Difference between revisions of "Start Up Procedure/Proficiency - COM 118"

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m (→‎SIGNAL FLOW: (made minor changes to reflect current wiring scheme, i.e. we no longer use the Monitor outs, but I do feel it is still important to explain the function of the external inputs of the monitor controller)
m (→‎SIGNAL FLOW)
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#Select - New - 118 Multitrack Template
 
#Select - New - 118 Multitrack Template
 
#Record the source that's on the NEVE
 
#Record the source that's on the NEVE
−
#Listen to the outputs of '''Pro Tools''' (Can patch ''Apollo B Outputs 5-6'' into the Neve's ''Ext Source In 1'', or can send ''Neve Channels 21/22 Tape Inputs'' to ''Stereo Bus'')
+
#Listen to the outputs of '''Pro Tools''' through the Neve's ''Monitor Controller'' (Can patch ''Apollo B Outputs 5-6'' into the Neve's ''Ext Source In 1'', or can use the normalized connection between ''Apollo B Outputs 5-6'' and ''Neve Channels 21/22 Tape Inputs'' and assign those channels to ''Stereo Bus'' while monitoring )
 
#Patch live mic to NEVE Penthouse MIC input
 
#Patch live mic to NEVE Penthouse MIC input
 
#Trim mic and check levels in '''Pro Tools'''
 
#Trim mic and check levels in '''Pro Tools'''

Revision as of 18:42, 5 January 2024

START UP PROCEDURES

  1. Log into the logbook
  2. Explain the simple room flow
  3. Explain the norms from the NEVE to the Apollos
  4. Turn ON Power Bar at the bottom of the rack (to the right of the Neve)
  5. Apollo A should then Power ON. If not, Power ON Apollo A Interface (wait to load: HOST, INT, 48)
  6. Power ON Apollo B interface (wait to load: HOST, EXT, 48)
  7. Use the LG Display Remote to turn on Display monitors
  8. Turn ON and login to the computer
  9. OPTIONAL: Make a new folder with your name on it in the Storage drive
    • (Storage drive folders are accessible to all users of the computer; anyone can modify or delete files here, but it is a good way to turn in assignments or share files with classmates).

SIGNAL FLOW

  1. Go through the signal flow of an input channel
  2. Explain when you would put the channel in TAPE
  3. Patch a line-level source into an input channel of the NEVE
  4. Listen to that source via the Stereo Bus
  5. Explain the channel Cue function and master Cue section of the NEVE (AKA "Aux Sends")
  6. Turn the Cue send 1 and 2 up on the channel, and monitor the Cue send volume
  7. Open Pro Tools
  8. Select - New - 118 Multitrack Template
  9. Record the source that's on the NEVE
  10. Listen to the outputs of Pro Tools through the Neve's Monitor Controller (Can patch Apollo B Outputs 5-6 into the Neve's Ext Source In 1, or can use the normalized connection between Apollo B Outputs 5-6 and Neve Channels 21/22 Tape Inputs and assign those channels to Stereo Bus while monitoring )
  11. Patch live mic to NEVE Penthouse MIC input
  12. Trim mic and check levels in Pro Tools
  13. Explain the Cue function in Pro Tools and where the Cue sends go on the NEVE
  14. Supply talent with Headphone mix of pre-recorded and live material (via "Cues," AKA "Aux Sends")
  15. Record to Pro Tools
  16. SAVE

MONITORING SECTION

  1. Show where the monitor switches are
  2. Explain why you might use the External Inputs
  3. Run iTunes to hear a song
  4. Explain what ST monitoring is
  5. Explain what Cue 1/2 monitoring is

SHUT DOWN PROCEDURES

  1. Normalize board
  2. Clear Patchbay
  3. Turn OFF Apollo B
  4. Power OFF the power switch and the Display monitors
  5. Log out of the logbook
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