Difference between revisions of "Headphone Mixes-COM 111A"

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(Headphone Mixes in COM111A: updates for Apollos and LRCBs.)
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===Headphone Mixes in COM111A===
 
===Headphone Mixes in COM111A===
There are '''Q''' 1 & 2 jacks in the 110 Orchestral Hall and a CUE 1 & 2 jack located in 111B.
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There are '''Q''' 1 & 2 jacks in the 110 Orchestral Hall and a CUE 1 & 2 jack located in 111B. Plug each Little Red Cue Box into either Cue 1 or 2 with the included 1/4" to XLR speaker-level cable. This is the ONLY cable that should be used with the LRCB. Make sure the volume on the LRCB is turned all the way down when not in use.
  
 
===='''CUE 1'''====
 
===='''CUE 1'''====
#Cue 1 out of your DAW is normalized into MOTU #2 Channel 15
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#Cue 1 out of your DAW is normalized into Apollo X16 Line Output 15
#MOTU #2 Channel 15 is normalized to the API Echo 1 Module
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#Apollo X16 Line Output 15 is normalized to the API Echo 1 Module
 
#Turn ON the Echo 1 module on the API
 
#Turn ON the Echo 1 module on the API
 
#Press the Ext. In button on the Echo 1 module on the API
 
#Press the Ext. In button on the Echo 1 module on the API
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===='''CUE 2'''====
 
===='''CUE 2'''====
#Cue 2 out of your DAW is normalized into MOTU #2 Channel 16
+
#Cue 2 out of your DAW is normalized into Apollo X16 Line Output 16
#MOTU #2 Channel 16 is normalized to the API Echo 2 Module
+
#Apollo X16 Line Output 16 is normalized to the API Echo 2 Module
 
#Turn ON the Echo 2 module on the API
 
#Turn ON the Echo 2 module on the API
 
#Press the Ext. In button on the Echo 2 module on the API
 
#Press the Ext. In button on the Echo 2 module on the API
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#'''Make sure to press the PRE button on all the API echo sends on each channel. This allows you to control the headphone level separate from the faders!'''
 
#'''Make sure to press the PRE button on all the API echo sends on each channel. This allows you to control the headphone level separate from the faders!'''
 
#Use the Cue faders in your DAW to control the volume of your previously recorded material.
 
#Use the Cue faders in your DAW to control the volume of your previously recorded material.
 
  
 
[[Category:COM 111A]]
 
[[Category:COM 111A]]

Revision as of 11:27, 10 October 2023

Headphone Mixes in COM111A

There are Q 1 & 2 jacks in the 110 Orchestral Hall and a CUE 1 & 2 jack located in 111B. Plug each Little Red Cue Box into either Cue 1 or 2 with the included 1/4" to XLR speaker-level cable. This is the ONLY cable that should be used with the LRCB. Make sure the volume on the LRCB is turned all the way down when not in use.

CUE 1

  1. Cue 1 out of your DAW is normalized into Apollo X16 Line Output 15
  2. Apollo X16 Line Output 15 is normalized to the API Echo 1 Module
  3. Turn ON the Echo 1 module on the API
  4. Press the Ext. In button on the Echo 1 module on the API
  5. Turn the Echo 1 pot to about 1 o'clock. This is the overall master volume level for both the API I/O echo trim pots and the cue faders in your DAW.
  6. All Echo 1 sends on all API channels go to the Echo 1 module as well.
  7. Use these individual Echo 1 trims to control the headphone volume of each LIVE instrument.
  8. Make sure to press the PRE button on all the API echo sends on each channel. This allows you to control the headphone level separate from the faders!
  9. Use the Cue faders in your DAW to control the volume of your previously recorded material.

CUE 2

  1. Cue 2 out of your DAW is normalized into Apollo X16 Line Output 16
  2. Apollo X16 Line Output 16 is normalized to the API Echo 2 Module
  3. Turn ON the Echo 2 module on the API
  4. Press the Ext. In button on the Echo 2 module on the API
  5. Turn the Echo 2 pot to about 1 o'clock. This is the overall master volume level for both the API I/O echo trim pots and the cue faders in your DAW.
  6. All Echo 2 sends on all API channels go to the Echo 1 module as well.
  7. Use these individual Echo 2 trims to control the headphone volume of each LIVE instrument.
  8. Make sure to press the PRE button on all the API echo sends on each channel. This allows you to control the headphone level separate from the faders!
  9. Use the Cue faders in your DAW to control the volume of your previously recorded material.