http://helpwiki.evergreen.edu/wiki/api.php?action=feedcontributions&user=Cramtond&feedformat=atomHelp Wiki - User contributions [en]2024-03-29T04:52:32ZUser contributionsMediaWiki 1.26.3http://helpwiki.evergreen.edu/wiki/index.php?title=Lynda_Lab_Overview&diff=45226Lynda Lab Overview2024-02-15T21:37:37Z<p>Cramtond: /* Overview */</p>
<hr />
<div>== Overview ==<br />
The '''Lynda Lab''' is ??<br />
* Is available for students to use for academic use. <br />
* The lab require the proficiency badge and also the quarterly access badge. <br />
* Students in approved programs or contracts will be added to the access badge each quarter. <br />
<br />
=== Location ===<br />
*<br />
<br />
===Access===<br />
* The labs require the proficiency badge and also the quarterly access badge. <br />
* Read the [[Media Lab Access|Electronic Media Lab Access]] page for proficiency information<br />
* Read the [[Media Labs Access Policy]] for lab polices<br />
* Read the [[Scheduling General Access Media Labs]] article for scheduling procedures<br />
* Schedule time at '''Media Loan''', the '''Multimedia Lab''' or via [[Self Service - Schedule Evergreen|Self Service]] in Schedule Evergreen.<br />
* Get keys from '''Media Loan''' for your scheduled time.<br />
<br />
=== General Policies ===<br />
* No food or drinks of any kind are allowed in the labs'''.'''<br />
* Alcohol, drugs, vaping and smoking are not allowed anywhere in the buildings.<br />
* Take care of yourself and remember to take a break once in a while.<br />
* Clean up after yourself. <br />
* Do not delete other students' files.<br />
* Do not unplug or remove anything from the spaces. <br />
* Make sure the door is closed and locked when you leave the lab.<br />
** Do not leave doors propped open if the room will be temporarily unoccupied, even if you are only running to the restroom.<br />
* Only use your scheduled time.<br />
* Return keys and equipment promptly to Media Loan or to the Library Circulation Desk.<br />
* Reports any lab problems by following the [[Report a Problem in a Media Lab|Report a problem in a media lab]] procedure.<br />
* Be courteous and respectful to the other users of the labs and all student employees. <br />
* Follow the [https://www.evergreen.edu/sites/default/files/2021-08/Code_of_Student_Rights_and_Responsibilities.pdf Code of Student Rights and Responsibilities] and the [https://apps.leg.wa.gov/wac/default.aspx?cite=174-121-010 Social Contract]<br />
* Files on computers may be deleted at the end of each quarter or as-needed.<br />
** Always keep a backup of your work in another location.<br />
<br />
===Help===<br />
<br />
<br />
<br />
== Equipment ==<br />
<br />
<br />
== Lab Procedures ==<br />
<br />
=== Powering On Procedure ===<br />
<br />
[[Category:Lynda Lab]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Lighting&diff=45181Lighting2024-02-01T01:37:21Z<p>Cramtond: Created page with "This is a placeholder for the Lighting subcategory Category:Lynda Lab"</p>
<hr />
<div>This is a placeholder for the Lighting subcategory<br />
<br />
[[Category:Lynda Lab]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Merging_Clips_from_Dual-System_-_Premiere_Pro&diff=43226Merging Clips from Dual-System - Premiere Pro2022-02-08T18:43:02Z<p>Cramtond: /* Preparation */</p>
<hr />
<div>When recording video and audio on separate devices, like a Canon DSLR camera and a flash recorder, bringing the audio and video clips to be merged together in the '''Project''' panel can be done in a few short steps. <br />
<br />
==Preparation==<br />
* Open Premiere, create a new project folder and a new project.<br />
* [[Dual_System_Sound_-_DSLR_Video | Dual System Sound with a DSLR]]<br />
* [https://evergreen0-my.sharepoint.com/:u:/g/personal/cramtond_evergreen_edu/ERcVBo7y5gpPkv6UfergyWUBsqaQ7_M62jaypC7snpGKQA?e=e0VcYc Dual system demo clips]<br />
* '''Import the Video Files'''.<br />
*# In the '''Finder''' copy the video files to you project folder. <br />
*# Go to '''File > Import''' and select the video files.<br />
* '''Import the Audio Files'''.<br />
*# In the '''Finder''' copy the audio files to you project folder. <br />
*# Go to '''File > Import''' and select the audio files.<br />
<br />
==Merged Clips==<br />
<br />
<br />
Once your audio and video clips are imported into the '''Project''' panel, find the correlating audio and video clips you want. There should be an audio and visual sync point, such as the sound of a clapper, at the beginning of the clips. Find the sync points for both and then follow the steps below.<br />
<br />
===Creating a Merged Clip===<br />
<br />
# In the '''Project''' panel, double click on the video clip. This will open it up in the '''Source Monitor'''. Set the playhead at the point where the clapper hits and set the in-point by pressing '''I'''.<br />
# Next set the in-point for the audio clip. Drag either end of the horizontal '''Zoom Bar''' to zoom in and then locate the clapper hit and set the in-point by pressing '''I'''.<br />
## If the clapper hit does not land on a frame got to the '''Panel Menu''' in the top right of the panel and select '''Show Audio Time Units'''. Now the '''Playhead''' and be placed anywhere. <br />
# After both in-points are made, select the audio and video clips in the '''Project''' panel, by pressing '''Command (macOS)''' or '''Control (Windows)''' and clicking on both clips.<br />
# Once they are highlighted, go to '''Clip > Merge Clips...'''. <br />
# In the '''Merge Clips''' dialog name the clip.<br />
# For '''Synchronize Point''' select '''In Points'''.<br />
# If you do '''not''' want the audio from the video file in the merged clips select '''Remove Audio From AV Clip'''.<br />
# Click '''OK'''.<br />
<br />
