Difference between revisions of "Headphone Mixes-COM 111A"
From Help Wiki
(→CUE 1) |
(→Headphone Mixes in COM111A) |
||
Line 1: | Line 1: | ||
===Headphone Mixes in COM111A=== | ===Headphone Mixes in COM111A=== | ||
+ | There are '''Q''' 1 & 2 jacks in the 110 Orchestral Hall and a CUE 1 & 2 jack located in 111B. | ||
+ | |||
===='''CUE 1'''==== | ===='''CUE 1'''==== | ||
#Cue 1 out of your DAW is normalized into MOTU #2 Channel 15 | #Cue 1 out of your DAW is normalized into MOTU #2 Channel 15 |
Revision as of 14:36, 2 July 2014
Headphone Mixes in COM111A
There are Q 1 & 2 jacks in the 110 Orchestral Hall and a CUE 1 & 2 jack located in 111B.
CUE 1
- Cue 1 out of your DAW is normalized into MOTU #2 Channel 15
- MOTU #2 Channel 15 is normalized to the API Echo 1 Module
- Turn ON the Echo 1 module on the API
- Press the Ext. In button on the Echo 1 module on the API
- Turn the Echo 1 pot to about 1 o'clock. This is the overall master volume level for both the API I/O echo trim pots and the cue faders in your DAW.
- All Echo 1 sends on all API channels go to the Echo 1 module as well.
- Use these individual Echo 1 trims to control the headphone volume of each LIVE instrument.
- Use the Cue faders in your DAW to control the volume of your previously recorded material.
CUE 2
- Cue 2 out of your DAW is normalized into MOTU #2 Channel 16
- MOTU #2 Channel 16 is normalized to the API Echo 2 Module
- Turn ON the Echo 2 module on the API
- Press the Ext. In button on the Echo 2 module on the API
- Turn the Echo 2 pot to about 1 o'clock. This is the overall master volume level for both the API I/O echo trim pots and the cue faders in your DAW.
- All Echo 2 sends on all API channels go to the Echo 1 module as well.
- Use these individual Echo 2 trims to control the headphone volume of each LIVE instrument.
- Use the Cue faders in your DAW to control the volume of your previously recorded material.