki 16mm Projector.png|centre|frameless|149x149px]]&lt;br /&gt;
&lt;br /&gt;
Eiki 16mm Film Projector&lt;br /&gt;
|Film projector for 16mm film.&lt;br /&gt;
|No&lt;br /&gt;
|Everyone&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|PFE&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Advanced Production Services (APS) ==&lt;br /&gt;
Available only for specific media classes.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;mw-collapsible mw-collapsed wikitable&amp;quot; style=&amp;quot;text-align: center; vertical-align:middle; background:#C5d2ba;&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;white-space:nowrap&amp;quot; | Expand to see APS Catalog&lt;br /&gt;
!Type&lt;br /&gt;
!Item&lt;br /&gt;
!Brand &amp;amp; Model&lt;br /&gt;
!Description&lt;br /&gt;
!Proficiency Required?&lt;br /&gt;
!Access&lt;br /&gt;
!Quantity of This Model&lt;br /&gt;
!Quantity of Similar Models&lt;br /&gt;
!Code&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Cameras&lt;br /&gt;
|Full-Frame DSLR&lt;br /&gt;
|[[File:Canon 6D.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Canon 6D video kit&lt;br /&gt;
|Canon 6D kit with 3 cine lenses and a variety of filters. Cine Lenses make this kit good for video production and can be connected to other APS gear like the 6D shoulder rig and other equipment listed in the &amp;quot;Grip&amp;quot; section below. We also have additional cine lenses like the 16mm fisheye, 50mm, and 100mm macro.&lt;br /&gt;
|Required&lt;br /&gt;
[[Canon 6D Gear Guide]]&lt;br /&gt;
&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|C6D&lt;br /&gt;
|-&lt;br /&gt;
|Camcorder&lt;br /&gt;
|[[File:Hxr side.png|frameless|150x150px]]Sony HXR&lt;br /&gt;
NX5U&lt;br /&gt;
|A large professional camcorder designed a variety of video productions. Can be handheld or mounted to a tripod. Can connect to other APS gear like a field monitor.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Sony HXR HD Camcorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|HXR&lt;br /&gt;
|-&lt;br /&gt;
|Film&lt;br /&gt;
|[[File:Bolex.png|centre|frameless|158x158px]]Bolex&lt;br /&gt;
|A 16mm film video camera.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS Bolex 16mm Reflex Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|9&lt;br /&gt;
|x&lt;br /&gt;
&lt;br /&gt;
|CMB&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;11&amp;quot; |Audio&lt;br /&gt;
|Audio Recorder&lt;br /&gt;
|[[File:Zoom H6n.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
Zoom H6n&lt;br /&gt;
|A portable 6 channel audio recorder. Comes with 2 stereo mic attachments and 4 additional XLR inputs for external mics and other sources.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS/AS Zoom H6n Audio Recorder Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|x&lt;br /&gt;
|RDZ&lt;br /&gt;
|-&lt;br /&gt;
|Mic Boom Kit&lt;br /&gt;
|[[File:Mic Boom Kit MKH416.png|centre|frameless|161x161px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make boom kit. Used to extend the microphone and have it just out of the shot for video production&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
|Mic Blimp Kit&lt;br /&gt;
|[[File:Mic Blimp Kit MKH416.png|frameless|158x158px]]&lt;br /&gt;
&lt;br /&gt;
MKH-416&lt;br /&gt;
|Shotgun microphone with all relevant parts to make blimp kit. Used to reject as much wind noise as possible.&lt;br /&gt;
|Required&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|SBK&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Mics&lt;br /&gt;
|[[File:Earthworks QTC50.png|frameless|148x148px]]&lt;br /&gt;
&lt;br /&gt;
Earthworks QTC50&lt;br /&gt;
|A high quality omni mic designed for accurate recording.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|EWM&lt;br /&gt;
|-&lt;br /&gt;
|Super Cardioid: Electrovoice RE10&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MEN&lt;br /&gt;
|-&lt;br /&gt;
|Shotgun Mic:&lt;br /&gt;
&lt;br /&gt;
Audio-Technica AT4073&lt;br /&gt;
|Microphone ideal for getting just the sound it is pointed at and rejecting others. &lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|&lt;br /&gt;
AudioTechnica TA835B (1)&lt;br /&gt;
&lt;br /&gt;
MKH 8070 (1)&lt;br /&gt;
&lt;br /&gt;
|MAT&lt;br /&gt;
|-&lt;br /&gt;
|Wireless Lavalier Sennheiser EW 100 G3&lt;br /&gt;
|A tiny but high quality microphone that an be attached to a performers shirt collar and a thin cable that runs to a little transmitter that can be clipped to a belt. The transmitter has a corresponding receiver that wirelessly picks up the signal and can be sent to a recorder.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|AT899 Wired Lavalier (2)&lt;br /&gt;
|MWNT&lt;br /&gt;
|-&lt;br /&gt;
|[[File:MNC-SennheiserK6Combo.jpg|frameless]]&lt;br /&gt;
Sennheiser K6 Combo kit&lt;br /&gt;
|A kit with a microphone power module and 3 attachments to make the microphone either Omni, Cardioid or Super Cardioid so that it can record either more of the space around the mic or more of what is in front of it.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|MNCP&lt;br /&gt;
|-&lt;br /&gt;
|Boom Pole&lt;br /&gt;
|[[File:Boom Pole APS.png|frameless|233x233px]]&lt;br /&gt;
&lt;br /&gt;
Gitzo G7680C&lt;br /&gt;
|A long pole that can hold and extend many types of microphones towards a source, while staying out of frame.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|MSH&lt;br /&gt;
|-&lt;br /&gt;
|Headphones&lt;br /&gt;
|[[File:Audio Technica ATH M40x.png|centre|frameless|147x147px]]&lt;br /&gt;
&lt;br /&gt;
AudioTechinica ATH-M40x&lt;br /&gt;
|High quality over ear headphones.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|10&lt;br /&gt;
|x&lt;br /&gt;
|HPAT&lt;br /&gt;
|-&lt;br /&gt;
|Clapboard&lt;br /&gt;
|[[File:Clap board.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used for video production to note scenes and sync audio to video sources when they are recorded separately.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|x&lt;br /&gt;
|CLSX&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;5&amp;quot; |Lighting&lt;br /&gt;
|LED light&lt;br /&gt;
|[[File:Dracast DR LED1000 BV Light.png|frameless|130x130px]]&lt;br /&gt;
&lt;br /&gt;
Dracast DR-LED1000 BV&lt;br /&gt;
|A powerful bicolored LED that comes with barn doors and difuser.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|8&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LDL&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;3&amp;quot; |Hot light&lt;br /&gt;
|[[File:3 Light Arri.png|frameless|150x150px]]&lt;br /&gt;
&lt;br /&gt;
3 light Arri kit&lt;br /&gt;
|A 3 light kit of Arri light with barn doors. It comes in 650W or 1000W depending on how much power you need.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Arri Soft Key.png|frameless|156x156px]]&lt;br /&gt;
&lt;br /&gt;
3 light Soft Key Arri kit&lt;br /&gt;
|The soft key kit comes with three hot light, 1 of which is good for soft lighting, result in shadows that don't have hard edges.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LQR&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Lowell Caselite.png|frameless|153x153px]]&lt;br /&gt;
&lt;br /&gt;
Lowell &lt;br /&gt;
Caselite 2&lt;br /&gt;
|A hot light that lives inside a protective case, for easier portability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|3&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|LLF&lt;br /&gt;
|-&lt;br /&gt;
|Assortment of Flags and Gels&lt;br /&gt;
|Many Items&lt;br /&gt;
|We have many of the objects used to alter the quality of light like black flags, diffusion flags, scrim cookies, wood cookies, a light control kit and more.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|Many Items&lt;br /&gt;
|[[APS Lighting Equipment Guide]]&lt;br /&gt;
|Many Items&lt;br /&gt;
|-&lt;br /&gt;
| rowspan=&amp;quot;7&amp;quot; |Grip&lt;br /&gt;
|C-Stand&lt;br /&gt;
|Unmarked&lt;br /&gt;
|A common stand for holding lighting equipment. We have the gobo arms that go along with them as well.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|14 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMX&lt;br /&gt;
|-&lt;br /&gt;
|Tripod&lt;br /&gt;
|[[File:Large video tripod.png|frameless|225x225px]]Many Models&lt;br /&gt;
|Tripods available for both Bolex and DSLRs&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|29&lt;br /&gt;
Total&lt;br /&gt;
|x&lt;br /&gt;
|TPBB&lt;br /&gt;
|-&lt;br /&gt;
|Sandbag&lt;br /&gt;
|[[File:Sandbag.png|frameless|150x150px]]Unmarked&lt;br /&gt;
|Used to weigh down C-stands and other stands. these are essential for top heavy set ups. we have 15lb bags and 5lb bags&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|24 Total&lt;br /&gt;
|x&lt;br /&gt;
|LQMXM&lt;br /&gt;
|-&lt;br /&gt;
|Jib Arm&lt;br /&gt;
|Varizoom Solo Jib&lt;br /&gt;
VZ-KT75A&lt;br /&gt;
|A small crane with a tripod used to get cinematic movements. Can be mounted on top of the Dolly (listed below) to get complex shots.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Solo Jib Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZJIB&lt;br /&gt;
|-&lt;br /&gt;
|Dolly Track&lt;br /&gt;
|Varizoom&lt;br /&gt;
VZD50 Dolly&lt;br /&gt;
|A track that a normal tripod or Jib Arm can be placed on to get smooth movement in one direction.&lt;br /&gt;
|Required&lt;br /&gt;
[[APS VariZoom Dolly Track Operating Guide]]&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|1&lt;br /&gt;
|x&lt;br /&gt;
|VARZ&lt;br /&gt;
|-&lt;br /&gt;
|Track Sliders&lt;br /&gt;
|Revo RS-1200&lt;br /&gt;
|A thin track that is 47&amp;quot; long and can be placed on a table or mounted to a large tripod. A camera can be mounted onto the track and get movements similar to the Dolly (listed above) but much smaller and easier to set-up.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|4&lt;br /&gt;
|x&lt;br /&gt;
|TRS&lt;br /&gt;
|-&lt;br /&gt;
|Monopod&lt;br /&gt;
|[[File:Monopod.png|frameless|225x225px]]&lt;br /&gt;
Gitzo GM3350XL&lt;br /&gt;
|An adjustable pole with a camera mountable top. Ideal for quick shot in the feild that don't require absolute stability.&lt;br /&gt;
|No&lt;br /&gt;
|APS Classes and Capstone work only&lt;br /&gt;
|2&lt;br /&gt;
|x&lt;br /&gt;
|TPBX&lt;br /&gt;
|}&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43183</id>
		<title>Camera Fundamentals</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43183"/>
				<updated>2022-01-25T00:40:16Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]]A guide for camera basics. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;[[File:Lenscloseup.jpg|alt=A close up of a lens with a closed aperature|right|frameless|500x500px]]&lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt;'''Page Overview:''' This page covers the basic topics for getting started with cameras. The information covered will provide the foundation for taking good pictures and videos. The controls and buttons of a camera can be daunting, but this guide will point out the key features to get started with your project. The guide will also point out the most relevant campus resources to each topic.For beginners as well as advanced users, Media Loan's top camera recommendation is the Canon Rebel.   See [https://www.evergreen.edu/medialoan/policies Media Loans Policies] for more information on how to checkout gear and other resources. See Photoland's website for film development, digital editing and other photo resources. See the Multimedia lab page for information on how to use their computers for video editing as well as many other kinds of media software.&lt;br /&gt;
&lt;br /&gt;
==Exposure==&lt;br /&gt;
[[File:Exposure Triangle FINAL.png|alt=Graphic of Exposure Triangle depicting relationship of ISO, shutter speed, and aperture to light exposure for cameras. Original work created by Caelin Eddy.|centre|frameless|The elements of exposure are often displayed as an Exposure Triangle simply to reinforce that there are three elements.|600x600px]]&lt;br /&gt;
:Exposure results in an overall brighter or darker image. If an image is overexposed it will be blown out and look too white, on the other hand, an underexposed image is too dark. Getting the correct exposure is a balancing act between three controls. These three controls each affect the brightness of the image, but also have a side-effect that can be used to for artistic purposes.  &lt;br /&gt;
:These controls are called ISO, aperture, and shutter speed. Photos can look wildly different based on how you adjust these controls. Most phone cameras automatically adjust these controls to result in a well exposed image but you loose the ability to get exactly the kind of image you want. Most digital cameras have the ability to automatically adjust these exposure controls too. However, understanding and adjusting these controls can allow you to take the exact pictures you want, like taking pictures in low light, or having everything is focus, or having no motion blur. &lt;br /&gt;
:If you to prefer to learn from videos, here are a couple on these exposure topics; [https://www.youtube.com/watch?v=q8cj9Lj9w-g ISO], [https://www.youtube.com/watch?v=YojL7UQTVhc&amp;amp;t=2s aperture] and [https://www.youtube.com/watch?v=7R9ZTxoTOSk shutter speed.] &lt;br /&gt;
===ISO=== &lt;br /&gt;
[[File:ISO.png|centre|frameless|alt=Graphic displaying exposure qualities of ISO. Original work by Caelin Eddy.|ISO allows more sensitive sensors to let the available light to be shown as brighter, but results in a &amp;quot;noisy&amp;quot; image.|600x600px]]&lt;br /&gt;
----&lt;br /&gt;
{{#ev:youtube|q8cj9Lj9w-g|800|center}}&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
:Simply put, ISO is the sensitivity of the material that produces the image. For digital cameras, it is a fancy digital sensor, and film cameras use sensitive film strips. It seems odd, but both film and digital cameras describe their sensitivity as ISO. The ISO can be 100, 200, 400, 800, 1600, 3200 etc, with higher ISO being more sensitive and resulting in a brighter, more exposed image. Increasing the ISO has a drawback, it adds visual noise. For film, this is called grain and for digital it is seen as little errors in the pixels where the colors are adding randomness. For this reason you usually want to prioritize using lower ISO. You typically only increase ISO if you don't have enough exposure from the other controls. The pictures of the beach below use different ISO's. Click on them to compare the pixel noise added with the ISO of 12800. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different ISO pixel noise.&amp;quot;&amp;gt;&lt;br /&gt;
File:12800.jpg|ISO 12800&lt;br /&gt;
File:100.jpg|ISO 100&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Aperture=== &lt;br /&gt;
[[File:Aperture_Graphic.png|alt=Graphic displaying exposure qualities of aperture. Original work by Caelin Eddy.|centre|frameless|Aperture affects the depth of field allowing control over how much of image is in focus.|600x600px]]&lt;br /&gt;
----&lt;br /&gt;
{{#ev:youtube|YojL7UQTVhc|800|center}}&lt;br /&gt;
----&lt;br /&gt;
:Aperture is a hole in the lens that controls how much light is let through. Aperture is the hole and the mechanism that widens and narrows that hole is called the iris. Our eyes also have an iris that automatically changes our eyes' aperture, AKA pupil, in response to how much light we see. It is intuitive that a larger hole lets in more light, increasing the exposure and resulting in a brighter image. The aperture is measured in F-stops written like this; f/1.4, f/2, f/2.8, f/4 etc. The lower numbers can be described as more opened or large aperture, whereas a higher number can be described as more closed or small aperture. '''We need to talk about focus in order to understand what aperture does. The focus of an image is a plane parallel to the lens where the image will show up as the clearest, you usually want this to be on the most important part of the image like someone's face. What is out of the focus is seen as blurry. The focus can be moved forward and backward, but more on that in the Lens section below.''' For now, let's think about how the focus has a width, this is called the “depth of field.&amp;quot; A wider depth of field allows more parts of the image to be clearer if they are within the focus. The depth of field is controlled by the aperture. Interestingly, the smaller the hole (higher number) is actually a wider depth of field. On the other end, a bigger hole (lower number) is a narrow depth of field. With the images of the dragon below; you may want just your picture of the dragon to have the dragon in focus only and the background blurry so you would want a higher aperture. This also then means that your photo is getting less exposure, so you would need to adjust your other controls like ISO might need to be brought up to increase your overall exposure.  &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different depths of field.&amp;quot;&amp;gt;&lt;br /&gt;
File:SHOT F5.JPG|f/5&lt;br /&gt;
File:SHOT F20.JPG|f/20&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Shutter Speed=== &lt;br /&gt;
[[File:Shutter Speed.png|alt=Graphic displaying exposure qualities of shutter speed. Bigger numbers equate to longer exposures resulting in more light and motion blur. Original work by Caelin Eddy.|centre|frameless|Shutter speed creates more motion blur when it lets more light in from longer exposure time.|600x600px]]&lt;br /&gt;
----&lt;br /&gt;
{{#ev:youtube|7R9ZTxoTOSk|800|center}}&lt;br /&gt;
----&lt;br /&gt;
:The last control we have over the exposure is the shutter speed. The shutter is a door that quickly opens and closes to let light in so the digital sensor or film can be exposed. The time that the shutter is open is the shutter speed. It is measured in units like 1/60 seconds, 1/125 seconds, 1/250 seconds, 1/500 seconds. A slower shutter speed would allow more light in, increasing the exposure, but not capturing movement clearly. While the shutter is open, any movement in the scene going into the camera would be captured as a blur called motion blur. This can often be seen by a moving trailing image behind the subject like the above example of a stick figure. While quicker shutter speeds would just capture a snapshot still of the movement rather than blurring of that movement. If you wanted to take a picture of the movement of water, you would need to decide if you want the image to be a sharp representation of a moment, or a blurry representation of what happened over time. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view motion blur effects of shutter speed.&amp;quot;&amp;gt;&lt;br /&gt;
File:1_30.jpg|1/30th of a second&lt;br /&gt;
File:1_800.jpg|1/800th of a second&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Using the Exposure Triangle=== &lt;br /&gt;
&lt;br /&gt;
:The controls are often described as the Exposure Triangle. It is only called this because there are 3 components and it makes it easier to remember, there is no other significants or deeper meaning to the fact that it is a triangle.  &lt;br /&gt;
:Setting the correct exposure for your photo can enable you to control if your image has Noise from the ISO, depth of field from aperture and motion blur from shutter speed. For analog there is little automatic function, so you will need to manually choose all of your settings. For most digital cameras, they have a dial on the top right that you use to choose from Modes like P, A, S, M, Auto, Video, etc. This is called the mode dial and can be used to choose if it's in full automatic, aperture priority where you choose aperture and it chooses the other exposure settings. For more on this, look at the mode dial section of the Canon Rebels Operating Guide.  &lt;br /&gt;
:To play with a simulation of exposure controls, check out an [http://www.andersenimages.com/tutorials/exposure-simulator/ Exposure Simulator by Anderson Images] or an [http://www.canonoutsideofauto.ca/play/ Exposure Simulator by Canon.] &lt;br /&gt;
 &lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Exposure Element !! Other/Related Names !! Exposure Method !! Effect !! Example !! Higher number means... &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| ISO || Film Speed || Sensitivity of digital sensor or film || Grain for Analog, Pixel Noise for Digital || 400 || More exposure and more noise &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Aperture || Iris, Lens Speed, f-stop || Size of opening || Depth of field || f/2.8 || More exposure and less depth of field &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Shutter Speed || Shutter || Time of exposure || Motion Blur || 1/250  || Less exposure and less motion blur &lt;br /&gt;