[[Category:DSLR Video]]<br />
<br />
[[category:Premiere Pro]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=A/V_Two_Column_Script_and_Shot_List&diff=43196A/V Two Column Script and Shot List2022-01-26T18:28:15Z<p>Cramtond: Added "about this entry" section.</p>
<hr />
<div><br />
=== About this entry ===<br />
There is a metric poop-ton of information on the internet about how to make good video. From a paragraph to months long courses. What's here is a brief synopsis of the process and links to a few templates to get you started. If you want to explore further, do a search for "two-column script format", "video production planning", "Shot list template", and "creative brief for video". Lots and lots of good links from those searches. Read several and find what works for you. A resource that I like is [https://www.Studiobinder.com studiobinder.com] Yes, it's a software company trying to sell you software. But they also have a surprising number of well-written and helpful articles. <br />
<br />
=== Planning ===<br />
Before you write the first line of your script, draw your first storyboard, or format your first memory card, you should have your production [https://www.business2community.com/video-marketing/3-must-haves-for-a-killer-video-script-02085694 planned out] in the greatest detail that you can manage. Many things will change once you start your process: the more you have planned, the more you can be flexible with confidence. I'll say it again: the more details you have planned out, the easier it is to throw any of them away when necessary. Even a seemingly simple piece can go completely sideways if it's under-planned. <br />
<br />
There are many different planning tools available to the media producer. In time you will no doubt find or create one that is best suited to your style. For the purposes of this wiki article, I'm going to point you to [https://evergreen0-my.sharepoint.com/:w:/g/personal/cramtond_evergreen_edu/EaCpsT4VQ8ZPkC18YOQTUkoBf5WxWrq099d7S3oFgt-ucA?e=dHti0G this one]. It's pretty basic stuff, but just the act of writing stuff down can help cement things in your mind, and reveal problems or inconsistencies you might not have otherwise been aware of. <br />
<br />
=== The Script ===<br />
The '''two column''', or '''A/V script''' format is designed for non-narrative productions. Instructional, corporate, documentary, etc. It lists what the viewer will see and hear in parallel columns, in a linear style that is easy to read and understand. Unlike the Hollywood narrative script format, this format is designed to be a working document that all crew can reference on set. A Hollywood script is meant to give a director infinite space to interpret and be creative. The A/V script should almost be the opposite. The A/V script should be a 1:1 description of exactly what the viewer will see and hear. If anyone reads your A/V production script and is confused: you're doing it wrong. Here's a [https://evergreen0-my.sharepoint.com/:w:/g/personal/cramtond_evergreen_edu/ETfkzFKbTQNKp-yUa7FegpQBLyL531Qi04n6u0NEq-OBSQ?e=z3SFbe template for a two-column script]. You could just as easily create your own in whatever word processing or spreadsheet software you prefer.<br />
<br />
=== The Shot List ===<br />
Many producers may find it useful to create a '''shot list''' document separate from the script. This is particularly true if the audio and video portions are not tightly bound together, as in the case of primarily voice over or narrated videos. A shot list is simply a numbered list of the shots necessary to tell the story, whether that's narrative, documentary, or instructional. A script may use broad descriptions to allow the reader to use their imagination to set the scene. A shot list should do no such thing. A shot list should be as detailed and specific as possible. Including as much detail as possible will speed operations on set, and reduce the potential for errors or omissions that might necessitate re-shoots or other costly and time-consuming correction. <br />
<br />
The shot list also allows for more efficient shooting out of script order. The script presents images in the order that makes sense for story arc or ease of learning. ''Script order is very rarely the most efficient shooting order.'' Let's say you're making an instructional video about a camera lens. Your script might read: <br />
# Open with a shot of a presenter describing the video that is about to be viewed. <br />
# Cut to close ups of the lens. <br />
# Cut to presenter talking about lens details <br />
# Cut to someone in the field using the lens. <br />
# Dissolve to close ups of lens details. <br />
# Cut back to the presenter to finish. <br />
<br />
If you shot that in script order, you'd be wasting all your time moving back and forth between locations and setups, re-setting someplace you'd already been! Your poor presenter would be sitting around doing nothing while you were busy shooting shots 2,4 and 5. Better to put all of the shots in one location together. So your shooting order might look like this:<br />
# Someone in the field using the lens. <br />
# Close ups of lens details. <br />
# Close ups of the lens. <br />
# Cut to presenter talking about lens details <br />
# Shot of a presenter describing the video that is about to be viewed. <br />
# Presenter to finish. <br />
That order groups locations and people for much more efficient use of resources.<br />
<br />
The shot list would also take a script item like "Close ups of lens elements" and detail it out like:<br />
# Close of rear cap, showing how it engages.<br />
# Close of aperture ring, showing index mark.<br />
# Close of stabilization switch, show operation. <br />
# Close of threading on and removing a filter.<br />
<br />
