Difference between revisions of "APS Sound Devices 302 Portable Field Mixer"
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Under Construction . . . | Under Construction . . . | ||
| − | The Sound Devices 302 mixer is an industry standard field mixer for capturing professional audio. Its superb preamps and circuitry will give your film audio to the next level. It is available through APS at Media Loan. | + | The Sound Devices 302 mixer is an industry standard field mixer for capturing professional audio. Its superb preamps and circuitry will give your film audio to the next level. It is available through APS at Media Loan. While it is possible to record your film audio directly from your microphones into your recorded (or, if you dare, even straight into the camera), using this mixer as an intermediary will greatly enhance the the overall experience of your film. In film, audio quality is equally if not more important than image quality. |
===INTRO=== | ===INTRO=== | ||
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Depending on your power source move the power switch in the bottom right corner to the correct position (INT for using battery bower, EXT for power adapter). Some lights should light up to indicate the mixer is on. | Depending on your power source move the power switch in the bottom right corner to the correct position (INT for using battery bower, EXT for power adapter). Some lights should light up to indicate the mixer is on. | ||
====INS AND OUTS==== | ====INS AND OUTS==== | ||
| − | Plug your inputs into the left side of the mixer, outputs go in the right side. Next to each input is a mic/line switch and and mic powering switch. Select "PH" to activate phantom power on that input. Either 12V or 48V phantom power can be selected with the switch in the upper right corner. This applies to all inputs with "PH" selected. Most | + | Plug your inputs into the left side of the mixer, outputs go in the right side. Next to each input is a mic/line switch and and mic powering switch. Select "PH" to activate phantom power on that input. Either 12V or 48V phantom power can be selected with the switch in the upper right corner. This applies to all inputs with "PH" selected. Most condenser mics that need phantom power will use 48V, but ''always double check and know your microphones!'' "DYN" stands for "dynamic". Since dynamic microphones don't need phantom power, this setting essentially means that powering is turned off for that input. The "T" setting stands for T-power which is another kind of power for some microphones. However, T-power is seldom used and only a small amount of microphones actually use it. |
Despite being an output, the headphone jack is located on the left side of the mixer with the rest of the inputs. | Despite being an output, the headphone jack is located on the left side of the mixer with the rest of the inputs. | ||
| − | Plug your outputs into the right side of the mixer. There are three XLR inputs and only two outputs. This is for stereo recording and will be explained below. For now, plug in your outputs and connect them to their destination. This will usually be a recording device. Media Loan offers field recording devices like the [[Olympus LS-100 Multi-Track PCM Recorder Operating Guide|Olympus LS-100]] or the Zoom H6 (APS). Both of these require proficiencies to check out. | + | Plug your outputs into the right side of the mixer. There are three XLR inputs and only two outputs. This is for stereo recording and will be explained below. For now, plug in your outputs and connect them to their destination. This will usually be a recording device. Media Loan offers field recording devices like the [[Olympus LS-100 Multi-Track PCM Recorder Operating Guide|Olympus LS-100]] or the Zoom H6 (APS). Both of these require proficiencies to check out. |
| + | |||
| + | You will have to tell the mixer where to send each input. This allows for greater control of your signal flow and is done using the "L C R" pan switch assigned to each channel on the front panel of the mixer. Switched to "L" sends that channel to the left output and "R" to the right. "C" sends the channel equally to both outputs. | ||
| + | |||
| + | Here are some scenarios to help understand when to use each pan setting: | ||
| + | *You have two microphone and want the greatest control over your levels both while recording and in post-production. If one mic is close to your subject and the other is capturing more ambient room noise or is positioned in a place that is exposed to wind, this would be and ideal situation to pan your two inputs to separate outputs (L + R). | ||
| + | *You are filming two people taking and are using a lavalier mic on each person (inputs 1 & 2). You are also using a boom mic to capture the fuller sound of the room (input 3). Sending both lav mics to the same track will make editing in post-production much easier since they will already be consolidated and just need to be synced with the video. These could both be assigned to the left output (L). The boom however will sound different than the lavs and you might want to adjust the levels independently in post or use different effects to process its audio. Sending the boom to the right output (R) will allow you to keep the sources separate while still being able to capture audio from a variety of sources and save you time in post. | ||
| + | *If you needed to have three input sources, capturing similar sources, you could use the pan switches to send all of you inputs bunched together to one output while isolating one of those inputs to its own output channel in order to have more freedom in post. For example, if you wanted input 2 to be and isolated recording, you would pan input 1 right, input 2 center (so it's sending to both outputs), and input 3 right. Now the right output will include all three microphones on one track and the left will keep input 2 isolated. | ||
| + | |||
| + | ====SETTING LEVELS==== | ||
| + | Now that your inputs and outputs are setup, it's time to set the levels. This is done from the front panel of the mixer. Each channel has a coarse and a fine trim knob. The course knob should be set first. This is the smaller black knob to the upper right of the fine trim, larger knob. The coarse trim knob is spring loaded. Pushing it in will make it pop out so it can be adjusted. Push it back in so it will be out of the way and safe from accidental movements while recording. Your subject needs to be making noise before you set your levels. If you're recording a person, have them talk while you do this. Ask them about their breakfast, or something like that. | ||
| + | To set this knob, first set the fine trim knob to 0dB (when a level is at 0, it is at "unity"). Then adjust the coarse trim so the LED meter is registering somewhere in the mid range. | ||
| + | Now use the fine trim knob to bring the level up so it sits around -6dB on the meter. The fine trim knob is useful for making quick and small adjustments while recording. This is especially useful if the subject does not have a consistent volume. | ||
| + | |||
| + | ====FINE TUNING==== | ||
| + | |||
| + | ===READING THE MIXER=== | ||
| + | |||
| + | ===STEREO RECORDING=== | ||
| + | |||
| + | ===ADJUST SETTINGS=== | ||
| + | |||
| + | ===SLATE MIC=== | ||
Revision as of 11:50, 16 November 2016
Under Construction . . .