&lt;br /&gt;
|}  &lt;br /&gt;
&lt;br /&gt;
==Lens== &lt;br /&gt;
&lt;br /&gt;
:Lenses are used to control focus and focal length. These will allow you to choose what part of the image is sharp and in focus as well as how much of the scene is captured in the image. Some cameras have detachable lenses, so you can mount different kinds to them. The Canon Rebel is great because Media Loan has many lenses to choose from. 35mm film cameras also have lenses to choose from.  &lt;br /&gt;
&lt;br /&gt;
=== Focus ===&lt;br /&gt;
Focus is what part of the scene is sharp, while the areas in front of and behind the focus plane will be out of focus and blurry. note macro*&lt;br /&gt;
&lt;br /&gt;
===Focal length=== &lt;br /&gt;
&lt;br /&gt;
:Focal lengths is an important quality of a lens. It directly affect “angle of view”, which is the angle produced by the lens. This angle is dependent on the focal length. The shorter the focal length, the wider the angle of view, which make the image see more of the scene, but less detail in each part of the scene. The longer the focal length the narrower the angle of view, which see less of the scene, but more detail in a smaller part of the scene. Technically, focal length is the distance from the lens to the sensitive material. This is measured in millimeters and lenses are often defined by their focal length like 50mm or 100mm. Lenses can also be categorized by their focal length like fish-eye, wide-angle, normal-angle, and telephoto. Fish eye is a very wide angle of view because it has a short focal length, and a telephoto is a very narrow angle of view because of its long focal length.  &lt;br /&gt;
----&lt;br /&gt;
 {{#ev:youtube|4CoEsqePADw|800|center}}&lt;br /&gt;
----&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Fish-eye !! Wide-Angle !! Standard !! Telephoto &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| &amp;lt;24mm || &amp;lt;35mm || 35mm to 70mm || &amp;gt;70mm &lt;br /&gt;
&lt;br /&gt;
|} &lt;br /&gt;
 &lt;br /&gt;
=== Zoom Vs Prime Lens ===&lt;br /&gt;
Some lenses can change focal length, while others cannot. &lt;br /&gt;
&lt;br /&gt;
'''Zoom Lens:''' can zoom in on distant objects and zoom out to see the full scene because they have variable focal lengths. Zoom lenses are often described by their range of focal lengths like a 50mm-250mm lens or a 28mm-55mm lens. &lt;br /&gt;
&lt;br /&gt;
'''Prime lens''': on the other hand, cannot zoom in or out, so they only have one angle of view, because they have fixed focal lengths that can't change how much of the scene you see. Prime Lenses are often described by the one and only focal length they can use like 100mm lens or 35mm lens for example.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To play with simulations of different types of lens check out the [https://imaging.nikon.com/lineup/lens/simulator/ Nikon Lens Simulator.]&lt;br /&gt;
==Photography== &lt;br /&gt;
&lt;br /&gt;
:There are a number of different concepts and equipment that only apply to photography and not video. Canon Rebel for digital, 35mm for film  &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance.  &lt;br /&gt;
:'''Possibilities:''' You can make portraits, macro photos, landscape, stop motion, panorama, long exposure, multiple exposure, and many other types of projects. Digital cameras have different modes to choose from that may help you use different techniques or inspire new ideas.   &lt;br /&gt;
:'''Film Development:''' The main different categories of film cameras are based on the size of film it uses. The smallest is 35mm, while the others are simply called medium format (uses 120mm film) and large format (4x5in film). 35mm in this case refers to the film size and not the focal length. The medium and large format use bigger film sizes, so that images can have incredible resolution. This detail means that the image can be scaled up for large prints. Large format cameras tend to have bellows that look like an accordion. Although these cameras are of older design, they are still used by professional photographers today. You will most likely want to use a light meter to help get your meter, so check out this [https://helpwiki.evergreen.edu/wiki/index.php/Light_Meters_Quick_Guide light meter guide.] Media Loan offers all of these types of cameras, but the best to start with is a 35mm called the K1000. A proficiency test is required to use this camera, all info is in this [https://helpwiki.evergreen.edu/wiki/index.php/35mm_SLR_Camera_Operating_Guide 35mm operating guide.] Film: There is black and White as well as color film. Both types of film have many different types of ISO.   &lt;br /&gt;
:'''Editing''': You can edit using Adobe Lightroom or Adobe Photoshop. You can scan film negative and images in the Digital Imaging Studio (DIS). With digital photos, you can put them on the computer using a usb cable that comes with camera kits.  &lt;br /&gt;
&lt;br /&gt;
==Video== &lt;br /&gt;
&lt;br /&gt;
:Video is just a camera taking pictures at a quick speed and played back in the same order. The same exposure and lens qualities still apply to recording video. Because of the dynamic nature of shooting video, you may want to rely on some of the automatic features of digital cameras. There are tons of options when it comes to video making.    &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex.   &lt;br /&gt;
:'''Mode:''' Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex.   &lt;br /&gt;
:'''Stabilizer:''' You can go handheld, or put in on a stabilizer, like a video tripod, Gorillapod (for lower shots), monopod (for light weight productions) or a unique rolling mount called the pocket skater.   &lt;br /&gt;
:'''Audio:''' Most digital cameras have microphones built in, but it usually sounds better to use external mics and an audio field recorder like the [[Zoom H4n Audio Recorder Gear Guide|H4n]]. For more information on audio check out the the [[Audio Fundamentals|Audio fundamentals]] page.   &lt;br /&gt;
:'''Editing:''' Once you have gathered all your shots, you will likely want to edit your video using Adobe Premier Pro in the Multimedia Lab (MML). Video files live on SD cards inside the camera. You can put them on the computer using a usb cable that comes with camera kits, or removing the SD and using a card reader, just remember to put it back.  &lt;br /&gt;
&lt;br /&gt;
==Lighting == &lt;br /&gt;
&lt;br /&gt;
:Check the link to the [[APS Lighting Equipment Guide|Lighting Wiki Guide]] for information on how to effectively light a scene or subject.  &lt;br /&gt;
&lt;br /&gt;
:[[Category:Media Loan Topics]]&lt;br /&gt;
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		<author><name>Wtcp8731</name></author>	</entry>

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		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43182</id>
		<title>Camera Fundamentals</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43182"/>
				<updated>2022-01-24T23:43:01Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]]A guide for camera basics. &amp;lt;/div&amp;gt;  &lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt;'''Page Overview:''' This page covers the basic topics for getting started with cameras. The information covered will provide the foundation for taking good pictures and videos. The controls and buttons of a camera can be daunting, but this guide will point out the key features to get started with your project. The guide will also point out the most relevant campus resources to each topic.For beginners as well as advanced users, Media Loan's top camera recommendation is the Canon Rebel.   See [https://www.evergreen.edu/medialoan/policies Media Loans Policies] for more information on how to checkout gear and other resources. See Photoland's website for film development, digital editing and other photo resources. See the Multimedia lab page for information on how to use their computers for video editing as well as many other kinds of media software.&lt;br /&gt;
&lt;br /&gt;
==Exposure==&lt;br /&gt;
[[File:Exposure Triangle FINAL.png|alt=Graphic of Exposure Triangle depicting relationship of ISO, shutter speed, and aperture to light exposure for cameras. Original work created by Caelin Eddy.|centre|frameless|The elements of exposure are often displayed as an Exposure Triangle simply to reinforce that there are three elements.|600x600px]]&lt;br /&gt;
:Exposure results in an overall brighter or darker image. If an image is overexposed it will be blown out and look too white, on the other hand, an underexposed image is too dark. Getting the correct exposure is a balancing act between three controls. These three controls each affect the brightness of the image, but also have a side-effect that can be used to for artistic purposes.  &lt;br /&gt;
:These controls are called ISO, aperture, and shutter speed. Photos can look wildly different based on how you adjust these controls. Most phone cameras automatically adjust these controls to result in a well exposed image but you loose the ability to get exactly the kind of image you want. Most digital cameras have the ability to automatically adjust these exposure controls too. However, understanding and adjusting these controls can allow you to take the exact pictures you want, like taking pictures in low light, or having everything is focus, or having no motion blur. &lt;br /&gt;
:If you to prefer to learn from videos, here are a couple on these exposure topics; [https://www.youtube.com/watch?v=q8cj9Lj9w-g ISO], [https://www.youtube.com/watch?v=YojL7UQTVhc&amp;amp;t=2s aperture] and [https://www.youtube.com/watch?v=7R9ZTxoTOSk shutter speed.] &lt;br /&gt;
===ISO=== &lt;br /&gt;
[[File:ISO.png|centre|frameless|alt=Graphic displaying exposure qualities of ISO. Original work by Caelin Eddy.|ISO allows more sensitive sensors to let the available light to be shown as brighter, but results in a &amp;quot;noisy&amp;quot; image.|600x600px]]&lt;br /&gt;
{{#ev:youtube|q8cj9Lj9w-g|800|center}}&lt;br /&gt;
:Simply put, ISO is the sensitivity of the material that produces the image. For digital cameras, it is a fancy digital sensor, and film cameras use sensitive film strips. It seems odd, but both film and digital cameras describe their sensitivity as ISO. The ISO can be 100, 200, 400, 800, 1600, 3200 etc, with higher ISO being more sensitive and resulting in a brighter, more exposed image. Increasing the ISO has a drawback, it adds visual noise. For film, this is called grain and for digital it is seen as little errors in the pixels where the colors are adding randomness. For this reason you usually want to prioritize using lower ISO. You typically only increase ISO if you don't have enough exposure from the other controls. The pictures of the beach below use different ISO's. Click on them to compare the pixel noise added with the ISO of 12800. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different ISO pixel noise.&amp;quot;&amp;gt;&lt;br /&gt;
File:12800.jpg|ISO 12800&lt;br /&gt;
File:100.jpg|ISO 100&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Aperture=== &lt;br /&gt;
[[File:Aperture_Graphic.png|alt=Graphic displaying exposure qualities of aperture. Original work by Caelin Eddy.|centre|frameless|Aperture affects the depth of field allowing control over how much of image is in focus.|600x600px]]&lt;br /&gt;
{{#ev:youtube|YojL7UQTVhc|800|center}}&lt;br /&gt;
:Aperture is a hole in the lens that controls how much light is let through. Aperture is the hole and the mechanism that widens and narrows that hole is called the iris. Our eyes also have an iris that automatically changes our eyes' aperture, AKA pupil, in response to how much light we see. It is intuitive that a larger hole lets in more light, increasing the exposure and resulting in a brighter image. The aperture is measured in F-stops written like this; f/1.4, f/2, f/2.8, f/4 etc. The lower numbers can be described as more opened or large aperture, whereas a higher number can be described as more closed or small aperture. '''We need to talk about focus in order to understand what aperture does. The focus of an image is a plane parallel to the lens where the image will show up as the clearest, you usually want this to be on the most important part of the image like someone's face. What is out of the focus is seen as blurry. The focus can be moved forward and backward, but more on that in the Lens section below.''' For now, let's think about how the focus has a width, this is called the “depth of field.&amp;quot; A wider depth of field allows more parts of the image to be clearer if they are within the focus. The depth of field is controlled by the aperture. Interestingly, the smaller the hole (higher number) is actually a wider depth of field. On the other end, a bigger hole (lower number) is a narrow depth of field. With the images of the dragon below; you may want just your picture of the dragon to have the dragon in focus only and the background blurry so you would want a higher aperture. This also then means that your photo is getting less exposure, so you would need to adjust your other controls like ISO might need to be brought up to increase your overall exposure.  &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different depths of field.&amp;quot;&amp;gt;&lt;br /&gt;
File:SHOT F5.JPG|f/5&lt;br /&gt;
File:SHOT F20.JPG|f/20&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Shutter Speed=== &lt;br /&gt;
[[File:Shutter Speed.png|alt=Graphic displaying exposure qualities of shutter speed. Bigger numbers equate to longer exposures resulting in more light and motion blur. Original work by Caelin Eddy.|centre|frameless|Shutter speed creates more motion blur when it lets more light in from longer exposure time.|600x600px]]&lt;br /&gt;
{{#ev:youtube|7R9ZTxoTOSk|800|center}}&lt;br /&gt;
:The last control we have over the exposure is the shutter speed. The shutter is a door that quickly opens and closes to let light in so the digital sensor or film can be exposed. The time that the shutter is open is the shutter speed. It is measured in units like 1/60 seconds, 1/125 seconds, 1/250 seconds, 1/500 seconds. A slower shutter speed would allow more light in, increasing the exposure, but not capturing movement clearly. While the shutter is open, any movement in the scene going into the camera would be captured as a blur called motion blur. This can often be seen by a moving trailing image behind the subject like the above example of a stick figure. While quicker shutter speeds would just capture a snapshot still of the movement rather than blurring of that movement. If you wanted to take a picture of the movement of water, you would need to decide if you want the image to be a sharp representation of a moment, or a blurry representation of what happened over time. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view motion blur effects of shutter speed.&amp;quot;&amp;gt;&lt;br /&gt;
File:1_30.jpg|1/30th of a second&lt;br /&gt;
File:1_800.jpg|1/800th of a second&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Using the Exposure Triangle=== &lt;br /&gt;
&lt;br /&gt;
:The controls are often described as the Exposure Triangle. It is only called this because there are 3 components and it makes it easier to remember, there is no other significants or deeper meaning to the fact that it is a triangle.  &lt;br /&gt;
:Setting the correct exposure for your photo can enable you to control if your image has Noise from the ISO, depth of field from aperture and motion blur from shutter speed. For analog there is little automatic function, so you will need to manually choose all of your settings. For most digital cameras, they have a dial on the top right that you use to choose from Modes like P, A, S, M, Auto, Video, etc. This is called the mode dial and can be used to choose if it's in full automatic, aperture priority where you choose aperture and it chooses the other exposure settings. For more on this, look at the mode dial section of the Canon Rebels Operating Guide.  &lt;br /&gt;
:To play with a simulation of exposure controls, check out an [http://www.andersenimages.com/tutorials/exposure-simulator/ Exposure Simulator by Anderson Images] or an [http://www.canonoutsideofauto.ca/play/ Exposure Simulator by Canon.] &lt;br /&gt;
 &lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Exposure Element !! Other/Related Names !! Exposure Method !! Effect !! Example !! Higher number means... &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| ISO || Film Speed || Sensitivity of digital sensor or film || Grain for Analog, Pixel Noise for Digital || 400 || More exposure and more noise &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Aperture || Iris, Lens Speed, f-stop || Size of opening || Depth of field || f/2.8 || More exposure and less depth of field &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Shutter Speed || Shutter || Time of exposure || Motion Blur || 1/250  || Less exposure and less motion blur &lt;br /&gt;
&lt;br /&gt;
|}  &lt;br /&gt;
&lt;br /&gt;
==Lens== &lt;br /&gt;
&lt;br /&gt;
:Lenses are used to control focus and focal length. These will allow you to choose what part of the image is sharp and in focus as well as how much of the scene is captured in the image. Some cameras have detachable lenses, so you can mount different kinds to them. The Canon Rebel is great because Media Loan has many lenses to choose from. 35mm film cameras also have lenses to choose from.  &lt;br /&gt;
&lt;br /&gt;
=== Focus ===&lt;br /&gt;
Focus is what part of the scene is sharp, while the areas in front of and behind the focus plane will be out of focus and blurry. note macro*&lt;br /&gt;
&lt;br /&gt;
===Focal length=== &lt;br /&gt;
&lt;br /&gt;
:Focal lengths is an important quality of a lens. It directly affect “angle of view”, which is the angle produced by the lens. This angle is dependent on the focal length. The shorter the focal length, the wider the angle of view, which make the image see more of the scene, but less detail in each part of the scene. The longer the focal length the narrower the angle of view, which see less of the scene, but more detail in a smaller part of the scene. Technically, focal length is the distance from the lens to the sensitive material. This is measured in millimeters and lenses are often defined by their focal length like 50mm or 100mm. Lenses can also be categorized by their focal length like fish-eye, wide-angle, normal-angle, and telephoto. Fish eye is a very wide angle of view because it has a short focal length, and a telephoto is a very narrow angle of view because of its long focal length.  &lt;br /&gt;
 {{#ev:youtube|4CoEsqePADw|800|center}}&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Fish-eye !! Wide-Angle !! Standard !! Telephoto &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| &amp;lt;24mm || &amp;lt;35mm || 35mm to 70mm || &amp;gt;70mm &lt;br /&gt;
&lt;br /&gt;
|} &lt;br /&gt;
 &lt;br /&gt;
=== Zoom Vs Prime Lens ===&lt;br /&gt;
Some lenses can change focal length, while others cannot. &lt;br /&gt;
&lt;br /&gt;
'''Zoom Lens:''' can zoom in on distant objects and zoom out to see the full scene because they have variable focal lengths. Zoom lenses are often described by their range of focal lengths like a 50mm-250mm lens or a 28mm-55mm lens. &lt;br /&gt;
&lt;br /&gt;
'''Prime lens''': on the other hand, cannot zoom in or out, so they only have one angle of view, because they have fixed focal lengths that can't change how much of the scene you see. Prime Lenses are often described by the one and only focal length they can use like 100mm lens or 35mm lens for example.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To play with simulations of different types of lens check out the [https://imaging.nikon.com/lineup/lens/simulator/ Nikon Lens Simulator.]&lt;br /&gt;
==Photography== &lt;br /&gt;
&lt;br /&gt;
:There are a number of different concepts and equipment that only apply to photography and not video. Canon Rebel for digital, 35mm for film  &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance.  &lt;br /&gt;
:'''Possibilities:''' You can make portraits, macro photos, landscape, stop motion, panorama, long exposure, multiple exposure, and many other types of projects. Digital cameras have different modes to choose from that may help you use different techniques or inspire new ideas.   &lt;br /&gt;