A shot list template that I like is [https://evergreen0-my.sharepoint.com/:w:/g/personal/cramtond_evergreen_edu/EfgMDkhziXNKqeZ1nUpHeIQBH7mE4qfXDCsmKd1Zo67bqA?e=j3uUXe here]. Note that this format also includes a block at the top for crew info. This can work like a mini call sheet, providing important report time info for crew.<br />
<br />
=== Conclusion ===<br />
So- a few documents and some careful consideration can go a looooooong way toward paving the way to success for your shoot. It really can't be stressed enough that 30 minutes spent in pre-production can save you many hours of pain in production and then post production. When done correctly, media production should be a '''very front-loaded''' endeavor. A fun, exciting shoot is the reward you get for proper planning!<br />
[[Category:Video Production]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=A/V_Two_Column_Script_and_Shot_List&diff=43195A/V Two Column Script and Shot List2022-01-26T05:27:32Z<p>Cramtond: /* Planning */</p>
<hr />
<div>=== Planning ===<br />
Before you write the first line of your script, draw your first storyboard, or format your first memory card, you should have your production [https://www.business2community.com/video-marketing/3-must-haves-for-a-killer-video-script-02085694 planned out] in the greatest detail that you can manage. Many things will change once you start your process: the more you have planned, the more you can be flexible with confidence. I'll say it again: the more details you have planned out, the easier it is to throw any of them away when necessary. Even a seemingly simple piece can go completely sideways if it's under-planned. <br />
<br />
There are many different planning tools available to the media producer. In time you will no doubt find or create one that is best suited to your style. For the purposes of this wiki article, I'm going to point you to [https://evergreen0-my.sharepoint.com/:w:/g/personal/cramtond_evergreen_edu/EaCpsT4VQ8ZPkC18YOQTUkoBf5WxWrq099d7S3oFgt-ucA?e=dHti0G this one]. It's pretty basic stuff, but just the act of writing stuff down can help cement things in your mind, and reveal problems or inconsistencies you might not have otherwise been aware of. <br />
<br />
=== The Script ===<br />
The '''two column''', or '''A/V script''' format is designed for non-narrative productions. Instructional, corporate, documentary, etc. It lists what the viewer will see and hear in parallel columns, in a linear style that is easy to read and understand. Unlike the Hollywood narrative script format, this format is designed to be a working document that all crew can reference on set. A Hollywood script is meant to give a director infinite space to interpret and be creative. The A/V script should almost be the opposite. The A/V script should be a 1:1 description of exactly what the viewer will see and hear. If anyone reads your A/V production script and is confused: you're doing it wrong. Here's a [https://evergreen0-my.sharepoint.com/:w:/g/personal/cramtond_evergreen_edu/ETfkzFKbTQNKp-yUa7FegpQBLyL531Qi04n6u0NEq-OBSQ?e=z3SFbe template for a two-column script]. You could just as easily create your own in whatever word processing or spreadsheet software you prefer.<br />
<br />
=== The Shot List ===<br />
Many producers may find it useful to create a '''shot list''' document separate from the script. This is particularly true if the audio and video portions are not tightly bound together, as in the case of primarily voice over or narrated videos. A shot list is simply a numbered list of the shots necessary to tell the story, whether that's narrative, documentary, or instructional. A script may use broad descriptions to allow the reader to use their imagination to set the scene. A shot list should do no such thing. A shot list should be as detailed and specific as possible. Including as much detail as possible will speed operations on set, and reduce the potential for errors or omissions that might necessitate re-shoots or other costly and time-consuming correction. <br />
<br />
The shot list also allows for more efficient shooting out of script order. The script presents images in the order that makes sense for story arc or ease of learning. ''Script order is very rarely the most efficient shooting order.'' Let's say you're making an instructional video about a camera lens. Your script might read: <br />
# Open with a shot of a presenter describing the video that is about to be viewed. <br />
# Cut to close ups of the lens. <br />
# Cut to presenter talking about lens details <br />
# Cut to someone in the field using the lens. <br />
# Dissolve to close ups of lens details. <br />
# Cut back to the presenter to finish. <br />
<br />
If you shot that in script order, you'd be wasting all your time moving back and forth between locations and setups, re-setting someplace you'd already been! Your poor presenter would be sitting around doing nothing while you were busy shooting shots 2,4 and 5. Better to put all of the shots in one location together. So your shooting order might look like this:<br />
# Someone in the field using the lens. <br />
# Close ups of lens details. <br />
# Close ups of the lens. <br />
# Cut to presenter talking about lens details <br />
# Shot of a presenter describing the video that is about to be viewed. <br />
# Presenter to finish. <br />
That order groups locations and people for much more efficient use of resources.<br />
<br />
The shot list would also take a script item like "Close ups of lens elements" and detail it out like:<br />
