Difference between revisions of "Microphone Catalog"
From Help Wiki
(Tag: VisualEditor) |
(Tag: VisualEditor) |
||
| Line 395: | Line 395: | ||
{| class="wikitable" style="text-align: center; background: Lavender;" | {| class="wikitable" style="text-align: center; background: Lavender;" | ||
|- | |- | ||
| − | ! | + | ! |
!Brand/Model!! Image !! Sound !! Pattern !! Usage !! Transducer !! Power | !Brand/Model!! Image !! Sound !! Pattern !! Usage !! Transducer !! Power | ||
Source | Source | ||
! Connector !! Code | ! Connector !! Code | ||
|- | |- | ||
| − | | | + | | |
|AKG D202E | |AKG D202E | ||
|[[File:Maa.png|frameless]]|| | |[[File:Maa.png|frameless]]|| | ||
| Line 409: | Line 409: | ||
||MAA | ||MAA | ||
|- | |- | ||
| − | | | + | | |
|AKG D224E | |AKG D224E | ||
|[[File:Mab.png|frameless]] | |[[File:Mab.png|frameless]] | ||
| Line 420: | Line 420: | ||
|MAB | |MAB | ||
|- | |- | ||
| − | | | + | | |
|AKG 460B | |AKG 460B | ||
|[[File:Mae.png|frameless]] | |[[File:Mae.png|frameless]] | ||
| Line 431: | Line 431: | ||
|MAE | |MAE | ||
|- | |- | ||
| − | | | + | | |
|AKG D112 | |AKG D112 | ||
|[[File:Maf.png|frameless]] | |[[File:Maf.png|frameless]] | ||
| Line 441: | Line 441: | ||
|MAF | |MAF | ||
|- | |- | ||
| − | | | + | | |
|AKG C414 | |AKG C414 | ||
|[[File:Mah.png|frameless]] | |[[File:Mah.png|frameless]] | ||
| Line 454: | Line 454: | ||
|MAH | |MAH | ||
|- | |- | ||
| − | | | + | | |
|ASTON | |ASTON | ||
| Line 467: | Line 467: | ||
|MAN | |MAN | ||
|- | |- | ||
| − | | | + | | |
|AUDIO | |AUDIO | ||
| Line 482: | Line 482: | ||
|MAV | |MAV | ||
|- | |- | ||
| − | | | + | | |
|NEUMANN | |NEUMANN | ||
| Line 495: | Line 495: | ||
|MBN | |MBN | ||
|- | |- | ||
| − | | | + | | |
|NEUMANN | |NEUMANN | ||
| Line 508: | Line 508: | ||
|MBO | |MBO | ||
|- | |- | ||
| − | | | + | | |
|NEUMANN | |NEUMANN | ||
| Line 521: | Line 521: | ||
|MPB | |MPB | ||
|- | |- | ||
| − | | | + | | |
|NEUMANN | |NEUMANN | ||
| Line 538: | Line 538: | ||
|MBQ | |MBQ | ||
|- | |- | ||
| − | | | + | | |
|AVANTONE | |AVANTONE | ||
| Line 553: | Line 553: | ||
|MCK | |MCK | ||
|- | |- | ||
| − | | | + | | |
|RODE NT4 | |RODE NT4 | ||
|[[File:Mcnt.png|frameless]] | |[[File:Mcnt.png|frameless]] | ||
| Line 569: | Line 569: | ||
|MCNT | |MCNT | ||
|- | |- | ||
| − | | | + | | |
|CROWN | |CROWN | ||
| Line 584: | Line 584: | ||
|MCP | |MCP | ||
|- | |- | ||
| − | | | + | | |
|STUDIO | |STUDIO | ||
| Line 599: | Line 599: | ||
|MCS | |MCS | ||
|- | |- | ||
| − | | | + | | |
|ELECTRO | |ELECTRO | ||
| Line 615: | Line 615: | ||
|MED | |MED | ||
|- | |- | ||
| − | | | + | | |
|EV RE-16 | |EV RE-16 | ||
|[[File:Meg.png|frameless]] | |[[File:Meg.png|frameless]] | ||
| Line 627: | Line 627: | ||
|MEG | |MEG | ||