:'''Film Development:''' The main different categories of film cameras are based on the size of film it uses. The smallest is 35mm, while the others are simply called medium format (uses 120mm film) and large format (4x5in film). 35mm in this case refers to the film size and not the focal length. The medium and large format use bigger film sizes, so that images can have incredible resolution. This detail means that the image can be scaled up for large prints. Large format cameras tend to have bellows that look like an accordion. Although these cameras are of older design, they are still used by professional photographers today. You will most likely want to use a light meter to help get your meter, so check out this [https://helpwiki.evergreen.edu/wiki/index.php/Light_Meters_Quick_Guide light meter guide.] Media Loan offers all of these types of cameras, but the best to start with is a 35mm called the K1000. A proficiency test is required to use this camera, all info is in this [https://helpwiki.evergreen.edu/wiki/index.php/35mm_SLR_Camera_Operating_Guide 35mm operating guide.] Film: There is black and White as well as color film. Both types of film have many different types of ISO.   &lt;br /&gt;
:'''Editing''': You can edit using Adobe Lightroom or Adobe Photoshop. You can scan film negative and images in the Digital Imaging Studio (DIS). With digital photos, you can put them on the computer using a usb cable that comes with camera kits.  &lt;br /&gt;
&lt;br /&gt;
==Video== &lt;br /&gt;
&lt;br /&gt;
:Video is just a camera taking pictures at a quick speed and played back in the same order. The same exposure and lens qualities still apply to recording video. Because of the dynamic nature of shooting video, you may want to rely on some of the automatic features of digital cameras. There are tons of options when it comes to video making.    &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex.   &lt;br /&gt;
:'''Mode:''' Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex.   &lt;br /&gt;
:'''Stabilizer:''' You can go handheld, or put in on a stabilizer, like a video tripod, Gorillapod (for lower shots), monopod (for light weight productions) or a unique rolling mount called the pocket skater.   &lt;br /&gt;
:'''Audio:''' Most digital cameras have microphones built in, but it usually sounds better to use external mics and an audio field recorder like the [[Zoom H4n Audio Recorder Gear Guide|H4n]]. For more information on audio check out the the [[Audio Fundamentals|Audio fundamentals]] page.   &lt;br /&gt;
:'''Editing:''' Once you have gathered all your shots, you will likely want to edit your video using Adobe Premier Pro in the Multimedia Lab (MML). Video files live on SD cards inside the camera. You can put them on the computer using a usb cable that comes with camera kits, or removing the SD and using a card reader, just remember to put it back.  &lt;br /&gt;
&lt;br /&gt;
==Lighting == &lt;br /&gt;
&lt;br /&gt;
:Check the link to the [[APS Lighting Equipment Guide|Lighting Wiki Guide]] for information on how to effectively light a scene or subject.  &lt;br /&gt;
&lt;br /&gt;
:[[Category:Media Loan Topics]]&lt;br /&gt;
__NOEDITSECTION__&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43181</id>
		<title>Camera Fundamentals</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43181"/>
				<updated>2022-01-24T23:35:44Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]]A guide for camera basics. &amp;lt;/div&amp;gt;  &lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt;'''Page Overview:''' This page covers the basic topics for getting started with cameras. The information covered will provide the foundation for taking good pictures and videos. The controls and buttons of a camera can be daunting, but this guide will point out the key features to get started with your project. The guide will also point out the most relevant campus resources to each topic.For beginners as well as advanced users, Media Loan's top camera recommendation is the Canon Rebel.  See [https://www.evergreen.edu/medialoan/policies Media Loans Policies] for more information on how to checkout gear and other resources. See Photoland's website for film development, digital editing and other photo resources. See the Multimedia lab page for information on how to use their computers for video editing as well as many other kinds of media software.&lt;br /&gt;
&lt;br /&gt;
==Exposure==&lt;br /&gt;
[[File:Exposure Triangle FINAL.png|alt=Graphic of Exposure Triangle depicting relationship of ISO, shutter speed, and aperture to light exposure for cameras. Original work created by Caelin Eddy.|centre|frameless|The elements of exposure are often displayed as an Exposure Triangle simply to reinforce that there are three elements.|600x600px]]&lt;br /&gt;
:Exposure results in an overall brighter or darker image. If an image is overexposed it will be blown out and look too white, on the other hand, an underexposed image is too dark. Getting the correct exposure is a balancing act between three controls. These three controls each affect the brightness of the image, but also have a side-effect that can be used to for artistic purposes.  &lt;br /&gt;
:These controls are called ISO, aperture, and shutter speed. Photos can look wildly different based on how you adjust these controls. Most phone cameras automatically adjust these controls to result in a well exposed image but you loose the ability to get exactly the kind of image you want. Most digital cameras have the ability to automatically adjust these exposure controls too. However, understanding and adjusting these controls can allow you to take the exact pictures you want, like taking pictures in low light, or having everything is focus, or having no motion blur. &lt;br /&gt;
:If you to prefer to learn from videos, here are a couple on these exposure topics; [https://www.youtube.com/watch?v=q8cj9Lj9w-g ISO], [https://www.youtube.com/watch?v=YojL7UQTVhc&amp;amp;t=2s aperture] and [https://www.youtube.com/watch?v=7R9ZTxoTOSk shutter speed.] &lt;br /&gt;
===ISO=== &lt;br /&gt;
[[File:ISO.png|centre|frameless|alt=Graphic displaying exposure qualities of ISO. Original work by Caelin Eddy.|ISO allows more sensitive sensors to let the available light to be shown as brighter, but results in a &amp;quot;noisy&amp;quot; image.|600x600px]]&lt;br /&gt;
{{#ev:youtube|q8cj9Lj9w-g|800|center}}&lt;br /&gt;
:Simply put, ISO is the sensitivity of the material that produces the image. For digital cameras, it is a fancy digital sensor, and film cameras use sensitive film strips. It seems odd, but both film and digital cameras describe their sensitivity as ISO. The ISO can be 100, 200, 400, 800, 1600, 3200 etc, with higher ISO being more sensitive and resulting in a brighter, more exposed image. Increasing the ISO has a drawback, it adds visual noise. For film, this is called grain and for digital it is seen as little errors in the pixels where the colors are adding randomness. For this reason you usually want to prioritize using lower ISO. You typically only increase ISO if you don't have enough exposure from the other controls. The pictures of the beach below use different ISO's. Click on them to compare the pixel noise added with the ISO of 12800. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different ISO pixel noise.&amp;quot;&amp;gt;&lt;br /&gt;
File:12800.jpg|ISO 12800&lt;br /&gt;
File:100.jpg|ISO 100&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Aperture=== &lt;br /&gt;
[[File:Aperture_Graphic.png|alt=Graphic displaying exposure qualities of aperture. Original work by Caelin Eddy.|centre|frameless|Aperture affects the depth of field allowing control over how much of image is in focus.|600x600px]]&lt;br /&gt;
{{#ev:youtube|YojL7UQTVhc|800|center}}&lt;br /&gt;
:Aperture is a hole in the lens that controls how much light is let through. Aperture is the hole and the mechanism that widens and narrows that hole is called the iris. Our eyes also have an iris that automatically changes our eyes' aperture, AKA pupil, in response to how much light we see. It is intuitive that a larger hole lets in more light, increasing the exposure and resulting in a brighter image. The aperture is measured in F-stops written like this; f/1.4, f/2, f/2.8, f/4 etc. The lower numbers can be described as more opened or large aperture, whereas a higher number can be described as more closed or small aperture. '''We need to talk about focus in order to understand what aperture does. The focus of an image is a plane parallel to the lens where the image will show up as the clearest, you usually want this to be on the most important part of the image like someone's face. What is out of the focus is seen as blurry. The focus can be moved forward and backward, but more on that in the Lens section below.''' For now, let's think about how the focus has a width, this is called the “depth of field.&amp;quot; A wider depth of field allows more parts of the image to be clearer if they are within the focus. The depth of field is controlled by the aperture. Interestingly, the smaller the hole (higher number) is actually a wider depth of field. On the other end, a bigger hole (lower number) is a narrow depth of field. With the images of the dragon below; you may want just your picture of the dragon to have the dragon in focus only and the background blurry so you would want a higher aperture. This also then means that your photo is getting less exposure, so you would need to adjust your other controls like ISO might need to be brought up to increase your overall exposure.  &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different depths of field.&amp;quot;&amp;gt;&lt;br /&gt;
File:SHOT F5.JPG|f/5&lt;br /&gt;
File:SHOT F20.JPG|f/20&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Shutter Speed=== &lt;br /&gt;
[[File:Shutter Speed.png|alt=Graphic displaying exposure qualities of shutter speed. Bigger numbers equate to longer exposures resulting in more light and motion blur. Original work by Caelin Eddy.|centre|frameless|Shutter speed creates more motion blur when it lets more light in from longer exposure time.|600x600px]]&lt;br /&gt;
{{#ev:youtube|7R9ZTxoTOSk|800|center}}&lt;br /&gt;
:The last control we have over the exposure is the shutter speed. The shutter is a door that quickly opens and closes to let light in so the digital sensor or film can be exposed. The time that the shutter is open is the shutter speed. It is measured in units like 1/60 seconds, 1/125 seconds, 1/250 seconds, 1/500 seconds. A slower shutter speed would allow more light in, increasing the exposure, but not capturing movement clearly. While the shutter is open, any movement in the scene going into the camera would be captured as a blur called motion blur. This can often be seen by a moving trailing image behind the subject like the above example of a stick figure. While quicker shutter speeds would just capture a snapshot still of the movement rather than blurring of that movement. If you wanted to take a picture of the movement of water, you would need to decide if you want the image to be a sharp representation of a moment, or a blurry representation of what happened over time. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view motion blur effects of shutter speed.&amp;quot;&amp;gt;&lt;br /&gt;
File:1_30.jpg|1/30th of a second&lt;br /&gt;
File:1_800.jpg|1/800th of a second&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Using the Exposure Triangle=== &lt;br /&gt;
&lt;br /&gt;
:The controls are often described as the Exposure Triangle. It is only called this because there are 3 components and it makes it easier to remember, there is no other significants or deeper meaning to the fact that it is a triangle.  &lt;br /&gt;
:Setting the correct exposure for your photo can enable you to control if your image has Noise from the ISO, depth of field from aperture and motion blur from shutter speed. For analog there is little automatic function, so you will need to manually choose all of your settings. For most digital cameras, they have a dial on the top right that you use to choose from Modes like P, A, S, M, Auto, Video, etc. This is called the mode dial and can be used to choose if it's in full automatic, aperture priority where you choose aperture and it chooses the other exposure settings. For more on this, look at the mode dial section of the Canon Rebels Operating Guide.  &lt;br /&gt;
:To play with a simulation of exposure controls, check out an [http://www.andersenimages.com/tutorials/exposure-simulator/ Exposure Simulator by Anderson Images] or an [http://www.canonoutsideofauto.ca/play/ Exposure Simulator by Canon.] &lt;br /&gt;
 &lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Exposure Element !! Other/Related Names !! Exposure Method !! Effect !! Example !! Higher number means... &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| ISO || Film Speed || Sensitivity of digital sensor or film || Grain for Analog, Pixel Noise for Digital || 400 || More exposure and more noise &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Aperture || Iris, Lens Speed, f-stop || Size of opening || Depth of field || f/2.8 || More exposure and less depth of field &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Shutter Speed || Shutter || Time of exposure || Motion Blur || 1/250  || Less exposure and less motion blur &lt;br /&gt;
&lt;br /&gt;
|}  &lt;br /&gt;
&lt;br /&gt;
==Lens== &lt;br /&gt;
&lt;br /&gt;
:Lenses are used to control focus and focal length. These will allow you to choose what part of the image is sharp and in focus as well as how much of the scene is captured in the image. Some cameras have detachable lenses, so you can mount different kinds to them. The Canon Rebel is great because Media Loan has many lenses to choose from. 35mm film cameras also have lenses to choose from.  &lt;br /&gt;
&lt;br /&gt;
=== Focus ===&lt;br /&gt;
Focus is what part of the scene is sharp, while the areas in front of and behind the focus plane will be out of focus and blurry. note macro*&lt;br /&gt;
&lt;br /&gt;
===Focal length=== &lt;br /&gt;
&lt;br /&gt;
:Focal lengths is an important quality of a lens. It directly affect “angle of view”, which is the angle produced by the lens. This angle is dependent on the focal length. The shorter the focal length, the wider the angle of view, which make the image see more of the scene, but less detail in each part of the scene. The longer the focal length the narrower the angle of view, which see less of the scene, but more detail in a smaller part of the scene. Technically, focal length is the distance from the lens to the sensitive material. This is measured in millimeters and lenses are often defined by their focal length like 50mm or 100mm. Lenses can also be categorized by their focal length like fish-eye, wide-angle, normal-angle, and telephoto. Fish eye is a very wide angle of view because it has a short focal length, and a telephoto is a very narrow angle of view because of its long focal length.  &lt;br /&gt;
 {{#ev:youtube|4CoEsqePADw|800|center}}&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Fish-eye !! Wide-Angle !! Standard !! Telephoto &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| &amp;lt;24mm || &amp;lt;35mm || 35mm to 70mm || &amp;gt;70mm &lt;br /&gt;
&lt;br /&gt;
|} &lt;br /&gt;
 &lt;br /&gt;
=== Zoom Vs Prime Lens ===&lt;br /&gt;
Some lenses can change focal length, while others cannot. &lt;br /&gt;
&lt;br /&gt;
'''Zoom Lens:''' can zoom in on distant objects and zoom out to see the full scene because they have variable focal lengths. Zoom lenses are often described by their range of focal lengths like a 50mm-250mm lens or a 28mm-55mm lens. &lt;br /&gt;
&lt;br /&gt;
'''Prime lens''': on the other hand, cannot zoom in or out, so they only have one angle of view, because they have fixed focal lengths that can't change how much of the scene you see. Prime Lenses are often described by the one and only focal length they can use like 100mm lens or 35mm lens for example.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To play with simulations of different types of lens check out the [https://imaging.nikon.com/lineup/lens/simulator/ Nikon Lens Simulator.]&lt;br /&gt;
==Photography== &lt;br /&gt;
&lt;br /&gt;
:There are a number of different concepts and equipment that only apply to photography and not video. Canon Rebel for digital, 35mm for film  &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance.  &lt;br /&gt;
:'''Possibilities:''' You can make portraits, macro photos, landscape, stop motion, panorama, long exposure, multiple exposure, and many other types of projects. Digital cameras have different modes to choose from that may help you use different techniques or inspire new ideas.   &lt;br /&gt;
:'''Film Development:''' The main different categories of film cameras are based on the size of film it uses. The smallest is 35mm, while the others are simply called medium format (uses 120mm film) and large format (4x5in film). 35mm in this case refers to the film size and not the focal length. The medium and large format use bigger film sizes, so that images can have incredible resolution. This detail means that the image can be scaled up for large prints. Large format cameras tend to have bellows that look like an accordion. Although these cameras are of older design, they are still used by professional photographers today. You will most likely want to use a light meter to help get your meter, so check out this [https://helpwiki.evergreen.edu/wiki/index.php/Light_Meters_Quick_Guide light meter guide.] Media Loan offers all of these types of cameras, but the best to start with is a 35mm called the K1000. A proficiency test is required to use this camera, all info is in this [https://helpwiki.evergreen.edu/wiki/index.php/35mm_SLR_Camera_Operating_Guide 35mm operating guide.] Film: There is black and White as well as color film. Both types of film have many different types of ISO.   &lt;br /&gt;
:'''Editing''': You can edit using Adobe Lightroom or Adobe Photoshop. You can scan film negative and images in the Digital Imaging Studio (DIS). With digital photos, you can put them on the computer using a usb cable that comes with camera kits.  &lt;br /&gt;
&lt;br /&gt;
==Video== &lt;br /&gt;
&lt;br /&gt;
:Video is just a camera taking pictures at a quick speed and played back in the same order. The same exposure and lens qualities still apply to recording video. Because of the dynamic nature of shooting video, you may want to rely on some of the automatic features of digital cameras. There are tons of options when it comes to video making.    &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex.   &lt;br /&gt;
:'''Mode:''' Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex.   &lt;br /&gt;
:'''Stabilizer:''' You can go handheld, or put in on a stabilizer, like a video tripod, Gorillapod (for lower shots), monopod (for light weight productions) or a unique rolling mount called the pocket skater.   &lt;br /&gt;
:'''Audio:''' Most digital cameras have microphones built in, but it usually sounds better to use external mics and an audio field recorder like the [[Zoom H4n Audio Recorder Gear Guide|H4n]]. For more information on audio check out the the [[Audio Fundamentals|Audio fundamentals]] page.   &lt;br /&gt;
:'''Editing:''' Once you have gathered all your shots, you will likely want to edit your video using Adobe Premier Pro in the Multimedia Lab (MML). Video files live on SD cards inside the camera. You can put them on the computer using a usb cable that comes with camera kits, or removing the SD and using a card reader, just remember to put it back.  &lt;br /&gt;
&lt;br /&gt;
==Lighting == &lt;br /&gt;
&lt;br /&gt;
:Check the link to the [[APS Lighting Equipment Guide|Lighting Wiki Guide]] for information on how to effectively light a scene or subject.  &lt;br /&gt;
&lt;br /&gt;
:[[Category:Media Loan Topics]]&lt;br /&gt;
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		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Template:Media_Loan_Covid_Message&amp;diff=43157</id>
		<title>Template:Media Loan Covid Message</title>
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				<updated>2022-01-19T21:41:31Z</updated>
		
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		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43156</id>
		<title>Camera Fundamentals</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43156"/>
				<updated>2022-01-14T23:58:06Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: /* Zoom Vs Prime Lens */&lt;/p&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]]A guide for camera basics. &amp;lt;/div&amp;gt;  &lt;br /&gt;