# Close of rear cap, showing how it engages.<br />
# Close of aperture ring, showing index mark.<br />
# Close of stabilization switch, show operation. <br />
# Close of threading on and removing a filter.<br />
<br />
A shot list template that I like is [https://evergreen0-my.sharepoint.com/:w:/g/personal/cramtond_evergreen_edu/EfgMDkhziXNKqeZ1nUpHeIQBH7mE4qfXDCsmKd1Zo67bqA?e=j3uUXe here]. Note that this format also includes a block at the top for crew info. This can work like a mini call sheet, providing important report time info for crew.<br />
<br />
=== Conclusion ===<br />
So- a few documents and some careful consideration can go a looooooong way toward paving the way to success for your shoot. It really can't be stressed enough that 30 minutes spent in pre-production can save you many hours of pain in production and then post production. When done correctly, media production should be a '''very front-loaded''' endeavor. A fun, exciting shoot is the reward you get for proper planning!<br />
[[Category:Video Production]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=A/V_Two_Column_Script_and_Shot_List&diff=43194A/V Two Column Script and Shot List2022-01-26T05:26:49Z<p>Cramtond: Erm, added links and a ton of words.</p>
<hr />
<div>=== Planning ===<br />
Before you write the first line of your script, or draw your first storyboard, or format your first memory card, you should have your production [https://www.business2community.com/video-marketing/3-must-haves-for-a-killer-video-script-02085694 planned out] in the greatest detail that you can manage. Many things will change once you start your process: the more you have planned, the more you can be flexible with confidence. I'll say it again: the more details you have planned out, the easier it is to throw any of them away when necessary. Even a seemingly simple piece can go completely sideways if it's under-planned. <br />
<br />
There are many different planning tools available to the media producer. In time you will no doubt find or create one that is best suited to your style. For the purposes of this wiki article, I'm going to point you to [https://evergreen0-my.sharepoint.com/:w:/g/personal/cramtond_evergreen_edu/EaCpsT4VQ8ZPkC18YOQTUkoBf5WxWrq099d7S3oFgt-ucA?e=dHti0G this one]. It's pretty basic stuff, but just the act of writing stuff down can help cement things in your mind, and reveal problems or inconsistencies you might not have otherwise been aware of. <br />
<br />
=== The Script ===<br />
The '''two column''', or '''A/V script''' format is designed for non-narrative productions. Instructional, corporate, documentary, etc. It lists what the viewer will see and hear in parallel columns, in a linear style that is easy to read and understand. Unlike the Hollywood narrative script format, this format is designed to be a working document that all crew can reference on set. A Hollywood script is meant to give a director infinite space to interpret and be creative. The A/V script should almost be the opposite. The A/V script should be a 1:1 description of exactly what the viewer will see and hear. If anyone reads your A/V production script and is confused: you're doing it wrong. Here's a [https://evergreen0-my.sharepoint.com/:w:/g/personal/cramtond_evergreen_edu/ETfkzFKbTQNKp-yUa7FegpQBLyL531Qi04n6u0NEq-OBSQ?e=z3SFbe template for a two-column script]. You could just as easily create your own in whatever word processing or spreadsheet software you prefer.<br />
<br />
=== The Shot List ===<br />
Many producers may find it useful to create a '''shot list''' document separate from the script. This is particularly true if the audio and video portions are not tightly bound together, as in the case of primarily voice over or narrated videos. A shot list is simply a numbered list of the shots necessary to tell the story, whether that's narrative, documentary, or instructional. A script may use broad descriptions to allow the reader to use their imagination to set the scene. A shot list should do no such thing. A shot list should be as detailed and specific as possible. Including as much detail as possible will speed operations on set, and reduce the potential for errors or omissions that might necessitate re-shoots or other costly and time-consuming correction. <br />
<br />
The shot list also allows for more efficient shooting out of script order. The script presents images in the order that makes sense for story arc or ease of learning. ''Script order is very rarely the most efficient shooting order.'' Let's say you're making an instructional video about a camera lens. Your script might read: <br />
# Open with a shot of a presenter describing the video that is about to be viewed. <br />
# Cut to close ups of the lens. <br />
# Cut to presenter talking about lens details <br />
# Cut to someone in the field using the lens. <br />
# Dissolve to close ups of lens details. <br />
# Cut back to the presenter to finish. <br />
<br />
If you shot that in script order, you'd be wasting all your time moving back and forth between locations and setups, re-setting someplace you'd already been! Your poor presenter would be sitting around doing nothing while you were busy shooting shots 2,4 and 5. Better to put all of the shots in one location together. So your shooting order might look like this:<br />
# Someone in the field using the lens. <br />
# Close ups of lens details. <br />
# Close ups of the lens. <br />
# Cut to presenter talking about lens details <br />
# Shot of a presenter describing the video that is about to be viewed. <br />
# Presenter to finish. <br />
That order groups locations and people for much more efficient use of resources.<br />
<br />
The shot list would also take a script item like "Close ups of lens elements" and detail it out like:<br />
