Difference between revisions of "Microphone Catalog"

|| MEV || [[File:MEV RE27ND.jpg]] || Electrovoice RE-27 N/D || Cardioid || Voice

| MSM || [[File:MSM-SureMD46.jpg]] || Sennheiser MD46 || Cardioid || Voice for interviews and broadcast. Designed specifically to reject background noise and wind. || D || N/A || XLR || 40 Hz - 18 kHz

|| MNC || [[File:MNC-SennheiserK6Combo.jpg]] || Modular Sennheiser K6 combo kits series || Cardioid, Omni, Super Cardioid || Can cater to almost all settings. Great for film, live sound and studio recording applications. 1 module + 3 different capsules. || C || 1X AA || XLR || omni:20 Hz - 20 kHz, card:40 Hz - 20 kHz, supercard:40 Hz - 20 kHz

| MTG || [[File:MTG-BeyerDynamicM88TG.jpg]] || BeyerDynamic M88 TG Handheld || Hypercardioid || The M 88 TG by Beyerdynamic is a dynamic microphone for vocals, bass drums, and studio use, capturing emotive audio signals like no other. Incorporating a new low mass diaphragm element, the M 88 TG is perfect for the kick drum. Great for low frequency work. || D || N/A || XLR || 30Hz-20kHz

| MBD || [[File:MBD-BeyerDynamicM58.jpg]] || BeyerDynamic M58 || Omni || Specifically designed to satisfy the demands of Electric News Gathering (ENG) and Electronic Field Production (EFP) applications. Its sophisticated internal shockmount dramatically reduces handling noise, while the microphone's frequency response has been tailored to provide broadcasters with a very accurate and intelligible sound. || D || N/A || XLR || 40 - 20,000 Hz

| MED || [[File:MED-EV-635A.jpg]] || Electrovoice 635A || Omni || Designed Specifically for Interviews. A live interview microphone that works to eliminate plosives and other proximity effects using its built-in shockmount and pop filter. Great for interviews! || D || N/A || XLR || 80 Hz - 13 kHz

| MHP || [[File:MHP-DolphinEar.jpg]] || Dolphin-ear Pro Hydrophone || Omni || suitable for capturing high quality underwater sounds to depths of 100 meters. || D || N/A || XLR || Neoprene/PVC jacketed, 6.4mm dia, 1-24,000 Hz

| MOF || [[File:MOF-SonyECM50.jpg]] || Sony ECM50 Lavalier || Omni || for budget conscious productions, and a variety of sound reinforcement requirements, such as lectures and demonstrations || C || 1X AA || XLR || 40 Hz to 15 kHz

| MOJ || [[File:MOJ-AT8537.jpg]] || Audio Technica 899 Lavalier || Omni || Intended for interviews, documentary, film, theater, and stage applications || C || 1X AA || XLR || AT8537 Power Module Included, 20-20,000Hz

| MAU || [[File:MAU-AT835B.jpg]] || Audio Technica 835B Shotgun || Hypercardioid || Designed for professional recording, broadcasting and film/TV/video production. Length is well-suited for ENG, outdoor recording and other specialized uses || C || 1X AA or Phantom Power || XLR || Switchable low-frequency roll-off40 Hz to 20 kHz

|| MCNTG || [[File:MCNTG-RodeNTG1.jpg]] || Rode NTG1 Shotgun || Supercardioid || Designed to also reduce noise caused by handling, rigid mounting hardware, loose cabling. For professional audio capturing in the field or indoors. || C || + 48 V || XLR || 20Hz to 20kHz

| MGP || [[File:MGP K6.jpg]] || Parabolic Kits with Sennheiser K6 handheld || Omni || Includes K6 power module, Omni capsule, rollable dish, dish transport bag, pistol grip handle, tripod adapter, dish cover and duffle bag. FOR ORNITHOLOGISTS ONLY. || C || 1X AA or Phantom Power || XLR || 20 Hz - 20 kHz

| MAI || [[File:MAI-AT825.jpg]] || Audio Technica AT825 handheld || X/Y Stereo Dual Cardiod Elements || Easy to use, single-point reference stereo condenser microphone. Its flat frequency response and "true" stereo imaging make it the right choice for recording music, on-location audio, or ambient soundscapes onto professional DV cameras, compact flash and DAT recorders.  || C || 1X AA or Phantom Power || XLR || 30Hz-20kHz