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&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;[[File:Lenscloseup.jpg|alt=A close up of a lens with a closed aperature|right|frameless|500x500px]]&lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt;'''Page Overview:''' This page covers the basic topics for getting started with cameras. The information covered will provide the foundation for taking good pictures and videos. The controls and buttons of a camera can be daunting, but this guide will point out the key features to get started with your project. The guide will also point out the most relevant campus resources to each topic.For beginners as well as advanced users, Media Loan's top camera recommendation is the Canon Rebel.  See [https://www.evergreen.edu/medialoan/policies Media Loans Policies] for more information on how to checkout gear and other resources. See Photolands website for film development, digital editing and other photo resources. See the Multimedia lab page for information on how to use their computers for video editing as well as many other kinds of media software.&lt;br /&gt;
&lt;br /&gt;
==Exposure==&lt;br /&gt;
[[File:Exposure Triangle FINAL.png|alt=Graphic of Exposure Triangle depicting relationship of ISO, shutter speed, and aperture to light exposure for cameras. Original work created by Caelin Eddy.|centre|frameless|The elements of exposure are often displayed as an Exposure Triangle simply to reinforce that there are three elements.|600x600px]]&lt;br /&gt;
:Exposure results in an overall brighter or darker image. If an image is overexposed it will be blown out and look too white, on the other hand, an underexposed image is too dark. Getting the correct exposure is a balancing act between three controls. These three controls each affect the brightness of the image, but also have a side-effect that can be used to for artistic purposes.  &lt;br /&gt;
:These controls are called ISO, aperture, and shutter speed. Photos can look wildly different based on how you adjust these controls. Most phone cameras automatically adjust these controls to result in a well exposed image but you loose the ability to get exactly the kind of image you want. Most digital cameras have the ability to automatically adjust these exposure controls too. However, understanding and adjusting these controls can allow you to take the exact pictures you want, like taking pictures in low light, or having everything is focus, or having no motion blur. &lt;br /&gt;
:If you to prefer to learn from videos, here are a couple on these exposure topics; [https://www.youtube.com/watch?v=q8cj9Lj9w-g ISO], [https://www.youtube.com/watch?v=YojL7UQTVhc&amp;amp;t=2s aperture] and [https://www.youtube.com/watch?v=7R9ZTxoTOSk shutter speed.]  To play with a simulation of exposure controls, check out an [http://www.andersenimages.com/tutorials/exposure-simulator/ Exposure Simulator by Anderson Images] or an [http://www.canonoutsideofauto.ca/play/ Exposure Simulator by Canon.]&lt;br /&gt;
===ISO=== &lt;br /&gt;
[[File:ISO.png|centre|frameless|alt=Graphic displaying exposure qualities of ISO. Original work by Caelin Eddy.|ISO allows more sensitive sensors to let the available light to be shown as brighter, but results in a &amp;quot;noisy&amp;quot; image.|600x600px]]&lt;br /&gt;
:Simply put, ISO is the sensitivity of the material that produces the image. For digital cameras, it is a fancy digital sensor, and film cameras use sensitive film strips. It seems odd, but both film and digital cameras describe their sensitivity as ISO. The ISO can be 100, 200, 400, 800, 1600, 3200 etc, with higher ISO being more sensitive and resulting in a brighter, more exposed image. Increasing the ISO has a drawback, it adds visual noise. For film, this is called grain and for digital it is seen as little errors in the pixels where the colors are adding randomness. For this reason you usually want to prioritize using lower ISO. You typically only increase ISO if you don't have enough exposure from the other controls. The pictures of the beach below use different ISO's. Click on then to compare the pixel noise added with the ISO of 12800. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different ISO pixel noise.&amp;quot;&amp;gt;&lt;br /&gt;
File:12800.jpg|ISO 12800&lt;br /&gt;
File:100.jpg|ISO 100&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
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===Aperture=== &lt;br /&gt;
[[File:Aperture_Graphic.png|alt=Graphic displaying exposure qualities of aperture. Original work by Caelin Eddy.|centre|frameless|Aperture affects the depth of field allowing control over how much of image is in focus.|600x600px]]&lt;br /&gt;
:Aperture is a hole in the lens that controls how much light is let through. Aperture is the hole and the mechanism that widens and narrows that hole is called the iris. Our eyes also have an iris that automatically changes our eyes' aperture, AKA pupil, in response to how much light we see. It is intuitive that a larger hole lets in more light, increasing the exposure and resulting in a brighter image. The aperture is measured in F-stops written like this; f/1.4, f/2, f/2.8, f/4 etc. The lower numbers can be described as more opened or large aperture, whereas a higher number can be described as more closed or small aperture. '''We need to talk about focus in order to understand what aperture does. The focus of an image is a plane parallel to the lens where the image will show up as the clearest, you usually want this to be on the most important part of the image like someone's face. What is out of the focus is seen as blurry. The focus can be moved forward and backward, but more on that in the Lens section below.''' For now, let think about how the focus has a width, this is called the “depth of field”. A wider depth of field allows more parts of the image to be clearer if they are within the focus. The depth of field is controlled by the aperture. Interestingly, the smaller the hole (higher number) is actually a wider depth of field. On the other end, a bigger hole (lower number) is a narrow depth of field. With the images of the boot below; you may want just your picture of a boot to have the boot in focus only and the background blurry so you would want a higher aperture. This also then means that your photo is getting less exposure, so you would need to adjust your other controls like ISO might need to be brought up to increase your overall exposure.  &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different depths of field.&amp;quot;&amp;gt;&lt;br /&gt;
File:SHOT F5.JPG|f/5&lt;br /&gt;
File:SHOT F20.JPG|f/20&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Shutter Speed=== &lt;br /&gt;
[[File:Shutter Speed.png|alt=Graphic displaying exposure qualities of shutter speed. Bigger numbers equate to longer exposures resulting in more light and motion blur. Original work by Caelin Eddy.|centre|frameless|Shutter speed creates more motion blur when it lets more light in from longer exposure time.|600x600px]]&lt;br /&gt;
:The last control we have over the exposure is the shutter speed. The shutter is a door that quickly opens and closes to let light in so the digital sensor or film can be exposed. The time that the shutter is open is the shutter speed. It is measured in units like 1/60 seconds, 1/125 seconds, 1/250 seconds, 1/500 seconds. A slower shutter speed would allow more light in, increasing the exposure, but not capturing movement clearly. While the shutter is open, any movement in the scene going into the camera would be captured as a blur called motion blur. This can often be see and a moving trailing image behind the subject like the above example of a stick figure. While quicker shutter speeds would just capture a snapshot still of the movement rather than blurring of that movement. If you wanted to take a picture of the movement of water, you would need to decide if you want the image to be a sharp representation of a moment, or a blurry representation of what happened over time. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view motion blur effects of shutter speed.&amp;quot;&amp;gt;&lt;br /&gt;
File:1_30.jpg|1/30th of a second&lt;br /&gt;
File:1_800.jpg|1/800th of a second&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
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===Using the Exposure Triangle=== &lt;br /&gt;
&lt;br /&gt;
:The controls are often described as the Exposure Triangle. It is only called this because there are 3 components and it makes it easier to remember, there is no other significants or deeper meaning to the fact that it is a triangle.  &lt;br /&gt;
:Setting the correct exposure for your photo can enable you to control if your image has Noise from the ISO, depth of field from aperture and motion blur from shutter speed. For analog there is little automatic function, so you will need to manually choose all of your settings. For most digital cameras, they have a dial on the top right that you use to choose from Modes like P, A, S, M, Auto, Video, etc. This is called the mode dial and can be used to choose if it's in full automatic, aperture priority where you choose aperture and it chooses the other exposure settings. For more on this, look at the mode dial section of the Canon Rebels Operating Guide. &lt;br /&gt;
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{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
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|- &lt;br /&gt;
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! Exposure Element !! Other/Related Names !! Exposure Method !! Effect !! Example !! Higher number means... &lt;br /&gt;
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|- &lt;br /&gt;
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| ISO || Film Speed || Sensitivity of digital sensor or film || Grain for Analog, Pixel Noise for Digital || 400 || More exposure and more noise &lt;br /&gt;
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|- &lt;br /&gt;
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| Aperture || Iris, Lens Speed, f-stop || Size of opening || Depth of field || f/2.8 || More exposure and less depth of field &lt;br /&gt;
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|- &lt;br /&gt;
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| Shutter Speed || Shutter || Time of exposure || Motion Blur || 1/250  || Less exposure and less motion blur &lt;br /&gt;
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|}  &lt;br /&gt;
&lt;br /&gt;
==Lens== &lt;br /&gt;
&lt;br /&gt;
:Lenses are used to control focus and focal length. These will allow you to choose what part of the image is sharp and in focus as well as how much of the scene is captured in the image. Some cameras have detachable lenses, so you can mount different kinds to them. The Canon Rebel is great because Media Loan has many lenses to choose from. 35mm film cameras also have lenses to choose from.  &lt;br /&gt;
&lt;br /&gt;
=== Focus ===&lt;br /&gt;
Focus is what part of the scene is sharp, while the areas in front of and behind the focus plane will be out of focus and blurry. note macro&lt;br /&gt;
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===Focal length=== &lt;br /&gt;
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:Focal lengths is an important quality of a lens. It directly affect “angle of view”, which is the angle produced by the lens. This angle is dependent on the focal length. The shorter the focal length, the wider the angle of view, which make the image see more of the scene, but less detail in each part of the scene. The longer the focal length the narrower the angle of view, which see less of the scene, but more detail in a smaller part of the scene. Technically, Focal length is the distance from the lens to the sensitive material. This is measured in millimeters and lenses are often defined by their focal length like 50mm or 100mm. Lenses can also be categorized by their focal length like fish-eye, wide-angle, normal-angle, and telephoto. Fish eye is a very wide angle of view because it has a short focal length, and a Telephoto is a very narrow angle of view because of its long focal length.  &lt;br /&gt;
:For a video on these concepts check out this [https://www.youtube.com/watch?v=4CoEsqePADw&amp;amp;t=202s Focal Length video.] &lt;br /&gt;
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{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
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! Fish-eye !! Wide-Angle !! Standard !! Telephoto &lt;br /&gt;
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| &amp;lt;24mm || &amp;lt;35mm || 35mm to 70mm || &amp;gt;70mm &lt;br /&gt;
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|} &lt;br /&gt;
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=== Zoom Vs Prime Lens ===&lt;br /&gt;
Some lenses can change focal length, while others can't. &lt;br /&gt;
&lt;br /&gt;
'''Zoom Lens:''' can zoom in on distant objects and zoom out to see the full scene because they have variable focal lengths. Zoom lenses are often described by their range of focal lengths like a 50mm-250mm lens or a 28mm-55mm lens. &lt;br /&gt;
&lt;br /&gt;
'''Prime lens''': on the other hand, cannot zoom in or out, so they only have one angle of view, because they have fixed focal lengths that can't change how much of the scene you see. Prime Lenses are often described by the one and only focal length they can use like 100mm lens or 35mm lens for example.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To play with simulations of different types of lens check out the [https://imaging.nikon.com/lineup/lens/simulator/ Nikon Lens Simulator.]&lt;br /&gt;
==Photography== &lt;br /&gt;
&lt;br /&gt;
:There are a number of different concepts and equipment that only apply to photography and not video. photoland. canon rebel for digital, 35mm for film  &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance.  &lt;br /&gt;
:'''Possibilities:''' You can make portraits, macro photos, landscape, stop motion, panorama, long exposure, multiple exposure, and many other types of projects. Digital cameras have different modes to choose from that may help you use different techniques or inspire new ideas.   &lt;br /&gt;
:'''Film Development:''' The main different categories of film cameras are based on the size of film it uses. The smallest is 35mm, while the others are simply called medium format (uses 120mm film) and large format(4x5in film). 35mm in this case refers to the film size and not the focal length. The medium and large format use bigger film sizes, so that images can have incredible resolution. This detail means that the image can be scaled up for large prints. Large format cameras tend to have bellows that look like an accordion. Although these cameras are of an older design, they are still used by professional photographers today. You will most likely want to use a light meter to help get your meter, so check out this [https://helpwiki.evergreen.edu/wiki/index.php/Light_Meters_Quick_Guide light meter guide.] Media Loan offers all of these types of cameras, but the best to start with is a 35mm called the K1000. A proficiency test is required to use this camera, all info is in this [https://helpwiki.evergreen.edu/wiki/index.php/35mm_SLR_Camera_Operating_Guide 35mm operating guide.] Film : There is black and White as well as color film. Both types of film have many different types of ISO.   &lt;br /&gt;
:'''Editing''': You can edit using Adobe Lightroom or Adobe Photoshop. You can scan film negative and images in the Digital Imaging Studio (DIS). With digital photos, you can put them on the computer using a usb cable that comes with camera kits.  &lt;br /&gt;
&lt;br /&gt;
==Video== &lt;br /&gt;
&lt;br /&gt;
:Video is just a camera taking pictures at a quick speed and played back in the same order. The same exposure and lense qualities still apply to recording video. Because of the dynamic nature of shooting video, you may want to rely on some of the automatic features of digital cameras. There are tons of options when it comes to video making.    &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Mode:''' Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Stabilizer:''' You can go handheld, or put in on a stabilizer, like a video tripod, gorillapod (for lower shots), monopod (for light weight productions) or a unique rolling mount called the pocket skater.   &lt;br /&gt;
:'''Audio:''' Most digital cameras have microphones built in, but it is good usually sounds better to use external mics and an audio field recorder. For more information on audio check out the the [[Audio Fundamentals|Audio fundamentals]] page.   &lt;br /&gt;
:'''Editing:''' Once you have gathered all your shots, you will likely want to edit your video using Adobe Premier Pro in the Multimedia Lab (MML). Video files live on SD cards inside the camera. You can put them on the computer using a usb cable that comes with camera kits, or by removing the SD and using a card reader, just remember to put it back.  &lt;br /&gt;
&lt;br /&gt;
==Lighting == &lt;br /&gt;
&lt;br /&gt;
:Check the link to the [[APS Lighting Equipment Guide|Lighting Wiki Guide]] for information on how to effectively light a scene or subject.  &lt;br /&gt;
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:[[Category:Media Loan Topics]]&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43022</id>
		<title>Camera Fundamentals</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43022"/>
				<updated>2021-12-17T21:49:40Z</updated>
		
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&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt;'''Page Overview:''' This page covers the basic topics for getting started with cameras. The information covered will provide the foundation for taking good pictures and videos. The controls and buttons of a camera can be daunting, but this guide will point out the key features to get started with your project. The guide will also point out the most relevant campus resources to each topic.For beginners as well as advanced users, Media Loan's top camera recommendation is the Canon Rebel.  See [https://www.evergreen.edu/medialoan/policies Media Loans Policies] for more information on how to checkout gear and other resources. See Photolands website for film development, digital editing and other photo resources. See the Multimedia lab page for information on how to use their computers for video editing as well as many other kinds of media software.&lt;br /&gt;
&lt;br /&gt;
==Exposure==&lt;br /&gt;
[[File:Exposure Triangle FINAL.png|alt=Graphic of Exposure Triangle depicting relationship of ISO, shutter speed, and aperture to light exposure for cameras. Original work created by Caelin Eddy.|centre|frameless|The elements of exposure are often displayed as an Exposure Triangle simply to reinforce that there are three elements.|600x600px]]&lt;br /&gt;
:Exposure results in an overall brighter or darker image. If an image is overexposed it will be blown out and look too white, on the other hand, an underexposed image is too dark. Getting the correct exposure is a balancing act between three controls. These three controls each affect the brightness of the image, but also have a side-effect that can be used to for artistic purposes.  &lt;br /&gt;
:These controls are called ISO, aperture, and shutter speed. Photos can look wildly different based on how you adjust these controls. Most phone cameras automatically adjust these controls to result in a well exposed image but you loose the ability to get exactly the kind of image you want. Most digital cameras have the ability to automatically adjust these exposure controls too. However, understanding and adjusting these controls can allow you to take the exact pictures you want, like taking pictures in low light, or having everything is focus, or having no motion blur. &lt;br /&gt;
:If you to prefer to learn from videos, here are a couple on these exposure topics; [https://www.youtube.com/watch?v=q8cj9Lj9w-g ISO], [https://www.youtube.com/watch?v=YojL7UQTVhc&amp;amp;t=2s aperture] and [https://www.youtube.com/watch?v=7R9ZTxoTOSk shutter speed.]  To play with a simulation of exposure controls, check out an [http://www.andersenimages.com/tutorials/exposure-simulator/ Exposure Simulator by Anderson Images] or an [http://www.canonoutsideofauto.ca/play/ Exposure Simulator by Canon.]&lt;br /&gt;