# Close of rear cap, showing how it engages.<br />
# Close of aperture ring, showing index mark.<br />
# Close of stabilization switch, show operation. <br />
# Close of threading on and removing a filter.<br />
<br />
A shot list template that I like is [https://evergreen0-my.sharepoint.com/:w:/g/personal/cramtond_evergreen_edu/EfgMDkhziXNKqeZ1nUpHeIQBH7mE4qfXDCsmKd1Zo67bqA?e=j3uUXe here]. Note that this format also includes a block at the top for crew info. This can work like a mini call sheet, providing important report time info for crew.<br />
<br />
=== Conclusion ===<br />
So- a few documents and some careful consideration can go a looooooong way toward paving the way to success for your shoot. It really can't be stressed enough that 30 minutes spent in pre-production can save you many hours of pain in production and then post production. When done correctly, media production should be a '''very front-loaded''' endeavor. A fun, exciting shoot is the reward you get for proper planning!<br />
[[Category:Video Production]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=A/V_Two_Column_Script_and_Shot_List&diff=43193A/V Two Column Script and Shot List2022-01-26T04:12:11Z<p>Cramtond: Added more content</p>
<hr />
<div>Before you write the first line of your script, or draw your first storyboard, or format your first memory card, you should have your production planned out in the greatest detail that you can manage. Many things will change once you start your process: the more you have planned, the more you can be flexible with confidence. I'll say it again: the more details you have planned out, the easier it is to throw any of them away when necessary. Even a seemingly simple piece can go completely sideways if it's under-planned. <br />
<br />
There are many different planning tools available to the media producer. In time you will no doubt find or create one that is best suited to your style. For the purposes of this wiki article, I'm going to point you to this one: <br />
<br />
The '''two column''', or '''A/V script''' format is designed for non-narrative productions. Instructional, corporate, documentary, etc. It lists what the viewer will see and hear in parallel columns, in a linear style that is easy to read and understand. Unlike the Hollywood narrative script format, this format is designed to be a working document that all crew can reference on set.<br />
<br />
While the two column script format is meant to be directly useable as an on-set reference document, many producers may find it useful to create a '''shot list''' document separate from the script. This is particularly true if the audio and video portions are not tightly bound together, as in the case of primarily voice over or narrated videos. A shotlist is simply a numbered list of the shots necessary to tell the story, whether that's narrative, documentary, or instructional. A script may use broad descriptions to allow the reader to use their imagination to set the scene. A shot list should do no such thing. A shotlist should be as detailed and specific as possible. Including as much detail as possible will speed operations on set and reduce the potential for errors or omissions that might necessitate re-shoots or other costly and time-consuming correction. <br />
<br />
The shotlist also allows for more efficient shooting out of script order. The script presents images in the order that makes sense for story arc or ease of learning. That order is very rarely the most efficient shooting order. Let's say you're making an instructional video about a camera lens. You might open with a shot of a person describing the video that is about to be viewed. Then you cut to close ups of the lens, then back to the person, then to someone in the field using the lens, then back to close ups, then back to the talking head to finish. If you shot that in script order, you'd be wasting all your time moving back and forth between locations and setups, re-setting someplace you'd already been! Better to put all of the shots in one location together. So you'd shoot your talking head opening, middle, and end pieces all at the same time so you only have to set it up once. Ditto the close ups of the lens, and then your exterior use shots. Script order <> shooting order. <br />
<br />
[[Category:Video Production]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=A/V_Two_Column_Script_and_Shot_List&diff=43192A/V Two Column Script and Shot List2022-01-26T02:31:59Z<p>Cramtond: Created page with "The two column, or A/V script format is designed for non-narrative, non-talky productions. Instructional, corporate, documentary, etc. It lists what the viewer will see and he..."</p>
<hr />
<div>The two column, or A/V script format is designed for non-narrative, non-talky productions. Instructional, corporate, documentary, etc. It lists what the viewer will see and hear in parallel columns, in a linear start at A and finish at B style that is easy to read and understand. Unlike the Hollywood narrative script format, this format is designed to be a working document that all crew can reference.<br />
<br />
While the two column script format is meant to be directly useable as an on-set reference document, many producers may find it useful to create a shot list document separate from the script. This is particularly true if the audio and video portions are not tightly bound together, as in the case of primarily voice over or narrated videos. A shotlist would be a numbered list of the shots necessary to tell the story, whether that's narrative, documentary, or instructional. A script may use broad descriptions to allow the reader to use their imagination to set the scene. A shot list should do no such thing. A shotlist should be as detailed and specific as possible. Including as much detail as possible will speed operations on set and reduce the potential for errors or omissions that might necessitate re-shoots or other costly and time-consuming correction. <br />