The Sound Devices 302 mixer is an industry standard field mixer for capturing professional audio. Its superb preamps and circuitry will give your film audio to the next level. It is available through APS at Media Loan. While it is possible to record your film audio directly from your microphones into your recorded (or, if you dare, even straight into the camera), using this mixer as an intermediary will greatly enhance the the overall experience of your film. In film, audio quality is equally if not more important than image quality.
Contents
INTRO
Designed to capture audio for film, this high-end mixer features three XLR inputs and two XLR outputs. It includes an AC power adapter but can also be powered by three AA batteries for use in the field. Each channel has both coarse and fine trim knobs, 12V or 48V phantom power, a variable low-cut filter, and a pan selector switch. This mixer's other capabilities like stereo outputs (hence the 3 inputs with only 2 outputs) makes is a versatile tool. Its daylight-visible LED meter, carrying bag that can consolidate the mixer, recorder, and cables makes it convenient for quickly capturing professional audio.
GETTING SET UP
Depending on your power source move the power switch in the bottom right corner to the correct position (INT for using battery bower, EXT for power adapter). Some lights should light up to indicate the mixer is on.
INS AND OUTS
Plug your inputs into the left side of the mixer, outputs go in the right side. Next to each input is a mic/line switch and and mic powering switch. Select "PH" to activate phantom power on that input. Either 12V or 48V phantom power can be selected with the switch in the upper right corner. This applies to all inputs with "PH" selected. Most condenser mics that need phantom power will use 48V, but always double check and know your microphones! "DYN" stands for "dynamic". Since dynamic microphones don't need phantom power, this setting essentially means that powering is turned off for that input. The "T" setting stands for T-power which is another kind of power for some microphones. However, T-power is seldom used and only a small amount of microphones actually use it.
Despite being an output, the headphone jack is located on the left side of the mixer with the rest of the inputs.
Plug your outputs into the right side of the mixer. There are three XLR inputs and only two outputs. This is for stereo recording and will be explained below. For now, plug in your outputs and connect them to their destination. This will usually be a recording device. Media Loan offers field recording devices like the Olympus LS-100 or the Zoom H6 (APS). Both of these require proficiencies to check out.
You will have to tell the mixer where to send each input. This allows for greater control of your signal flow and is done using the "L C R" pan switch assigned to each channel on the front panel of the mixer. Switched to "L" sends that channel to the left output and "R" to the right. "C" sends the channel equally to both outputs.
Here are some scenarios to help understand when to use each pan setting:
- You have two microphone and want the greatest control over your levels both while recording and in post-production. If one mic is close to your subject and the other is capturing more ambient room noise or is positioned in a place that is exposed to wind, this would be and ideal situation to pan your two inputs to separate outputs (L + R).
- You are filming two people taking and are using a lavalier mic on each person (inputs 1 & 2). You are also using a boom mic to capture the fuller sound of the room (input 3). Sending both lav mics to the same track will make editing in post-production much easier since they will already be consolidated and just need to be synced with the video. These could both be assigned to the left output (L). The boom however will sound different than the lavs and you might want to adjust the levels independently in post or use different effects to process its audio. Sending the boom to the right output (R) will allow you to keep the sources separate while still being able to capture audio from a variety of sources and save you time in post.
- If you needed to have three input sources, capturing similar sources, you could use the pan switches to send all of you inputs bunched together to one output while isolating one of those inputs to its own output channel in order to have more freedom in post. For example, if you wanted input 2 to be and isolated recording, you would pan input 1 right, input 2 center (so it's sending to both outputs), and input 3 right. Now the right output will include all three microphones on one track and the left will keep input 2 isolated.
SETTING LEVELS
Now that your inputs and outputs are setup, it's time to set the levels. This is done from the front panel of the mixer. Each channel has a coarse and a fine trim knob. The course knob should be set first. This is the smaller black knob to the upper right of the fine trim, larger knob. The coarse trim knob is spring loaded. Pushing it in will make it pop out so it can be adjusted. Push it back in so it will be out of the way and safe from accidental movements while recording. Your subject needs to be making noise before you set your levels. If you're recording a person, have them talk while you do this. Ask them about their breakfast, or something like that. To set this knob, first set the fine trim knob to 0dB (when a level is at 0, it is at "unity"). Then adjust the coarse trim so the LED meter is registering somewhere in the mid range. Now use the fine trim knob to bring the level up so it sits around -6dB on the meter. The fine trim knob is useful for making quick and small adjustments while recording. This is especially useful if the subject does not have a consistent volume.