===ISO=== &lt;br /&gt;
[[File:ISO.png|centre|frameless|alt=Graphic displaying exposure qualities of ISO. Original work by Caelin Eddy.|ISO allows more sensitive sensors to let the available light to be shown as brighter, but results in a &amp;quot;noisy&amp;quot; image.|600x600px]]&lt;br /&gt;
:Simply put, ISO is the sensitivity of the material that produces the image. For digital cameras, it is a fancy digital sensor, and film cameras use sensitive film strips. It seems odd, but both film and digital cameras describe their sensitivity as ISO. The ISO can be 100, 200, 400, 800, 1600, 3200 etc, with higher ISO being more sensitive and resulting in a brighter, more exposed image. Increasing the ISO has a drawback, it adds visual noise. For film, this is called grain and for digital it is seen as little errors in the pixels where the colors are adding randomness. For this reason you usually want to prioritize using lower ISO. You typically only increase ISO if you don't have enough exposure from the other controls. The pictures of the beach below use different ISO's. Click on then to compare the pixel noise added with the ISO of 12800. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different ISO pixel noise.&amp;quot;&amp;gt;&lt;br /&gt;
File:12800.jpg|ISO 12800&lt;br /&gt;
File:100.jpg|ISO 100&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Aperture=== &lt;br /&gt;
[[File:Aperture_Graphic.png|alt=Graphic displaying exposure qualities of aperture. Original work by Caelin Eddy.|centre|frameless|Aperture affects the depth of field allowing control over how much of image is in focus.|600x600px]]&lt;br /&gt;
:Aperture is a hole in the lens that controls how much light is let through. Aperture is the hole and the mechanism that widens and narrows that hole is called the iris. Our eyes also have an iris that automatically changes our eyes' aperture, AKA pupil, in response to how much light we see. It is intuitive that a larger hole lets in more light, increasing the exposure and resulting in a brighter image. The aperture is measured in F-stops written like this; f/1.4, f/2, f/2.8, f/4 etc. The lower numbers can be described as more opened or large aperture, whereas a higher number can be described as more closed or small aperture. '''We need to talk about focus in order to understand what aperture does. The focus of an image is a plane parallel to the lens where the image will show up as the clearest, you usually want this to be on the most important part of the image like someone's face. What is out of the focus is seen as blurry. The focus can be moved forward and backward, but more on that in the Lens section below.''' For now, let think about how the focus has a width, this is called the “depth of field”. A wider depth of field allows more parts of the image to be clearer if they are within the focus. The depth of field is controlled by the aperture. Interestingly, the smaller the hole (higher number) is actually a wider depth of field. On the other end, a bigger hole (lower number) is a narrow depth of field. With the images of the boot below; you may want just your picture of a boot to have the boot in focus only and the background blurry so you would want a higher aperture. This also then means that your photo is getting less exposure, so you would need to adjust your other controls like ISO might need to be brought up to increase your overall exposure.  &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different depths of field.&amp;quot;&amp;gt;&lt;br /&gt;
File:SHOT F5.JPG|f/5&lt;br /&gt;
File:SHOT F20.JPG|f/20&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Shutter Speed=== &lt;br /&gt;
[[File:Shutter Speed.png|alt=Graphic displaying exposure qualities of shutter speed. Bigger numbers equate to longer exposures resulting in more light and motion blur. Original work by Caelin Eddy.|centre|frameless|Shutter speed creates more motion blur when it lets more light in from longer exposure time.|600x600px]]&lt;br /&gt;
:The last control we have over the exposure is the shutter speed. The shutter is a door that quickly opens and closes to let light in so the digital sensor or film can be exposed. The time that the shutter is open is the shutter speed. It is measured in units like 1/60 seconds, 1/125 seconds, 1/250 seconds, 1/500 seconds. A slower shutter speed would allow more light in, increasing the exposure, but not capturing movement clearly. While the shutter is open, any movement in the scene going into the camera would be captured as a blur called motion blur. This can often be see and a moving trailing image behind the subject like the above example of a stick figure. While quicker shutter speeds would just capture a snapshot still of the movement rather than blurring of that movement. If you wanted to take a picture of the movement of water, you would need to decide if you want the image to be a sharp representation of a moment, or a blurry representation of what happened over time. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view motion blur effects of shutter speed.&amp;quot;&amp;gt;&lt;br /&gt;
File:1_30.jpg|1/30th of a second&lt;br /&gt;
File:1_800.jpg|1/800th of a second&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Using the Exposure Triangle=== &lt;br /&gt;
&lt;br /&gt;
:The controls are often described as the Exposure Triangle. It is only called this because there are 3 components and it makes it easier to remember, there is no other significants or deeper meaning to the fact that it is a triangle.  &lt;br /&gt;
:Setting the correct exposure for your photo can enable you to control if your image has Noise from the ISO, depth of field from aperture and motion blur from shutter speed. For analog there is little automatic function, so you will need to manually choose all of your settings. For most digital cameras, they have a dial on the top right that you use to choose from Modes like P, A, S, M, Auto, Video, etc. This is called the mode dial and can be used to choose if it's in full automatic, aperture priority where you choose aperture and it chooses the other exposure settings. For more on this, look at the mode dial section of the Canon Rebels Operating Guide. &lt;br /&gt;
 &lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Exposure Element !! Other/Related Names !! Exposure Method !! Effect !! Example !! Higher number means... &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| ISO || Film Speed || Sensitivity of digital sensor or film || Grain for Analog, Pixel Noise for Digital || 400 || More exposure and more noise &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Aperture || Iris, Lens Speed, f-stop || Size of opening || Depth of field || f/2.8 || More exposure and less depth of field &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Shutter Speed || Shutter || Time of exposure || Motion Blur || 1/250  || Less exposure and less motion blur &lt;br /&gt;
&lt;br /&gt;
|}  &lt;br /&gt;
&lt;br /&gt;
==Lens== &lt;br /&gt;
&lt;br /&gt;
:Lenses are used to control focus and focal length. These will allow you to choose what part of the image is sharp and in focus as well as how much of the scene is captured in the image. Some cameras have detachable lenses, so you can mount different kinds to them. The Canon Rebel is great because Media Loan has many lenses to choose from. 35mm film cameras also have lenses to choose from.  &lt;br /&gt;
&lt;br /&gt;
=== Focus ===&lt;br /&gt;
Focus is what part of the scene is sharp, while the areas in front of and behind the focus plane will be out of focus and blurry. note macro&lt;br /&gt;
&lt;br /&gt;
===Focal length=== &lt;br /&gt;
&lt;br /&gt;
:Focal lengths is an important quality of a lens. It directly affect “angle of view”, which is the angle produced by the lens. This angle is dependent on the focal length. The shorter the focal length, the wider the angle of view, which make the image see more of the scene, but less detail in each part of the scene. The longer the focal length the narrower the angle of view, which see less of the scene, but more detail in a smaller part of the scene. Technically, Focal length is the distance from the lens to the sensitive material. This is measured in millimeters and lenses are often defined by their focal length like 50mm or 100mm. Lenses can also be categorized by their focal length like fish-eye, wide-angle, normal-angle, and telephoto. Fish eye is a very wide angle of view because it has a short focal length, and a Telephoto is a very narrow angle of view because of its long focal length.  &lt;br /&gt;
:For a video on these concepts check out this [https://www.youtube.com/watch?v=4CoEsqePADw&amp;amp;t=202s Focal Length video.] &lt;br /&gt;
 &lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Fish-eye !! Wide-Angle !! Standard !! Telephoto &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| &amp;lt;24mm || &amp;lt;35mm || 35mm to 70mm || &amp;gt;70mm &lt;br /&gt;
&lt;br /&gt;
|} &lt;br /&gt;
 &lt;br /&gt;
=== Zoom Vs Prime Lens ===&lt;br /&gt;
Some lenses can change focal length, while other can't. &lt;br /&gt;
&lt;br /&gt;
'''Zoom Lens:''' can zoom in on distant objects and zoom out to see the full scene because they have variable focal lengths. Zoom lenses are often described by their range of focal lengths like a 50mm-250mm lens or a 28mm-55mm lens. &lt;br /&gt;
&lt;br /&gt;
'''Prime lens''': on the other hand, cannot zoom in or out, so they only have one angle of view, because they have fixed focal lengths that can't change how much of the scene you see. Prime Lenses are often described by the one and only focal length they can use like 100mm lens or 35mm lens for example.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To play with simulations of different types of lens check out the [https://imaging.nikon.com/lineup/lens/simulator/ Nikon Lens Simulator.]&lt;br /&gt;
==Photography== &lt;br /&gt;
&lt;br /&gt;
:There are a number of different concepts and equipment that only apply to photography and not video. photoland. canon rebel for digital, 35mm for film  &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance.  &lt;br /&gt;
:'''Possibilities:''' You can make  portraits, macro photos, landscape, stop motion, panorama, long exposure, multiple exposure, and many other types of projects. Digital cameras have different modes to choose from that may help you use different techniques or inspire new ideas.   &lt;br /&gt;
:'''Film Development:''' The main different categories of film cameras are based on the size of film it uses. The smallest is 35mm, while the others are simply called medium format (uses 120mm film) and large format(4x5in film). 35mm in this case refers to the film size and not the focal length. The medium and large format use bigger film sizes, so that images can have incredible resolution. This detail means that the image can be scaled up for large prints. Large format cameras tend to have bellows that look like an accordion. Although these cameras are of an older design, they are still used by professional photographers today. You will most likely want to use a light meter to help get your meter, so check out this [https://helpwiki.evergreen.edu/wiki/index.php/Light_Meters_Quick_Guide light meter guide.] Media Loan offers all of these types of cameras, but the best to start with is a 35mm called the K1000. A proficiency test is required to use this camera, all info is in this [https://helpwiki.evergreen.edu/wiki/index.php/35mm_SLR_Camera_Operating_Guide 35mm operating guide.] Film : There is black and White as well as color film. Both types of film have many different types of ISO.   &lt;br /&gt;
:'''Editing''': You can edit using Adobe Lightroom or Adobe Photoshop. You can scan film negative and images in the Digital Imaging Studio (DIS). With digital photos, you can put them on the computer using a usb cable that comes with camera kits.  &lt;br /&gt;
&lt;br /&gt;
==Video== &lt;br /&gt;
&lt;br /&gt;
:Video is just a camera taking pictures at a quick speed and played back in the same order. The same exposure and lense qualities still apply to recording video. Because of the dynamic nature of shooting video, you may want to rely on some of the automatic features of digital cameras. There are tons of options when it comes to video making.    &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Mode:''' Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Stabilizer:''' You can go handheld, or put in on a stabilizer, like a video tripod, gorillapod (for lower shots), monopod (for light weight productions) or a unique rolling mount called the pocket skater.   &lt;br /&gt;
:'''Audio:''' Most digital cameras have microphones built in, but it is good usually sounds better to use external mics and an audio field recorder. For more information on audio check out the the [[Audio Fundamentals|Audio fundamentals]] page.   &lt;br /&gt;
:'''Editing:''' Once you have gathered all your shots, you will likely want to edit your video using Adobe Premier Pro in the Multimedia Lab (MML). Video files live on SD cards inside the camera. You can put them on the computer using a usb cable that comes with camera kits, or by removing the SD and using a card reader, just remember to put it back.  &lt;br /&gt;
&lt;br /&gt;
==Lighting == &lt;br /&gt;
&lt;br /&gt;
:Check the link to the [[APS Lighting Equipment Guide|Lighting Wiki Guide]] for information on how to effectively light a scene or subject.  &lt;br /&gt;
&lt;br /&gt;
:[[Category:Media Loan Topics]]&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43021</id>
		<title>Camera Fundamentals</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43021"/>
				<updated>2021-12-17T21:41:56Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: /* Aperture */&lt;/p&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]]A guide for camera basics. &amp;lt;/div&amp;gt;  &lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt;'''Page Overview:''' This page covers the basic topics for getting started with cameras. The information covered will provide the foundation for taking good pictures and videos. The controls and buttons of a camera can be daunting, but this guide will point out the key features to get started with your project. The guide will also point out the most relevant campus resources to each topic.For beginners as well as advanced users, Media Loan's top camera recommendation is the Canon Rebel.  See [https://www.evergreen.edu/medialoan/policies Media Loans Policies] for more information on how to checkout gear and other resources. See Photolands website for film development, digital editing and other photo resources. See the Multimedia lab page for information on how to use their computers for video editing as well as many other kinds of media software.&lt;br /&gt;
&lt;br /&gt;
==Exposure==&lt;br /&gt;
[[File:Exposure Triangle FINAL.png|alt=Graphic of Exposure Triangle depicting relationship of ISO, shutter speed, and aperture to light exposure for cameras. Original work created by Caelin Eddy.|centre|frameless|The elements of exposure are often displayed as an Exposure Triangle simply to reinforce that there are three elements.|600x600px]]&lt;br /&gt;
:Exposure results in an overall brighter or darker image. If an image is overexposed it will be blown out and look too white, on the other hand, an underexposed image is too dark. Getting the correct exposure is a balancing act between three controls. These three controls each affect the brightness of the image, but also have a side-effect that can be used to for artistic purposes.  &lt;br /&gt;
:These controls are called ISO, aperture, and shutter speed. Photos can look wildly different based on how you adjust these controls. Most phone cameras automatically adjust these controls to result in a well exposed image but you loose the ability to get exactly the kind of image you want. Most digital cameras have the ability to automatically adjust these exposure controls too. However, understanding and adjusting these controls can allow you to take the exact pictures you want, like taking pictures in low light, or having everything is focus, or having no motion blur. &lt;br /&gt;
:If you to prefer to learn from videos, here are a couple on these exposure topics; [https://www.youtube.com/watch?v=q8cj9Lj9w-g ISO], [https://www.youtube.com/watch?v=YojL7UQTVhc&amp;amp;t=2s aperture] and [https://www.youtube.com/watch?v=7R9ZTxoTOSk shutter speed.]  To play with a simulation of exposure controls, check out an [http://www.andersenimages.com/tutorials/exposure-simulator/ Exposure Simulator by Anderson Images] or an [http://www.canonoutsideofauto.ca/play/ Exposure Simulator by Canon.]&lt;br /&gt;
===ISO=== &lt;br /&gt;
[[File:ISO.png|centre|frameless|alt=Graphic displaying exposure qualities of ISO. Original work by Caelin Eddy.|ISO allows more sensitive sensors to let the available light to be shown as brighter, but results in a &amp;quot;noisy&amp;quot; image.|600x600px]]&lt;br /&gt;
:Simply put, ISO is the sensitivity of the material that produces the image. For digital cameras, it is a fancy digital sensor, and film cameras use sensitive film strips. It seems odd, but both film and digital cameras describe their sensitivity as ISO. The ISO can be 100, 200, 400, 800, 1600, 3200 etc, with higher ISO being more sensitive and resulting in a brighter, more exposed image. Increasing the ISO has a drawback, it adds visual noise. For film, this is called grain and for digital it is seen as little errors in the pixels where the colors are adding randomness. For this reason you usually want to prioritize using lower ISO. You typically only increase ISO if you don't have enough exposure from the other controls. The pictures of the beach below use different ISO's. Click on then to compare the pixel noise added with the ISO of 12800. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different ISO pixel noise.&amp;quot;&amp;gt;&lt;br /&gt;
File:12800.jpg|ISO 12800&lt;br /&gt;
File:100.jpg|ISO 100&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Aperture=== &lt;br /&gt;
[[File:Aperture_Graphic.png|alt=Graphic displaying exposure qualities of aperture. Original work by Caelin Eddy.|centre|frameless|Aperture affects the depth of field allowing control over how much of image is in focus.|600x600px]]&lt;br /&gt;
:Aperture is a hole in the lens that controls how much light is let through. Aperture is the hole and the mechanism that widens and narrows that hole is called the iris. Our eyes also have an iris that automatically changes our eyes' aperture, AKA pupil, in response to how much light we see. It is intuitive that a larger hole lets in more light, increasing the exposure and resulting in a brighter image. The aperture is measured in F-stops written like this; f/1.4, f/2, f/2.8, f/4 etc. The lower numbers can be described as more opened or large aperture, whereas a higher number can be described as more closed or small aperture. '''We need to talk about focus in order to understand what aperture does. The focus of an image is a plane parallel to the lens where the image will show up as the clearest, you usually want this to be on the most important part of the image like someone's face. What is out of the focus is seen as blurry. The focus can be moved forward and backward, but more on that in the Lens section below.''' For now, let think about how the focus has a width, this is called the “depth of field”. A wider depth of field allows more parts of the image to be clearer if they are within the focus. The depth of field is controlled by the aperture. Interestingly, the smaller the hole (higher number) is actually a wider depth of field. On the other end, a bigger hole (lower number) is a narrow depth of field. With the images of the boot below; you may want just your picture of a boot to have the boot in focus only and the background blurry so you would want a higher aperture. This also then means that your photo is getting less exposure, so you would need to adjust your other controls like ISO might need to be brought up to increase your overall exposure.  &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different depths of field.&amp;quot;&amp;gt;&lt;br /&gt;
File:SHOT F5.JPG &lt;br /&gt;
File:SHOT F20.JPG&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Shutter Speed=== &lt;br /&gt;
[[File:Shutter Speed.png|alt=Graphic displaying exposure qualities of shutter speed. Bigger numbers equate to longer exposures resulting in more light and motion blur. Original work by Caelin Eddy.|centre|frameless|Shutter speed creates more motion blur when it lets more light in from longer exposure time.|600x600px]]&lt;br /&gt;