<br />
[[Category:Video Production]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=User:Cramtond&diff=41357User:Cramtond2020-12-29T00:18:46Z<p>Cramtond: added content</p>
<hr />
<div>Hi. I'm Dave. I've been at Evergreen mostly non-stop since 1995, when I was a little bit older student studying Political Science and media. I started working at Media Loan as a student, and less than a year later I was a permanent staff person. I graduated in 1997 and have never left (aside from a one year hiatus that WE DON'T TALK ABOUT).</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Basic_Workshop_Outline&diff=20181Basic Workshop Outline2013-04-30T19:40:57Z<p>Cramtond: /* Pedestal */</p>
<hr />
<div><br />
== Positions: ==<br />
<br />
=== Camera ===<br />
<br />
==== Pedestal ====<br />
=====Wheels=====<br />
*Wheels lock so they don't move.<br />
*Wheels lock in a particular direction for camera moves.<br />
<br />
=====Column=====<br />
*Three sections<br />
*Top Section pneumatically assisted, camera is heavy!<br />
*DO NOT LOOSEN THE RED KNOB! Camera will crash down on your head.<br />
*Top, pneumatically assisted portion for camera height adjustment, not really for live moves.<br />
*Always be prepared to support entire weight of camera + column. Get assistance!<br />
<br />
==== Camera & Controls ====<br />
==== Intercom & Headsetiquette ====<br />
==== Focus Procedure ====<br />
==== Composition & Shot Size ====<br />
=== Floor Director ===<br />
==== Communications Role ====<br />
==== Signals ====<br />
==== Active Role ====<br />
=== Character Generator ===<br />
The CG operator is responsible for preparing titles in graphics and cueing materials.<br />
*File storage<br />
*Transferring files and images to the CG station (flash drive)<br />
*Compatible file formats<br />
*Editing mode: creating title cards, lower thirds, scrolling credits<br />
*Playback mode: cueing titles, creating blank slides, creating labels, using take and up/down keys<br />
<br />
=== Assistant Director ===<br />
=== Teleprompter ===<br />
=== Tape Operator ===<br />
<br />
[[Category:CCAM]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Basic_Workshop_Outline&diff=20180Basic Workshop Outline2013-04-30T19:39:58Z<p>Cramtond: /* Pedestal */</p>
<hr />
<div><br />
== Positions: ==<br />
<br />
=== Camera ===<br />
<br />
==== Pedestal ====<br />
:=====Wheels=====<br />
*Wheels lock so they don't move.<br />
*Wheels lock in a particular direction for camera moves.<br />
<br />
:=====Column=====<br />
*Three sections<br />
*Top Section pneumatically assisted, camera is heavy!<br />
*DO NOT LOOSEN THE RED KNOB! Camera will crash down on your head.<br />
*Top, pneumatically assisted portion for camera height adjustment, not really for live moves.<br />
*Always be prepared to support entire weight of camera + column. Get assistance!<br />
<br />
==== Camera & Controls ====<br />
==== Intercom & Headsetiquette ====<br />
==== Focus Procedure ====<br />
==== Composition & Shot Size ====<br />
=== Floor Director ===<br />
==== Communications Role ====<br />
==== Signals ====<br />
==== Active Role ====<br />
=== Character Generator ===<br />
The CG operator is responsible for preparing titles in graphics and cueing materials.<br />
*File storage<br />
*Transferring files and images to the CG station (flash drive)<br />
*Compatible file formats<br />
*Editing mode: creating title cards, lower thirds, scrolling credits<br />
*Playback mode: cueing titles, creating blank slides, creating labels, using take and up/down keys<br />
<br />
=== Assistant Director ===<br />
=== Teleprompter ===<br />
=== Tape Operator ===<br />
<br />
[[Category:CCAM]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Basic_Workshop_Outline&diff=20179Basic Workshop Outline2013-04-30T19:38:37Z<p>Cramtond: /* Column */</p>
<hr />
<div><br />
== Positions: ==<br />
<br />
=== Camera ===<br />
<br />
==== Pedestal ====<br />
=====Wheels=====<br />
*Wheels lock so they don't move.<br />
*Wheels lock in a particular direction for camera moves.<br />
<br />
=====Column=====<br />
*Three sections<br />
*Top Section pneumatically assisted, camera is heavy!<br />
*DO NOT LOOSEN THE RED KNOB! Camera will crash down on your head.<br />
*Top, pneumatically assisted portion for camera height adjustment, not really for live moves.<br />
*Always be prepared to support entire weight of camera + column. Get assistance!<br />
<br />
==== Camera & Controls ====<br />
==== Intercom & Headsetiquette ====<br />
==== Focus Procedure ====<br />
==== Composition & Shot Size ====<br />
=== Floor Director ===<br />
==== Communications Role ====<br />
==== Signals ====<br />
==== Active Role ====<br />
=== Character Generator ===<br />
The CG operator is responsible for preparing titles in graphics and cueing materials.<br />
*File storage<br />
*Transferring files and images to the CG station (flash drive)<br />
*Compatible file formats<br />
*Editing mode: creating title cards, lower thirds, scrolling credits<br />
*Playback mode: cueing titles, creating blank slides, creating labels, using take and up/down keys<br />
<br />
=== Assistant Director ===<br />
=== Teleprompter ===<br />
=== Tape Operator ===<br />
<br />
[[Category:CCAM]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Basic_Workshop_Outline&diff=20178Basic Workshop Outline2013-04-30T19:36:42Z<p>Cramtond: /* Wheels */</p>
<hr />
<div><br />
== Positions: ==<br />
<br />
=== Camera ===<br />
<br />
