Difference between revisions of "Headphone Mixes-COM 212"

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(Creating Headphone Mixes in COM 212)
(Headphone Mixes in COM212)
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===Headphone Mixes in COM212===
 
===Headphone Mixes in COM212===
  
There are '''Q''' 1 & 2 jacks in the 107 Recital Hall.
+
There are '''Q''' 1 & 2 jacks in the 107 Recital Hall for talent to plug in their headphones.
  
 
===='''CUE 1'''====
 
===='''CUE 1'''====

Revision as of 14:40, 2 July 2014

Headphone Mixes in COM212

There are Q 1 & 2 jacks in the 107 Recital Hall for talent to plug in their headphones.

CUE 1

  1. Cue 1 out of your DAW is normalized into MOTU #2 Channel 15
  2. MOTU #2 Channel 15 is normalized to the API Echo 1 Module
  3. Turn ON the Echo 1 module on the API
  4. Press the Ext. In button on the Echo 1 module on the API
  5. Turn the Echo 1 pot to about 1 o'clock. This is the overall master volume level for both the API I/O echo trim pots and the cue faders in your DAW.
  6. All Echo 1 sends on all API channels go to the Echo 1 module as well.
  7. Use these individual Echo 1 trims to control the headphone volume of each LIVE instrument.
  8. Use the Cue faders in your DAW to control the volume of your previously recorded material.

CUE 2

  1. Cue 2 out of your DAW is normalized into MOTU #2 Channel 16
  2. MOTU #2 Channel 16 is normalized to the API Echo 2 Module
  3. Turn ON the Echo 2 module on the API
  4. Press the Ext. In button on the Echo 2 module on the API
  5. Turn the Echo 2 pot to about 1 o'clock. This is the overall master volume level for both the API I/O echo trim pots and the cue faders in your DAW.
  6. All Echo 2 sends on all API channels go to the Echo 1 module as well.
  7. Use these individual Echo 2 trims to control the headphone volume of each LIVE instrument.
  8. Use the Cue faders in your DAW to control the volume of your previously recorded material.