:The last control we have over the exposure is the shutter speed. The shutter is a door that quickly opens and closes to let light in so the digital sensor or film can be exposed. The time that the shutter is open is the shutter speed. It is measured in units like 1/60 seconds, 1/125 seconds, 1/250 seconds, 1/500 seconds. A slower shutter speed would allow more light in, increasing the exposure, but not capturing movement clearly. While the shutter is open, any movement in the scene going into the camera would be captured as a blur called motion blur. This can often be see and a moving trailing image behind the subject like the above example of a stick figure. While quicker shutter speeds would just capture a snapshot still of the movement rather than blurring of that movement. If you wanted to take a picture of the movement of water, you would need to decide if you want the image to be a sharp representation of a moment, or a blurry representation of what happened over time. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view motion blur effects of shutter speed.&amp;quot;&amp;gt;&lt;br /&gt;
File:1_30.jpg|1/30th of a second&lt;br /&gt;
File:1_800.jpg|1/800th of a second&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Using the Exposure Triangle=== &lt;br /&gt;
&lt;br /&gt;
:The controls are often described as the Exposure Triangle. It is only called this because there are 3 components and it makes it easier to remember, there is no other significants or deeper meaning to the fact that it is a triangle.  &lt;br /&gt;
:Setting the correct exposure for your photo can enable you to control if your image has Noise from the ISO, depth of field from aperture and motion blur from shutter speed. For analog there is little automatic function, so you will need to manually choose all of your settings. For most digital cameras, they have a dial on the top right that you use to choose from Modes like P, A, S, M, Auto, Video, etc. This is called the mode dial and can be used to choose if it's in full automatic, aperture priority where you choose aperture and it chooses the other exposure settings. For more on this, look at the mode dial section of the Canon Rebels Operating Guide. &lt;br /&gt;
 &lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Exposure Element !! Other/Related Names !! Exposure Method !! Effect !! Example !! Higher number means... &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| ISO || Film Speed || Sensitivity of digital sensor or film || Grain for Analog, Pixel Noise for Digital || 400 || More exposure and more noise &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Aperture || Iris, Lens Speed, f-stop || Size of opening || Depth of field || f/2.8 || More exposure and less depth of field &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Shutter Speed || Shutter || Time of exposure || Motion Blur || 1/250  || Less exposure and less motion blur &lt;br /&gt;
&lt;br /&gt;
|}  &lt;br /&gt;
&lt;br /&gt;
==Lens== &lt;br /&gt;
&lt;br /&gt;
:Lenses are used to control focus and focal length. These will allow you to choose what part of the image is sharp and in focus as well as how much of the scene is captured in the image. Some cameras have detachable lenses, so you can mount different kinds to them. The Canon Rebel is great because Media Loan has many lenses to choose from. 35mm film cameras also have lenses to choose from.  &lt;br /&gt;
&lt;br /&gt;
=== Focus ===&lt;br /&gt;
Focus is what part of the scene is sharp, while the areas in front of and behind the focus plane will be out of focus and blurry. note macro&lt;br /&gt;
&lt;br /&gt;
===Focal length=== &lt;br /&gt;
&lt;br /&gt;
:Focal lengths is an important quality of a lens. It directly affect “angle of view”, which is the angle produced by the lens. This angle is dependent on the focal length. The shorter the focal length, the wider the angle of view, which make the image see more of the scene, but less detail in each part of the scene. The longer the focal length the narrower the angle of view, which see less of the scene, but more detail in a smaller part of the scene. Technically, Focal length is the distance from the lens to the sensitive material. This is measured in millimeters and lenses are often defined by their focal length like 50mm or 100mm. Lenses can also be categorized by their focal length like fish-eye, wide-angle, normal-angle, and telephoto. Fish eye is a very wide angle of view because it has a short focal length, and a Telephoto is a very narrow angle of view because of its long focal length.  &lt;br /&gt;
:For a video on these concepts check out this [https://www.youtube.com/watch?v=4CoEsqePADw&amp;amp;t=202s Focal Length video.] &lt;br /&gt;
 &lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Fish-eye !! Wide-Angle !! Standard !! Telephoto &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| &amp;lt;24mm || &amp;lt;35mm || 35mm to 70mm || &amp;gt;70mm &lt;br /&gt;
&lt;br /&gt;
|} &lt;br /&gt;
 &lt;br /&gt;
=== Zoom Vs Prime Lens ===&lt;br /&gt;
Some lenses can change focal length, while other can't. &lt;br /&gt;
&lt;br /&gt;
'''Zoom Lens:''' can zoom in on distant objects and zoom out to see the full scene because they have variable focal lengths. Zoom lenses are often described by their range of focal lengths like a 50mm-250mm lens or a 28mm-55mm lens. &lt;br /&gt;
&lt;br /&gt;
'''Prime lens''': on the other hand, cannot zoom in or out, so they only have one angle of view, because they have fixed focal lengths that can't change how much of the scene you see. Prime Lenses are often described by the one and only focal length they can use like 100mm lens or 35mm lens for example.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To play with simulations of different types of lens check out the [https://imaging.nikon.com/lineup/lens/simulator/ Nikon Lens Simulator.]&lt;br /&gt;
==Photography== &lt;br /&gt;
&lt;br /&gt;
:There are a number of different concepts and equipment that only apply to photography and not video. photoland. canon rebel for digital, 35mm for film  &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance.  &lt;br /&gt;
:'''Possibilities:''' You can make  portraits, macro photos, landscape, stop motion, panorama, long exposure, multiple exposure, and many other types of projects. Digital cameras have different modes to choose from that may help you use different techniques or inspire new ideas.   &lt;br /&gt;
:'''Film Development:''' The main different categories of film cameras are based on the size of film it uses. The smallest is 35mm, while the others are simply called medium format (uses 120mm film) and large format(4x5in film). 35mm in this case refers to the film size and not the focal length. The medium and large format use bigger film sizes, so that images can have incredible resolution. This detail means that the image can be scaled up for large prints. Large format cameras tend to have bellows that look like an accordion. Although these cameras are of an older design, they are still used by professional photographers today. You will most likely want to use a light meter to help get your meter, so check out this [https://helpwiki.evergreen.edu/wiki/index.php/Light_Meters_Quick_Guide light meter guide.] Media Loan offers all of these types of cameras, but the best to start with is a 35mm called the K1000. A proficiency test is required to use this camera, all info is in this [https://helpwiki.evergreen.edu/wiki/index.php/35mm_SLR_Camera_Operating_Guide 35mm operating guide.] Film : There is black and White as well as color film. Both types of film have many different types of ISO.   &lt;br /&gt;
:'''Editing''': You can edit using Adobe Lightroom or Adobe Photoshop. You can scan film negative and images in the Digital Imaging Studio (DIS). With digital photos, you can put them on the computer using a usb cable that comes with camera kits.  &lt;br /&gt;
&lt;br /&gt;
==Video== &lt;br /&gt;
&lt;br /&gt;
:Video is just a camera taking pictures at a quick speed and played back in the same order. The same exposure and lense qualities still apply to recording video. Because of the dynamic nature of shooting video, you may want to rely on some of the automatic features of digital cameras. There are tons of options when it comes to video making.    &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Mode:''' Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Stabilizer:''' You can go handheld, or put in on a stabilizer, like a video tripod, gorillapod (for lower shots), monopod (for light weight productions) or a unique rolling mount called the pocket skater.   &lt;br /&gt;
:'''Audio:''' Most digital cameras have microphones built in, but it is good usually sounds better to use external mics and an audio field recorder. For more information on audio check out the the [[Audio Fundamentals|Audio fundamentals]] page.   &lt;br /&gt;
:'''Editing:''' Once you have gathered all your shots, you will likely want to edit your video using Adobe Premier Pro in the Multimedia Lab (MML). Video files live on SD cards inside the camera. You can put them on the computer using a usb cable that comes with camera kits, or by removing the SD and using a card reader, just remember to put it back.  &lt;br /&gt;
&lt;br /&gt;
==Lighting == &lt;br /&gt;
&lt;br /&gt;
:Check the link to the [[APS Lighting Equipment Guide|Lighting Wiki Guide]] for information on how to effectively light a scene or subject.  &lt;br /&gt;
&lt;br /&gt;
:[[Category:Media Loan Topics]]&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43020</id>
		<title>Camera Fundamentals</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=43020"/>
				<updated>2021-12-17T21:41:17Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: /* Aperture */&lt;/p&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]]A guide for camera basics. &amp;lt;/div&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;pull-right&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;[[File:Lenscloseup.jpg|alt=A close up of a lens with a closed aperature|right|frameless|500x500px]]&lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt;'''Page Overview:''' This page covers the basic topics for getting started with cameras. The information covered will provide the foundation for taking good pictures and videos. The controls and buttons of a camera can be daunting, but this guide will point out the key features to get started with your project. The guide will also point out the most relevant campus resources to each topic.For beginners as well as advanced users, Media Loan's top camera recommendation is the Canon Rebel.  See [https://www.evergreen.edu/medialoan/policies Media Loans Policies] for more information on how to checkout gear and other resources. See Photolands website for film development, digital editing and other photo resources. See the Multimedia lab page for information on how to use their computers for video editing as well as many other kinds of media software.&lt;br /&gt;
&lt;br /&gt;
==Exposure==&lt;br /&gt;
[[File:Exposure Triangle FINAL.png|alt=Graphic of Exposure Triangle depicting relationship of ISO, shutter speed, and aperture to light exposure for cameras. Original work created by Caelin Eddy.|centre|frameless|The elements of exposure are often displayed as an Exposure Triangle simply to reinforce that there are three elements.|600x600px]]&lt;br /&gt;
:Exposure results in an overall brighter or darker image. If an image is overexposed it will be blown out and look too white, on the other hand, an underexposed image is too dark. Getting the correct exposure is a balancing act between three controls. These three controls each affect the brightness of the image, but also have a side-effect that can be used to for artistic purposes.  &lt;br /&gt;
:These controls are called ISO, aperture, and shutter speed. Photos can look wildly different based on how you adjust these controls. Most phone cameras automatically adjust these controls to result in a well exposed image but you loose the ability to get exactly the kind of image you want. Most digital cameras have the ability to automatically adjust these exposure controls too. However, understanding and adjusting these controls can allow you to take the exact pictures you want, like taking pictures in low light, or having everything is focus, or having no motion blur. &lt;br /&gt;
:If you to prefer to learn from videos, here are a couple on these exposure topics; [https://www.youtube.com/watch?v=q8cj9Lj9w-g ISO], [https://www.youtube.com/watch?v=YojL7UQTVhc&amp;amp;t=2s aperture] and [https://www.youtube.com/watch?v=7R9ZTxoTOSk shutter speed.]  To play with a simulation of exposure controls, check out an [http://www.andersenimages.com/tutorials/exposure-simulator/ Exposure Simulator by Anderson Images] or an [http://www.canonoutsideofauto.ca/play/ Exposure Simulator by Canon.]&lt;br /&gt;
===ISO=== &lt;br /&gt;
[[File:ISO.png|centre|frameless|alt=Graphic displaying exposure qualities of ISO. Original work by Caelin Eddy.|ISO allows more sensitive sensors to let the available light to be shown as brighter, but results in a &amp;quot;noisy&amp;quot; image.|600x600px]]&lt;br /&gt;
:Simply put, ISO is the sensitivity of the material that produces the image. For digital cameras, it is a fancy digital sensor, and film cameras use sensitive film strips. It seems odd, but both film and digital cameras describe their sensitivity as ISO. The ISO can be 100, 200, 400, 800, 1600, 3200 etc, with higher ISO being more sensitive and resulting in a brighter, more exposed image. Increasing the ISO has a drawback, it adds visual noise. For film, this is called grain and for digital it is seen as little errors in the pixels where the colors are adding randomness. For this reason you usually want to prioritize using lower ISO. You typically only increase ISO if you don't have enough exposure from the other controls. The pictures of the beach below use different ISO's. Click on then to compare the pixel noise added with the ISO of 12800. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different ISO pixel noise.&amp;quot;&amp;gt;&lt;br /&gt;
File:12800.jpg|ISO 12800&lt;br /&gt;
File:100.jpg|ISO 100&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Aperture=== &lt;br /&gt;
[[File:Aperture_Graphic.png|alt=Graphic displaying exposure qualities of aperture. Original work by Caelin Eddy.|centre|frameless|Aperture affects the depth of field allowing control over how much of image is in focus.|600x600px]]&lt;br /&gt;
:Aperture is a hole in the lens that controls how much light is let through. Aperture is the hole and the mechanism that widens and narrows that hole is called the iris. Our eyes also have an iris that automatically changes our eyes' aperture, AKA pupil, in response to how much light we see. It is intuitive that a larger hole lets in more light, increasing the exposure and resulting in a brighter image. The aperture is measured in F-stops written like this; f/1.4, f/2, f/2.8, f/4 etc. The lower numbers can be described as more opened or large aperture, whereas a higher number can be described as more closed or small aperture. '''We need to talk about focus in order to understand what aperture does. The focus of an image is a plane parallel to the lens where the image will show up as the clearest, you usually want this to be on the most important part of the image like someone's face. What is out of the focus is seen as blurry. The focus can be moved forward and backward, but more on that in the Lens section below.''' For now, let think about how the focus has a width, this is called the “depth of field”. A wider depth of field allows more parts of the image to be clearer if they are within the focus. The depth of field is controlled by the aperture. Interestingly, the smaller the hole (higher number) is actually a wider depth of field. On the other end, a bigger hole (lower number) is a narrow depth of field. With the images of the boot below; you may want just your picture of a boot to have the boot in focus only and the background blurry so you would want a higher aperture. This also then means that your photo is getting less exposure, so you would need to adjust your other controls like ISO might need to be brought up to increase your overall exposure.  &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different depths of field.&amp;quot;&amp;gt;&lt;br /&gt;
File:SHOT F5.JPG (f5)&lt;br /&gt;
File:SHOT F20.JPG (f20)&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Shutter Speed=== &lt;br /&gt;
[[File:Shutter Speed.png|alt=Graphic displaying exposure qualities of shutter speed. Bigger numbers equate to longer exposures resulting in more light and motion blur. Original work by Caelin Eddy.|centre|frameless|Shutter speed creates more motion blur when it lets more light in from longer exposure time.|600x600px]]&lt;br /&gt;
:The last control we have over the exposure is the shutter speed. The shutter is a door that quickly opens and closes to let light in so the digital sensor or film can be exposed. The time that the shutter is open is the shutter speed. It is measured in units like 1/60 seconds, 1/125 seconds, 1/250 seconds, 1/500 seconds. A slower shutter speed would allow more light in, increasing the exposure, but not capturing movement clearly. While the shutter is open, any movement in the scene going into the camera would be captured as a blur called motion blur. This can often be see and a moving trailing image behind the subject like the above example of a stick figure. While quicker shutter speeds would just capture a snapshot still of the movement rather than blurring of that movement. If you wanted to take a picture of the movement of water, you would need to decide if you want the image to be a sharp representation of a moment, or a blurry representation of what happened over time. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view motion blur effects of shutter speed.&amp;quot;&amp;gt;&lt;br /&gt;
File:1_30.jpg|1/30th of a second&lt;br /&gt;
File:1_800.jpg|1/800th of a second&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Using the Exposure Triangle=== &lt;br /&gt;
&lt;br /&gt;
:The controls are often described as the Exposure Triangle. It is only called this because there are 3 components and it makes it easier to remember, there is no other significants or deeper meaning to the fact that it is a triangle.  &lt;br /&gt;
:Setting the correct exposure for your photo can enable you to control if your image has Noise from the ISO, depth of field from aperture and motion blur from shutter speed. For analog there is little automatic function, so you will need to manually choose all of your settings. For most digital cameras, they have a dial on the top right that you use to choose from Modes like P, A, S, M, Auto, Video, etc. This is called the mode dial and can be used to choose if it's in full automatic, aperture priority where you choose aperture and it chooses the other exposure settings. For more on this, look at the mode dial section of the Canon Rebels Operating Guide. &lt;br /&gt;
 &lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Exposure Element !! Other/Related Names !! Exposure Method !! Effect !! Example !! Higher number means... &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| ISO || Film Speed || Sensitivity of digital sensor or film || Grain for Analog, Pixel Noise for Digital || 400 || More exposure and more noise &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Aperture || Iris, Lens Speed, f-stop || Size of opening || Depth of field || f/2.8 || More exposure and less depth of field &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Shutter Speed || Shutter || Time of exposure || Motion Blur || 1/250  || Less exposure and less motion blur &lt;br /&gt;
&lt;br /&gt;
|}  &lt;br /&gt;
&lt;br /&gt;
==Lens== &lt;br /&gt;
&lt;br /&gt;
:Lenses are used to control focus and focal length. These will allow you to choose what part of the image is sharp and in focus as well as how much of the scene is captured in the image. Some cameras have detachable lenses, so you can mount different kinds to them. The Canon Rebel is great because Media Loan has many lenses to choose from. 35mm film cameras also have lenses to choose from.  &lt;br /&gt;
&lt;br /&gt;
=== Focus ===&lt;br /&gt;
Focus is what part of the scene is sharp, while the areas in front of and behind the focus plane will be out of focus and blurry. note macro&lt;br /&gt;