==== Pedestal ====<br />
=====Wheels=====<br />
*Wheels lock so they don't move.<br />
*Wheels lock in a particular direction for camera moves.<br />
<br />
=====Column=====<br />
Three sections<br />
Top Section pneumatically assisted, camera is heavy!<br />
DO NOT LOOSEN THE RED KNOB! Camera will crash down on your head.<br />
Top, pneumatically assisted portion for camera height adjustment, not really for live moves.<br />
<br />
==== Camera & Controls ====<br />
==== Intercom & Headsetiquette ====<br />
==== Focus Procedure ====<br />
==== Composition & Shot Size ====<br />
=== Floor Director ===<br />
==== Communications Role ====<br />
==== Signals ====<br />
==== Active Role ====<br />
=== Character Generator ===<br />
The CG operator is responsible for preparing titles in graphics and cueing materials.<br />
*File storage<br />
*Transferring files and images to the CG station (flash drive)<br />
*Compatible file formats<br />
*Editing mode: creating title cards, lower thirds, scrolling credits<br />
*Playback mode: cueing titles, creating blank slides, creating labels, using take and up/down keys<br />
<br />
=== Assistant Director ===<br />
=== Teleprompter ===<br />
=== Tape Operator ===<br />
<br />
[[Category:CCAM]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Basic_Workshop_Outline&diff=20177Basic Workshop Outline2013-04-30T19:26:28Z<p>Cramtond: /* Pedestal */</p>
<hr />
<div><br />
== Positions: ==<br />
<br />
=== Camera ===<br />
<br />
==== Pedestal ====<br />
=====Wheels=====<br />
Wheels lock so they don't move.<br />
Wheels lock in a particular direction for camera moves.<br />
=====Column=====<br />
Three sections<br />
Top Section pneumatically assisted, camera is heavy!<br />
DO NOT LOOSEN THE RED KNOB! Camera will crash down on your head.<br />
Top, pneumatically assisted portion for camera height adjustment, not really for live moves.<br />
<br />
==== Camera & Controls ====<br />
==== Intercom & Headsetiquette ====<br />
==== Focus Procedure ====<br />
==== Composition & Shot Size ====<br />
=== Floor Director ===<br />
==== Communications Role ====<br />
==== Signals ====<br />
==== Active Role ====<br />
=== Character Generator ===<br />
The CG operator is responsible for preparing titles in graphics and cueing materials.<br />
*File storage<br />
*Transferring files and images to the CG station (flash drive)<br />
*Compatible file formats<br />
*Editing mode: creating title cards, lower thirds, scrolling credits<br />
*Playback mode: cueing titles, creating blank slides, creating labels, using take and up/down keys<br />
<br />
=== Assistant Director ===<br />
=== Teleprompter ===<br />
=== Tape Operator ===<br />
<br />
[[Category:CCAM]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Basic_Workshop_Outline&diff=20176Basic Workshop Outline2013-04-30T19:03:11Z<p>Cramtond: /* Pedestal */</p>
<hr />
<div><br />
== Positions: ==<br />
<br />
=== Camera ===<br />
<br />
==== Pedestal ====<br />
=====Wheels=====<br />
Wheels lock so they don't move.<br />
Wheels lock in a particular direction for camera moves.<br />
=====Column=====<br />
Three sections<br />
Top Section pneumatically assisted, camera is heavy!<br />
DO NOT LOOSEN THE RED KNOB! Camera will crash down on your head.<br />
Top, pneumatically assisted portion for camera height adjustment, not really for live moves.<br />
<br />
==== Camera & Controls ====<br />
==== Intercom & Headsetiquette ====<br />
==== Focus Procedure ====<br />
==== Composition & Shot Size ====<br />
=== Floor Director ===<br />
==== Communications Role ====<br />
==== Signals ====<br />
==== Active Role ====<br />
=== Character Generator ===<br />
The CG operator is responsible for preparing titles in graphics and cueing materials.<br />
*File storage<br />
*Transferring files and images to the CG station (flash drive)<br />
*Compatible file formats<br />
*Editing mode: creating title cards, lower thirds, scrolling credits<br />
*Playback mode: cueing titles, creating blank slides, creating labels, using take and up/down keys<br />
<br />
=== Assistant Director ===<br />
=== Teleprompter ===<br />
=== Tape Operator ===<br />
<br />
[[Category:CCAM]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Basic_Workshop_Outline&diff=20092Basic Workshop Outline2013-04-24T18:16:37Z<p>Cramtond: /* Pedestal */</p>
<hr />
<div><br />
== Positions: ==<br />
<br />
=== Camera ===<br />
<br />
==== Pedestal ====<br />
<br />
== Camera & Controls ==<br />
== Intercom/Headsetiquette ==<br />
== Focus Procedure ==<br />
== Composition & Shot Size ==<br />
=== Floor Director ===<br />
== Communications Role ==<br />
== Signals ==<br />
== Active Role ==<br />
=== CG ===<br />
=== AD ===<br />
=== Teleprompter ===<br />
=== Tape Operator ===<br />
<br />
[[Category:CCAM]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Basic_Workshop_Outline&diff=20091Basic Workshop Outline2013-04-24T18:16:05Z<p>Cramtond: /* Camera */</p>
<hr />
<div><br />
== Positions: ==<br />
<br />
=== Camera ===<br />
<br />
== Pedestal ==<br />
== Camera & Controls ==<br />
== Intercom/Headsetiquette ==<br />
== Focus Procedure ==<br />
== Composition & Shot Size ==<br />
=== Floor Director ===<br />
== Communications Role ==<br />
== Signals ==<br />
== Active Role ==<br />
=== CG ===<br />
=== AD ===<br />
=== Teleprompter ===<br />
=== Tape Operator ===<br />
<br />
[[Category:CCAM]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Basic_Workshop_Outline&diff=20090Basic Workshop Outline2013-04-24T18:15:51Z<p>Cramtond: /* Positions: */</p>
<hr />
<div><br />
== Positions: ==<br />
<br />
== Camera ==<br />
<br />
== Pedestal ==<br />
== Camera & Controls ==<br />
== Intercom/Headsetiquette ==<br />