| MCNT4 || [[File:MCNTG4-RodeNT4.jpg]] || Rode NT4 handheld || X/Y Stereo Dual Cardiod capsules || designed for field or studio use and provides transparent sound reproduction and accurate representation of signal within the "Left/Right" stereo field. This provides optimum results when capturing live performances, ambiance, instruments, choruses, choirs etc. || C || 1X 9V or Phantom Power || XLR || 20Hz - 20kHz

| MEG || [[File:MEG-EV-RE16.jpg]] || Electrovoice RE-16 handheld || Supercardioid || Excellent for podium use where high intelligibility is important. Designed for the most exacting professional use || D || N/A || XLR || 80 Hz to 15 kHz

| MER || [[File:MER-EV-RE18.jpg]] || Electrovoice RE-18 handheld || Supercardioid || The transmission of hand, stand and mechanically generated lectern noises is sharply reduced making the RE18 ideally suited for broadcasting and high-quality sound reinforcement. || D || N/A || XLR || 80 Hz to 15 kHz

| MHC || [[File:MHC-ShureBeta57A.jpg]] || SHURE Beta 57A || Supercardioid || Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Shure Beta 57A Microphone is a dynamic microphone that provides optimal warmth and presence. || D || N/A || XLR || 50 Hz - 16 kHz

|| MBY || [[File:MBY-BlueYeti.jpg]] || Blue Yeti Pro Table top || Multi pattern: Cardioid, Omni, Figure 8 & Stereo. || Versatile and flexible mic designed to handle the gamut of recording tasks in studios, at home or in remote locations. Both XLR and USB outputs for use with standard analog microphone preamps, or direct integration with computer software. Three custom condenser capsules and four different pattern settings. || C || + 48 V || USB & XLR output || 20 Hz to 20 kHz

| MHU || [[File:MHU-Plantronics628USB.jpg]] || Plantronics Audio 628 Stereo USB headset || Omni || Lightweight and Skype certified for detailed, clear conversations. The .Audio 628 can answer and end calls on the headset itself, and an extensive amount of DSP delivers noise-cancelling, echo elimination and more. The headset's design features comfortable ear pads. The USB connection is both Mac & Windows compatible. || C || Through USB || USB / MAC and PC compatible || Headset

| MCP || [[File:MCPX-CrownSoundGrabber.jpg]] || Crown Sound Grabber II || Omni || Pressure Zone mic. for recording conferences, group discussions, interviews, lectures, and home video production. The microphone gathers sound in a hemispherical pattern || C || 1X AAA || stereo 1/8” || Set it on table, 50 Hz to 16 kHz.

| MCPX || [[File:MCPX-CrownPZM.jpg]] || Crown Optimus Sound Grabber || Omni || Pressure Zone mic. for recording conferences, group discussions, interviews, lectures, and home video production. The microphone gathers sound in a hemispherical pattern || C || 1X AA || Mono 1/4” || set it on table. On/off switch

| MON || [[File:MON-SennheiserME2.jpg]] || Sennheiser ME2 Lavalier || Stereo || Speakers, Hands-free vocals, broadcast, live performance, wireless videography, etc.Warm, clear and robust broadcast-quality sound reproduction || C || 7.5V Stand alone || stereo 1/8” || Clips on shirt, 30 Hz - 20 kHz, On/off switch.

| MOS || [[File:MOS-SonyECM-MS957.jpg]] || Sony ECM-MS957 hand held || Stereo || The ECM-MS957 single point stereo microphone is ideally suited for recording live concerts, conferences, interviews and sound effects or wherever high quality sound capture is needed || C || 1X AA || "stereo XLR to 1/8”" || Rotating mid capsule to adjust the stereo pickup pattern, 50Hz - 18kHz.

| MOT || [[File:MOT-SonyECM-MS907.jpg]] || Sony ECM-MS907 hand held || Stereo || Camcorder Videography, Field Recording, amateur/Student Project ENG, Concerts, Conferences and Ambient Recording. || C || 1X AA || stereo 1/8” || choose 90° for a single voice or instrument or 120°, 100 Hz - 15 kHz.

| MCV || [[File:MCV-RodeVideoMic.jpg]] || Rode VideoMic Shotgun || Super Cardioid || Its super-cardioid polar pattern attenuates sounds from the sides. The result is a signal that sounds closer to the camera, even when shooting in noisy environments or at moderate distances. Great for DSLRs and camcorders.[[File:Testaudio.wav|thumb]]