&lt;br /&gt;
===Focal length=== &lt;br /&gt;
&lt;br /&gt;
:Focal lengths is an important quality of a lens. It directly affect “angle of view”, which is the angle produced by the lens. This angle is dependent on the focal length. The shorter the focal length, the wider the angle of view, which make the image see more of the scene, but less detail in each part of the scene. The longer the focal length the narrower the angle of view, which see less of the scene, but more detail in a smaller part of the scene. Technically, Focal length is the distance from the lens to the sensitive material. This is measured in millimeters and lenses are often defined by their focal length like 50mm or 100mm. Lenses can also be categorized by their focal length like fish-eye, wide-angle, normal-angle, and telephoto. Fish eye is a very wide angle of view because it has a short focal length, and a Telephoto is a very narrow angle of view because of its long focal length.  &lt;br /&gt;
:For a video on these concepts check out this [https://www.youtube.com/watch?v=4CoEsqePADw&amp;amp;t=202s Focal Length video.] &lt;br /&gt;
 &lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Fish-eye !! Wide-Angle !! Standard !! Telephoto &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| &amp;lt;24mm || &amp;lt;35mm || 35mm to 70mm || &amp;gt;70mm &lt;br /&gt;
&lt;br /&gt;
|} &lt;br /&gt;
 &lt;br /&gt;
=== Zoom Vs Prime Lens ===&lt;br /&gt;
Some lenses can change focal length, while other can't. &lt;br /&gt;
&lt;br /&gt;
'''Zoom Lens:''' can zoom in on distant objects and zoom out to see the full scene because they have variable focal lengths. Zoom lenses are often described by their range of focal lengths like a 50mm-250mm lens or a 28mm-55mm lens. &lt;br /&gt;
&lt;br /&gt;
'''Prime lens''': on the other hand, cannot zoom in or out, so they only have one angle of view, because they have fixed focal lengths that can't change how much of the scene you see. Prime Lenses are often described by the one and only focal length they can use like 100mm lens or 35mm lens for example.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To play with simulations of different types of lens check out the [https://imaging.nikon.com/lineup/lens/simulator/ Nikon Lens Simulator.]&lt;br /&gt;
==Photography== &lt;br /&gt;
&lt;br /&gt;
:There are a number of different concepts and equipment that only apply to photography and not video. photoland. canon rebel for digital, 35mm for film  &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance.  &lt;br /&gt;
:'''Possibilities:''' You can make  portraits, macro photos, landscape, stop motion, panorama, long exposure, multiple exposure, and many other types of projects. Digital cameras have different modes to choose from that may help you use different techniques or inspire new ideas.   &lt;br /&gt;
:'''Film Development:''' The main different categories of film cameras are based on the size of film it uses. The smallest is 35mm, while the others are simply called medium format (uses 120mm film) and large format(4x5in film). 35mm in this case refers to the film size and not the focal length. The medium and large format use bigger film sizes, so that images can have incredible resolution. This detail means that the image can be scaled up for large prints. Large format cameras tend to have bellows that look like an accordion. Although these cameras are of an older design, they are still used by professional photographers today. You will most likely want to use a light meter to help get your meter, so check out this [https://helpwiki.evergreen.edu/wiki/index.php/Light_Meters_Quick_Guide light meter guide.] Media Loan offers all of these types of cameras, but the best to start with is a 35mm called the K1000. A proficiency test is required to use this camera, all info is in this [https://helpwiki.evergreen.edu/wiki/index.php/35mm_SLR_Camera_Operating_Guide 35mm operating guide.] Film : There is black and White as well as color film. Both types of film have many different types of ISO.   &lt;br /&gt;
:'''Editing''': You can edit using Adobe Lightroom or Adobe Photoshop. You can scan film negative and images in the Digital Imaging Studio (DIS). With digital photos, you can put them on the computer using a usb cable that comes with camera kits.  &lt;br /&gt;
&lt;br /&gt;
==Video== &lt;br /&gt;
&lt;br /&gt;
:Video is just a camera taking pictures at a quick speed and played back in the same order. The same exposure and lense qualities still apply to recording video. Because of the dynamic nature of shooting video, you may want to rely on some of the automatic features of digital cameras. There are tons of options when it comes to video making.    &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Mode:''' Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Stabilizer:''' You can go handheld, or put in on a stabilizer, like a video tripod, gorillapod (for lower shots), monopod (for light weight productions) or a unique rolling mount called the pocket skater.   &lt;br /&gt;
:'''Audio:''' Most digital cameras have microphones built in, but it is good usually sounds better to use external mics and an audio field recorder. For more information on audio check out the the [[Audio Fundamentals|Audio fundamentals]] page.   &lt;br /&gt;
:'''Editing:''' Once you have gathered all your shots, you will likely want to edit your video using Adobe Premier Pro in the Multimedia Lab (MML). Video files live on SD cards inside the camera. You can put them on the computer using a usb cable that comes with camera kits, or by removing the SD and using a card reader, just remember to put it back.  &lt;br /&gt;
&lt;br /&gt;
==Lighting == &lt;br /&gt;
&lt;br /&gt;
:Check the link to the [[APS Lighting Equipment Guide|Lighting Wiki Guide]] for information on how to effectively light a scene or subject.  &lt;br /&gt;
&lt;br /&gt;
:[[Category:Media Loan Topics]]&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

	<entry>
		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=42934</id>
		<title>Camera Fundamentals</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=42934"/>
				<updated>2021-12-07T01:53:58Z</updated>
		
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&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt;'''Page Overview:''' This page covers the basic topics for getting started with cameras. The information covered will provide the foundation for taking good pictures and videos. The controls and buttons of a camera can be daunting, but this guide will point out the key features to get started with your project. The guide will also point out the most relevant campus resources to each topic.For beginners as well as advanced users, Media Loan's top camera recommendation is the Canon Rebel.  See [https://www.evergreen.edu/medialoan/policies Media Loans Policies] for more information on how to checkout gear and other resources. See Photolands website for film development, digital editing and other photo resources. See the Multimedia lab page for information on how to use their computers for video editing as well as many other kinds of media software.&lt;br /&gt;
&lt;br /&gt;
==Exposure==&lt;br /&gt;
[[File:Exposure Triangle FINAL.png|alt=Graphic of Exposure Triangle depicting relationship of ISO, shutter speed, and aperture to light exposure for cameras. Original work created by Caelin Eddy.|centre|frameless|The elements of exposure are often displayed as an Exposure Triangle simply to reinforce that there are three elements.|600x600px]]&lt;br /&gt;
:Exposure results in an overall brighter or darker image. If an image is overexposed it will be blown out and look too white, on the other hand, an underexposed image is too dark. Getting the correct exposure is a balancing act between three controls. These three controls each affect the brightness of the image, but also have a side-effect that can be used to for artistic purposes.  &lt;br /&gt;
:These controls are called ISO, aperture, and shutter speed. Photos can look wildly different based on how you adjust these controls. Most phone cameras automatically adjust these controls to result in a well exposed image but you loose the ability to get exactly the kind of image you want. Most digital cameras have the ability to automatically adjust these exposure controls too. However, understanding and adjusting these controls can allow you to take the exact pictures you want, like taking pictures in low light, or having everything is focus, or having no motion blur. &lt;br /&gt;
:If you to prefer to learn from videos, here are a couple on these exposure topics; [https://www.youtube.com/watch?v=q8cj9Lj9w-g ISO], [https://www.youtube.com/watch?v=YojL7UQTVhc&amp;amp;t=2s aperture] and [https://www.youtube.com/watch?v=7R9ZTxoTOSk shutter speed.]  To play with a simulation of exposure controls, check out an [http://www.andersenimages.com/tutorials/exposure-simulator/ Exposure Simulator by Anderson Images] or an [http://www.canonoutsideofauto.ca/play/ Exposure Simulator by Canon.]&lt;br /&gt;
===ISO=== &lt;br /&gt;
[[File:ISO.png|centre|frameless|alt=Graphic displaying exposure qualities of ISO. Original work by Caelin Eddy.|ISO allows more sensitive sensors to let the available light to be shown as brighter, but results in a &amp;quot;noisy&amp;quot; image.|600x600px]]&lt;br /&gt;
:Simply put, ISO is the sensitivity of the material that produces the image. For digital cameras, it is a fancy digital sensor, and film cameras use sensitive film strips. It seems odd, but both film and digital cameras describe their sensitivity as ISO. The ISO can be 100, 200, 400, 800, 1600, 3200 etc, with higher ISO being more sensitive and resulting in a brighter, more exposed image. Increasing the ISO has a drawback, it adds visual noise. For film, this is called grain and for digital it is seen as little errors in the pixels where the colors are adding randomness. For this reason you usually want to prioritize using lower ISO. You typically only increase ISO if you don't have enough exposure from the other controls. The pictures of the beach below use different ISO's. Click on then to compare the pixel noise added with the ISO of 12800. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different ISO pixel noise.&amp;quot;&amp;gt;&lt;br /&gt;
File:12800.jpg|ISO 12800&lt;br /&gt;
File:100.jpg|ISO 100&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Aperture=== &lt;br /&gt;
[[File:Aperture_Graphic.png|alt=Graphic displaying exposure qualities of aperture. Original work by Caelin Eddy.|centre|frameless|Aperture affects the depth of field allowing control over how much of image is in focus.|600x600px]]&lt;br /&gt;
:Aperture is a hole in the lens that controls how much light is let through. Aperture is the hole and the mechanism that widens and narrows that hole is called the iris. Our eyes also have an iris that automatically changes our eyes' aperture, AKA pupil, in response to how much light we see. It is intuitive that a larger hole lets in more light, increasing the exposure and resulting in a brighter image. The aperture is measured in F-stops written like this; f/1.4, f/2, f/2.8, f/4 etc. The lower numbers can be described as more opened or large aperture, whereas a higher number can be described as more closed or small aperture. '''We need to talk about focus in order to understand what aperture does. The focus of an image is a plane parallel to the lens where the image will show up as the clearest, you usually want this to be on the most important part of the image like someone's face. What is out of the focus is seen as blurry. The focus can be moved forward and backward, but more on that in the Lens section below.''' For now, let think about how the focus has a width, this is called the “depth of field”. A wider depth of field allows more parts of the image to be clearer if they are within the focus. The depth of field is controlled by the aperture. Interestingly, the smaller the hole (higher number) is actually a wider depth of field. On the other end, a bigger hole (lower number) is a narrow depth of field. With the images of the boot below; you may want just your picture of a boot to have the boot in focus only and the background blurry so you would want a higher aperture. This also then means that your photo is getting less exposure, so you would need to adjust your other controls like ISO might need to be brought up to increase your overall exposure.  &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different depths of field.&amp;quot;&amp;gt;&lt;br /&gt;
File:SHOT F5.JPG&lt;br /&gt;
File:SHOT F20.JPG&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Shutter Speed=== &lt;br /&gt;
[[File:Shutter Speed.png|alt=Graphic displaying exposure qualities of shutter speed. Bigger numbers equate to longer exposures resulting in more light and motion blur. Original work by Caelin Eddy.|centre|frameless|Shutter speed creates more motion blur when it lets more light in from longer exposure time.|600x600px]]&lt;br /&gt;
:The last control we have over the exposure is the shutter speed. The shutter is a door that quickly opens and closes to let light in so the digital sensor or film can be exposed. The time that the shutter is open is the shutter speed. It is measured in units like 1/60 seconds, 1/125 seconds, 1/250 seconds, 1/500 seconds. A slower shutter speed would allow more light in, increasing the exposure, but not capturing movement clearly. While the shutter is open, any movement in the scene going into the camera would be captured as a blur called motion blur. This can often be see and a moving trailing image behind the subject like the above example of a stick figure. While quicker shutter speeds would just capture a snapshot still of the movement rather than blurring of that movement. If you wanted to take a picture of the movement of water, you would need to decide if you want the image to be a sharp representation of a moment, or a blurry representation of what happened over time. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view motion blur effects of shutter speed.&amp;quot;&amp;gt;&lt;br /&gt;
File:1_30.jpg|1/30th of a second&lt;br /&gt;
File:1_800.jpg|1/800th of a second&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Using the Exposure Triangle=== &lt;br /&gt;
&lt;br /&gt;
:The controls are often described as the Exposure Triangle. It is only called this because there are 3 components and it makes it easier to remember, there is no other significants or deeper meaning to the fact that it is a triangle.  &lt;br /&gt;
:Setting the correct exposure for your photo can enable you to control if your image has Noise from the ISO, depth of field from aperture and motion blur from shutter speed. For analog there is little automatic function, so you will need to manually choose all of your settings. For most digital cameras, they have a dial on the top right that you use to choose from Modes like P, A, S, M, Auto, Video, etc. This is called the mode dial and can be used to choose if it's in full automatic, aperture priority where you choose aperture and it chooses the other exposure settings. For more on this, look at the mode dial section of the Canon Rebels Operating Guide. &lt;br /&gt;
 &lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Exposure Element !! Other/Related Names !! Exposure Method !! Effect !! Example !! Higher number means... &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| ISO || Film Speed || Sensitivity of digital sensor or film || Grain for Analog, Pixel Noise for Digital || 400 || More exposure and more noise &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Aperture || Iris, Lens Speed, f-stop || Size of opening || Depth of field || f/2.8 || More exposure and less depth of field &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| Shutter Speed || Shutter || Time of exposure || Motion Blur || 1/250  || Less exposure and less motion blur &lt;br /&gt;
&lt;br /&gt;
|}  &lt;br /&gt;
&lt;br /&gt;
==Lens== &lt;br /&gt;
&lt;br /&gt;
:Lenses are used to control focus and focal length. These will allow you to choose what part of the image is sharp and in focus as well as how much of the scene is captured in the image. Some cameras have detachable lenses, so you can mount different kinds to them. The Canon Rebel is great because Media Loan has many lenses to choose from. 35mm film cameras also have lenses to choose from.  &lt;br /&gt;
&lt;br /&gt;
=== Focus ===&lt;br /&gt;
Focus is what part of the scene is sharp, while the areas in front of and behind the focus plane will be out of focus and blurry. note macro&lt;br /&gt;
&lt;br /&gt;
===Focal length=== &lt;br /&gt;
&lt;br /&gt;
:Focal lengths is an important quality of a lens. It directly affect “angle of view”, which is the angle produced by the lens. This angle is dependent on the focal length. The shorter the focal length, the wider the angle of view, which make the image see more of the scene, but less detail in each part of the scene. The longer the focal length the narrower the angle of view, which see less of the scene, but more detail in a smaller part of the scene. Technically, Focal length is the distance from the lens to the sensitive material. This is measured in millimeters and lenses are often defined by their focal length like 50mm or 100mm. Lenses can also be categorized by their focal length like fish-eye, wide-angle, normal-angle, and telephoto. Fish eye is a very wide angle of view because it has a short focal length, and a Telephoto is a very narrow angle of view because of its long focal length.  &lt;br /&gt;
:For a video on these concepts check out this [https://www.youtube.com/watch?v=4CoEsqePADw&amp;amp;t=202s Focal Length video.] &lt;br /&gt;
 &lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
! Fish-eye !! Wide-Angle !! Standard !! Telephoto &lt;br /&gt;
&lt;br /&gt;
|- &lt;br /&gt;
&lt;br /&gt;
| &amp;lt;24mm || &amp;lt;35mm || 35mm to 70mm || &amp;gt;70mm &lt;br /&gt;
&lt;br /&gt;
|} &lt;br /&gt;
 &lt;br /&gt;
=== Zoom Vs Prime Lens ===&lt;br /&gt;
Some lenses can change focal length, while other can't. &lt;br /&gt;
&lt;br /&gt;
'''Zoom Lens:''' can zoom in on distant objects and zoom out to see the full scene because they have variable focal lengths. Zoom lenses are often described by their range of focal lengths like a 50mm-250mm lens or a 28mm-55mm lens. &lt;br /&gt;
&lt;br /&gt;
'''Prime lens''': on the other hand, cannot zoom in or out, so they only have one angle of view, because they have fixed focal lengths that can't change how much of the scene you see. Prime Lenses are often described by the one and only focal length they can use like 100mm lens or 35mm lens for example.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To play with simulations of different types of lens check out the [https://imaging.nikon.com/lineup/lens/simulator/ Nikon Lens Simulator.]&lt;br /&gt;
==Photography== &lt;br /&gt;
&lt;br /&gt;
:There are a number of different concepts and equipment that only apply to photography and not video. photoland. canon rebel for digital, 35mm for film  &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance.  &lt;br /&gt;
:'''Possibilities:''' You can make  portraits, macro photos, landscape, stop motion, panorama, long exposure, multiple exposure, and many other types of projects. Digital cameras have different modes to choose from that may help you use different techniques or inspire new ideas.   &lt;br /&gt;
:'''Film Development:''' The main different categories of film cameras are based on the size of film it uses. The smallest is 35mm, while the others are simply called medium format (uses 120mm film) and large format(4x5in film). 35mm in this case refers to the film size and not the focal length. The medium and large format use bigger film sizes, so that images can have incredible resolution. This detail means that the image can be scaled up for large prints. Large format cameras tend to have bellows that look like an accordion. Although these cameras are of an older design, they are still used by professional photographers today. You will most likely want to use a light meter to help get your meter, so check out this [https://helpwiki.evergreen.edu/wiki/index.php/Light_Meters_Quick_Guide light meter guide.] Media Loan offers all of these types of cameras, but the best to start with is a 35mm called the K1000. A proficiency test is required to use this camera, all info is in this [https://helpwiki.evergreen.edu/wiki/index.php/35mm_SLR_Camera_Operating_Guide 35mm operating guide.] Film : There is black and White as well as color film. Both types of film have many different types of ISO.   &lt;br /&gt;