== Focus Procedure ==<br />
== Composition & Shot Size ==<br />
=== Floor Director ===<br />
== Communications Role ==<br />
== Signals ==<br />
== Active Role ==<br />
=== CG ===<br />
=== AD ===<br />
=== Teleprompter ===<br />
=== Tape Operator ===<br />
<br />
[[Category:CCAM]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Basic_Workshop_Outline&diff=20089Basic Workshop Outline2013-04-24T18:15:23Z<p>Cramtond: /* Camera */</p>
<hr />
<div><br />
== Positions: ==<br />
== Camera ==<br />
<br />
== Pedestal ==<br />
== Camera & Controls ==<br />
== Intercom/Headsetiquette ==<br />
== Focus Procedure ==<br />
== Composition & Shot Size ==<br />
=== Floor Director ===<br />
== Communications Role ==<br />
== Signals ==<br />
== Active Role ==<br />
=== CG ===<br />
=== AD ===<br />
=== Teleprompter ===<br />
=== Tape Operator ===<br />
<br />
[[Category:CCAM]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Basic_Workshop_Outline&diff=20088Basic Workshop Outline2013-04-24T18:15:02Z<p>Cramtond: Created page with " == Positions: == === Camera === == Pedestal == == Camera & Controls == == Intercom/Headsetiquette == == Focus Procedure == == Composition & Shot Size == === Floor Director ==..."</p>
<hr />
<div><br />
== Positions: ==<br />
=== Camera ===<br />
== Pedestal ==<br />
== Camera & Controls ==<br />
== Intercom/Headsetiquette ==<br />
== Focus Procedure ==<br />
== Composition & Shot Size ==<br />
=== Floor Director ===<br />
== Communications Role ==<br />
== Signals ==<br />
== Active Role ==<br />
=== CG ===<br />
=== AD ===<br />
=== Teleprompter ===<br />
=== Tape Operator ===<br />
<br />
[[Category:CCAM]]</div>Cramtondhttp://helpwiki.evergreen.edu/wiki/index.php?title=Intro_to_Premiere_Pro_-_PP&diff=16883Intro to Premiere Pro - PP2012-10-03T21:00:59Z<p>Cramtond: /* Windows */</p>
<hr />
<div>===Intro===<br />
Premiere Pro is a non-linear video editing application. It can capture DV tape and work with most digital video and digital audio files. The audio and video clips are arranged and edited in sequences.<br />
<br />
Each Premiere Pro project can contain multiple sequences<br />
<br />
===Windows===<br />
Windows are called panels in Premiere. Under the '''Windows''' menu you can open various '''panels'''. Many windows have a '''Panel Menu''' in the top right corner which can be used to change settings for that window. [[File:Panel_menu_pp.jpg]] <br />
<br />
Any panel can be expanded to full screen by pressing the '''`''' (tilde) key while the mouse is over that panel. Press the '''`''' key again to return to normal.<br />
<br />
====Media Browser====<br />
The '''Media Browser''' makes it easy to browse to files, and to find them by their type. Unlike the '''Import''' dialog box, the '''Media Browser''' can be left open, and docked, like any other panel. The '''Media Browser''' gives you quick access to all your assets while you edit. Also, you can use the '''Media Browser''' to import clips copied from video storage media such as P2 cards, SxS cards, XDCAM disks, and DVDs. When you import an asset Premiere Pro leaves it in its current location, and creates a clip in the Project panel that points to it. '''Always''' transfer files from their file-based media to a local hard disk. Then, import them into Premiere Pro projects from the hard disk.<br />
<br />
====Project====<br />
The '''Project''' panel lists detailed information about each asset in your project. You can view and sort assets in either List view or Icon view. List view displays additional information about each asset. You can customize the information it displays to meet the needs of your project. In Icon view, you can use the "hover scrub" feature to preview footage without having to open it into a new window.<br />
<br />
====Info====<br />
The Info panel displays several data about a selected item, and timecode information for clips under the current-time indicator in the '''Timeline'''.<br />
<br />
====Timeline====<br />
In Premiere Pro, you specify the settings for each sequence, trim your clips, and assemble clips in sequences.<br />
<br />
You assemble and rearrange sequences in one or more Timeline panels, where their clips, transitions, and effects are represented graphically. You can open a particular sequence on a tab in a Timeline panel among other sequences, or keep it by itself in its own dedicated Timeline panel.<br />
<br />
====Tools====<br />
This panel is for selecting which tool to use in the '''Timeline'''. The mouse pointer will change shape when it is over the '''Timeline'''. Tools can also be change with keyboard shortcuts.<br />
<br />
[[File:Tools_panel_pp.jpg|right]] A. Selection tool <br />
<br />
B. Ripple Edit tool <br />
<br />
C. Rate Stretch tool <br />
<br />
D. Slip tool <br />
<br />
E. Pen tool <br />
<br />
F. Hand tool <br />
<br />
G. Track Select tool <br />
<br />
H. Rolling Edit tool <br />
<br />
I. Razor tool <br />
<br />
J. Slide tool <br />
<br />
K. Zoom tool<br />
<br />
====Source====<br />
The '''Source Monitor''' plays back individual clips. In the '''Source Monitor''', you prepare clips that you want to add to a sequence. You set In points and Out points, and specify the clip’s source tracks (audio or video). You can also insert clip markers and add clips to a sequence in a '''Timeline''' panel.<br />
<br />
====Program====<br />
<br />
The '''Program Monitor''' plays back the sequence of clips that you are assembling. It’s your view of the active sequence in a '''Timeline panel'''. You can set sequence markers and specify sequence In points and Out points. Sequence In points and Out points define where frames are added or removed from the sequence.<br />
<br />
<br />
[[category:Premiere Pro]]</div>Cramtond