:'''Editing''': You can edit using Adobe Lightroom or Adobe Photoshop. You can scan film negative and images in the Digital Imaging Studio (DIS). With digital photos, you can put them on the computer using a usb cable that comes with camera kits.  &lt;br /&gt;
&lt;br /&gt;
==Video== &lt;br /&gt;
&lt;br /&gt;
:Video is just a camera taking pictures at a quick speed and played back in the same order. The same exposure and lense qualities still apply to recording video. Because of the dynamic nature of shooting video, you may want to rely on some of the automatic features of digital cameras. There are tons of options when it comes to video making.    &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Mode:''' Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Stabilizer:''' You can go handheld, or put in on a stabilizer, like a video tripod, gorillapod (for lower shots), monopod (for light weight productions) or a unique rolling mount called the pocket skater.   &lt;br /&gt;
:'''Audio:''' Most digital cameras have microphones built in, but it is good usually sounds better to use external mics and an audio field recorder. For more information on audio check out the the [[Audio Fundamentals|Audio fundamentals]] page.   &lt;br /&gt;
:'''Editing:''' Once you have gathered all your shots, you will likely want to edit your video using Adobe Premier Pro in the Multimedia Lab (MML). Video files live on SD cards inside the camera. You can put them on the computer using a usb cable that comes with camera kits, or by removing the SD and using a card reader, just remember to put it back.  &lt;br /&gt;
&lt;br /&gt;
==Lighting == &lt;br /&gt;
&lt;br /&gt;
:Check the link to the [[APS Lighting Equipment Guide|Lighting Wiki Guide]] for information on how to effectively light a scene or subject.  &lt;br /&gt;
&lt;br /&gt;
:[[Category:Media Loan Topics]]&lt;/div&gt;</summary>
		<author><name>Wtcp8731</name></author>	</entry>

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		<id>http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=42933</id>
		<title>Camera Fundamentals</title>
		<link rel="alternate" type="text/html" href="http://helpwiki.evergreen.edu/wiki/index.php?title=Camera_Fundamentals&amp;diff=42933"/>
				<updated>2021-12-07T01:49:38Z</updated>
		
		<summary type="html">&lt;p&gt;Wtcp8731: &lt;/p&gt;
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&amp;lt;div class=&amp;quot;lead&amp;quot;&amp;gt;[[File:Media Loan Logo.png|left|frameless|90x90px]]A guide for camera basics. &amp;lt;/div&amp;gt;  &lt;br /&gt;
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&amp;lt;!-- Technical note for source editors: Generator=Template:TwoColumn --&amp;gt;'''Page Overview:''' This page covers the basic topics for getting started with cameras. The information covered will provide the foundation for taking good pictures and videos. The controls and buttons of a camera can be daunting, but this guide will point out the key features to get started with your project. The guide will also point out the most relevant campus resources to each topic.For beginners as well as advanced users, Media Loan's top camera recommendation is the Canon Rebel.  See [https://www.evergreen.edu/medialoan/policies Media Loans Policies] for more information on how to checkout gear and other resources. See Photolands website for film development, digital editing and other photo resources. See the Multimedia lab page for information on how to use their computers for video editing as well as many other kinds of media software.&lt;br /&gt;
&lt;br /&gt;
==Exposure==&lt;br /&gt;
[[File:Exposure Triangle FINAL.png|alt=Graphic of Exposure Triangle depicting relationship of ISO, shutter speed, and aperture to light exposure for cameras. Original work created by Caelin Eddy.|centre|frameless|The elements of exposure are often displayed as an Exposure Triangle simply to reinforce that there are three elements.|600x600px]]&lt;br /&gt;
:Exposure results in an overall brighter or darker image. If an image is overexposed it will be blown out and look too white, on the other hand, an underexposed image is too dark. Getting the correct exposure is a balancing act between three controls. These three controls each affect the brightness of the image, but also have a side-effect that can be used to for artistic purposes.  &lt;br /&gt;
:These controls are called ISO, aperture, and shutter speed. Photos can look wildly different based on how you adjust these controls. Most phone cameras automatically adjust these controls to result in a well exposed image but you loose the ability to get exactly the kind of image you want. Most digital cameras have the ability to automatically adjust these exposure controls too. However, understanding and adjusting these controls can allow you to take the exact pictures you want, like taking pictures in low light, or having everything is focus, or having no motion blur. &lt;br /&gt;
:If you to prefer to learn from videos, here are a couple on these exposure topics; [https://www.youtube.com/watch?v=q8cj9Lj9w-g ISO], [https://www.youtube.com/watch?v=YojL7UQTVhc&amp;amp;t=2s aperture] and [https://www.youtube.com/watch?v=7R9ZTxoTOSk shutter speed.]  To play with a simulation of exposure controls, check out an [http://www.andersenimages.com/tutorials/exposure-simulator/ Exposure Simulator by Anderson Images] or an [http://www.canonoutsideofauto.ca/play/ Exposure Simulator by Canon.]&lt;br /&gt;
===ISO=== &lt;br /&gt;
[[File:ISO.png|centre|frameless|alt=Graphic displaying exposure qualities of ISO. Original work by Caelin Eddy.|ISO allows more sensitive sensors to let the available light to be shown as brighter, but results in a &amp;quot;noisy&amp;quot; image.|600x600px]]&lt;br /&gt;
:Simply put, ISO is the sensitivity of the material that produces the image. For digital cameras, it is a fancy digital sensor, and film cameras use sensitive film strips. It seems odd, but both film and digital cameras describe their sensitivity as ISO. The ISO can be 100, 200, 400, 800, 1600, 3200 etc, with higher ISO being more sensitive and resulting in a brighter, more exposed image. Increasing the ISO has a drawback, it adds visual noise. For film, this is called grain and for digital it is seen as little errors in the pixels where the colors are adding randomness. For this reason you usually want to prioritize using lower ISO. You typically only increase ISO if you don't have enough exposure from the other controls. The pictures of the beach below use different ISO's. Click on then to compare the pixel noise added with the ISO of 12800. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different ISO pixel noise.&amp;quot;&amp;gt;&lt;br /&gt;
File:12800.jpg|ISO 12800&lt;br /&gt;
File:100.jpg|ISO 100&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Aperture=== &lt;br /&gt;
[[File:Aperture_Graphic.png|alt=Graphic displaying exposure qualities of aperture. Original work by Caelin Eddy.|centre|frameless|Aperture affects the depth of field allowing control over how much of image is in focus.|600x600px]]&lt;br /&gt;
:Aperture is a hole in the lens that controls how much light is let through. Aperture is the hole and the mechanism that widens and narrows that hole is called the iris. Our eyes also have an iris that automatically changes our eyes' aperture, AKA pupil, in response to how much light we see. It is intuitive that a larger hole lets in more light, increasing the exposure and resulting in a brighter image. The aperture is measured in F-stops written like this; f/1.4, f/2, f/2.8, f/4 etc. The lower numbers can be described as more opened or large aperture, whereas a higher number can be described as more closed or small aperture. '''We need to talk about focus in order to understand what aperture does. The focus of an image is a plane parallel to the lens where the image will show up as the clearest, you usually want this to be on the most important part of the image like someone's face. What is out of the focus is seen as blurry. The focus can be moved forward and backward, but more on that in the Lens section below.''' For now, let think about how the focus has a width, this is called the “depth of field”. A wider depth of field allows more parts of the image to be clearer if they are within the focus. The depth of field is controlled by the aperture. Interestingly, the smaller the hole (higher number) is actually a wider depth of field. On the other end, a bigger hole (lower number) is a narrow depth of field. With the images of the boot below; you may want just your picture of a boot to have the boot in focus only and the background blurry so you would want a higher aperture. This also then means that your photo is getting less exposure, so you would need to adjust your other controls like ISO might need to be brought up to increase your overall exposure.  &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view different depths of field.&amp;quot;&amp;gt;&lt;br /&gt;
File:SHOT F20.JPG&lt;br /&gt;
File:SHOT F5.JPG&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Shutter Speed=== &lt;br /&gt;
[[File:Shutter Speed.png|alt=Graphic displaying exposure qualities of shutter speed. Bigger numbers equate to longer exposures resulting in more light and motion blur. Original work by Caelin Eddy.|centre|frameless|Shutter speed creates more motion blur when it lets more light in from longer exposure time.|600x600px]]&lt;br /&gt;
:The last control we have over the exposure is the shutter speed. The shutter is a door that quickly opens and closes to let light in so the digital sensor or film can be exposed. The time that the shutter is open is the shutter speed. It is measured in units like 1/60 seconds, 1/125 seconds, 1/250 seconds, 1/500 seconds. A slower shutter speed would allow more light in, increasing the exposure, but not capturing movement clearly. While the shutter is open, any movement in the scene going into the camera would be captured as a blur called motion blur. This can often be see and a moving trailing image behind the subject like the above example of a stick figure. While quicker shutter speeds would just capture a snapshot still of the movement rather than blurring of that movement. If you wanted to take a picture of the movement of water, you would need to decide if you want the image to be a sharp representation of a moment, or a blurry representation of what happened over time. &lt;br /&gt;
&amp;lt;gallery mode=&amp;quot;packed-hover&amp;quot; heights=&amp;quot;240px&amp;quot; caption=&amp;quot;click to view motion blur effects of shutter speed.&amp;quot;&amp;gt;&lt;br /&gt;
File:1_30.jpg|1/30th of a second&lt;br /&gt;
File:1_800.jpg|1/800th of a second&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
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===Using the Exposure Triangle=== &lt;br /&gt;
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:The controls are often described as the Exposure Triangle. It is only called this because there are 3 components and it makes it easier to remember, there is no other significants or deeper meaning to the fact that it is a triangle.  &lt;br /&gt;
:Setting the correct exposure for your photo can enable you to control if your image has Noise from the ISO, depth of field from aperture and motion blur from shutter speed. For analog there is little automatic function, so you will need to manually choose all of your settings. For most digital cameras, they have a dial on the top right that you use to choose from Modes like P, A, S, M, Auto, Video, etc. This is called the mode dial and can be used to choose if it's in full automatic, aperture priority where you choose aperture and it chooses the other exposure settings. For more on this, look at the mode dial section of the Canon Rebels Operating Guide. &lt;br /&gt;
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{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
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|- &lt;br /&gt;
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! Exposure Element !! Other/Related Names !! Exposure Method !! Effect !! Example !! Higher number means... &lt;br /&gt;
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|- &lt;br /&gt;
&lt;br /&gt;
| ISO || Film Speed || Sensitivity of digital sensor or film || Grain for Analog, Pixel Noise for Digital || 400 || More exposure and more noise &lt;br /&gt;
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|- &lt;br /&gt;
&lt;br /&gt;
| Aperture || Iris, Lens Speed, f-stop || Size of opening || Depth of field || f/2.8 || More exposure and less depth of field &lt;br /&gt;
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|- &lt;br /&gt;
&lt;br /&gt;
| Shutter Speed || Shutter || Time of exposure || Motion Blur || 1/250  || Less exposure and less motion blur &lt;br /&gt;
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|}  &lt;br /&gt;
&lt;br /&gt;
==Lens== &lt;br /&gt;
&lt;br /&gt;
:Lenses are used to control focus and focal length. These will allow you to choose what part of the image is sharp and in focus as well as how much of the scene is captured in the image. Some cameras have detachable lenses, so you can mount different kinds to them. The Canon Rebel is great because Media Loan has many lenses to choose from. 35mm film cameras also have lenses to choose from.  &lt;br /&gt;
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=== Focus ===&lt;br /&gt;
Focus is what part of the scene is sharp, while the areas in front of and behind the focus plane will be out of focus and blurry. note macro&lt;br /&gt;
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===Focal length=== &lt;br /&gt;
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:Focal lengths is an important quality of a lens. It directly affect “angle of view”, which is the angle produced by the lens. This angle is dependent on the focal length. The shorter the focal length, the wider the angle of view, which make the image see more of the scene, but less detail in each part of the scene. The longer the focal length the narrower the angle of view, which see less of the scene, but more detail in a smaller part of the scene. Technically, Focal length is the distance from the lens to the sensitive material. This is measured in millimeters and lenses are often defined by their focal length like 50mm or 100mm. Lenses can also be categorized by their focal length like fish-eye, wide-angle, normal-angle, and telephoto. Fish eye is a very wide angle of view because it has a short focal length, and a Telephoto is a very narrow angle of view because of its long focal length.  &lt;br /&gt;
:For a video on these concepts check out this [https://www.youtube.com/watch?v=4CoEsqePADw&amp;amp;t=202s Focal Length video.] &lt;br /&gt;
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{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
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|- &lt;br /&gt;
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! Fish-eye !! Wide-Angle !! Standard !! Telephoto &lt;br /&gt;
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|- &lt;br /&gt;
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| &amp;lt;24mm || &amp;lt;35mm || 35mm to 70mm || &amp;gt;70mm &lt;br /&gt;
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|} &lt;br /&gt;
 &lt;br /&gt;
=== Zoom Vs Prime Lens ===&lt;br /&gt;
Some lenses can change focal length, while other can't. &lt;br /&gt;
&lt;br /&gt;
'''Zoom Lens:''' can zoom in on distant objects and zoom out to see the full scene because they have variable focal lengths. Zoom lenses are often described by their range of focal lengths like a 50mm-250mm lens or a 28mm-55mm lens. &lt;br /&gt;
&lt;br /&gt;
'''Prime lens''': on the other hand, cannot zoom in or out, so they only have one angle of view, because they have fixed focal lengths that can't change how much of the scene you see. Prime Lenses are often described by the one and only focal length they can use like 100mm lens or 35mm lens for example.&lt;br /&gt;
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&lt;br /&gt;
To play with simulations of different types of lens check out the [https://imaging.nikon.com/lineup/lens/simulator/ Nikon Lens Simulator.]&lt;br /&gt;
==Photography== &lt;br /&gt;
&lt;br /&gt;
:There are a number of different concepts and equipment that only apply to photography and not video. photoland. canon rebel for digital, 35mm for film  &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance.  &lt;br /&gt;
:'''Possibilities:''' You can make  portraits, macro photos, landscape, stop motion, panorama, long exposure, multiple exposure, and many other types of projects. Digital cameras have different modes to choose from that may help you use different techniques or inspire new ideas.   &lt;br /&gt;
:'''Film Development:''' The main different categories of film cameras are based on the size of film it uses. The smallest is 35mm, while the others are simply called medium format (uses 120mm film) and large format(4x5in film). 35mm in this case refers to the film size and not the focal length. The medium and large format use bigger film sizes, so that images can have incredible resolution. This detail means that the image can be scaled up for large prints. Large format cameras tend to have bellows that look like an accordion. Although these cameras are of an older design, they are still used by professional photographers today. You will most likely want to use a light meter to help get your meter, so check out this [https://helpwiki.evergreen.edu/wiki/index.php/Light_Meters_Quick_Guide light meter guide.] Media Loan offers all of these types of cameras, but the best to start with is a 35mm called the K1000. A proficiency test is required to use this camera, all info is in this [https://helpwiki.evergreen.edu/wiki/index.php/35mm_SLR_Camera_Operating_Guide 35mm operating guide.] Film : There is black and White as well as color film. Both types of film have many different types of ISO.   &lt;br /&gt;
:'''Editing''': You can edit using Adobe Lightroom or Adobe Photoshop. You can scan film negative and images in the Digital Imaging Studio (DIS). With digital photos, you can put them on the computer using a usb cable that comes with camera kits.  &lt;br /&gt;
&lt;br /&gt;
==Video== &lt;br /&gt;
&lt;br /&gt;
:Video is just a camera taking pictures at a quick speed and played back in the same order. The same exposure and lense qualities still apply to recording video. Because of the dynamic nature of shooting video, you may want to rely on some of the automatic features of digital cameras. There are tons of options when it comes to video making.    &lt;br /&gt;
:Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Mode:''' Digital Cameras have many automatic features available like automatic exposure, focus, and white balance. There are many kinds of Digital Cameras. The most common are the DSLR like the Canon Rebel, camcorders like the Canon Vixia, and action cameras like the GoPro. DSLR stands for Digital Single Lens Reflex   &lt;br /&gt;
:'''Stabilizer:''' You can go handheld, or put in on a stabilizer, like a video tripod, gorillapod (for lower shots), monopod (for light weight productions) or a unique rolling mount called the pocket skater.   &lt;br /&gt;
:'''Audio:''' Most digital cameras have microphones built in, but it is good usually sounds better to use external mics and an audio field recorder. For more information on audio check out the the [[Audio Fundamentals|Audio fundamentals]] page.   &lt;br /&gt;
:'''Editing:''' Once you have gathered all your shots, you will likely want to edit your video using Adobe Premier Pro in the Multimedia Lab (MML). Video files live on SD cards inside the camera. You can put them on the computer using a usb cable that comes with camera kits, or by removing the SD and using a card reader, just remember to put it back.  &lt;br /&gt;
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==Lighting == &lt;br /&gt;
&lt;br /&gt;
:Check the link to the [[APS Lighting Equipment Guide|Lighting Wiki Guide]] for information on how to effectively light a scene or subject.  &lt;br /&gt;
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:[[Category:Media Loan Topics]]&lt;/div&gt;</summary>
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