|- | |- | ||
| − | | | + | | |
|EV RE-15 | |EV RE-15 | ||
|[[File:Mej.png|frameless]] | |[[File:Mej.png|frameless]] | ||
| Line 636: | Line 636: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MEJ |
|- | |- | ||
| − | | | + | | |
|EV RE-55 | |EV RE-55 | ||
|[[File:Mem.png|frameless]] | |[[File:Mem.png|frameless]] | ||
| Line 647: | Line 647: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MEM |
|- | |- | ||
| − | | | + | | |
|EV CS-15 | |EV CS-15 | ||
|[[File:Meo.png|frameless]] | |[[File:Meo.png|frameless]] | ||
| Line 658: | Line 658: | ||
|48V | |48V | ||
|XLR | |XLR | ||
| − | | | + | |MEO |
|- | |- | ||
| − | | | + | | |
|EV RE-20 | |EV RE-20 | ||
|[[File:Mep.png|frameless]] | |[[File:Mep.png|frameless]] | ||
| Line 669: | Line 669: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MEP |
|- | |- | ||
| − | | | + | | |
|EV RE-18 | |EV RE-18 | ||
|[[File:Mer.png|frameless]] | |[[File:Mer.png|frameless]] | ||
| Line 679: | Line 679: | ||
|D | |D | ||
|||XLR | |||XLR | ||
| − | | | + | |MER |
|- | |- | ||
| − | | | + | | |
|EV 408B | |EV 408B | ||
|[[File:Mes.png|frameless]] | |[[File:Mes.png|frameless]] | ||
| Line 690: | Line 690: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MES |
|- | |- | ||
| − | | | + | | |
|EV 308B | |EV 308B | ||
|[[File:Met.png|frameless]] | |[[File:Met.png|frameless]] | ||
| Line 701: | Line 701: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MET |
|- | |- | ||
| − | | | + | | |
|EARTH | |EARTH | ||
| Line 716: | Line 716: | ||
|48V | |48V | ||
|XLR | |XLR | ||
| − | | | + | |MEW |
|- | |- | ||
| − | | | + | | |
|CASCADE | |CASCADE | ||
| Line 729: | Line 729: | ||
|NO | |NO | ||
|XLR | |XLR | ||
| − | | | + | |MFH |
|- | |- | ||
| − | | | + | | |
|SHURE SM58 | |SHURE SM58 | ||
|[[File:Mha.png|frameless]] | |[[File:Mha.png|frameless]] | ||
| − | | | + | |[[File:SM58.wav|frameless]] |
|CARDIOID | |CARDIOID | ||
| | | | ||
| Line 741: | Line 741: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MHA |
|- | |- | ||
| − | | | + | | |
|SHURE | |SHURE | ||
| Line 758: | Line 758: | ||
|48V | |48V | ||
|XLR | |XLR | ||
| − | | | + | |MHB |
|- | |- | ||
| − | | | + | | |
|SHURE SM53 | |SHURE SM53 | ||
|[[File:Mhd.png|frameless]] | |[[File:Mhd.png|frameless]] | ||
| Line 769: | Line 769: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MHD |
|- | |- | ||
| − | | | + | | |
|SHURE SM57 | |SHURE SM57 | ||
|[[File:Mhe.png|frameless]] | |[[File:Mhe.png|frameless]] | ||
| Line 780: | Line 780: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MHE |
|- | |- | ||
| − | | | + | | |
|SHURE SM81 | |SHURE SM81 | ||
|[[File:Mhf.png|frameless]] | |[[File:Mhf.png|frameless]] | ||
| Line 791: | Line 791: | ||
|48V | |48V | ||
|XLR | |XLR | ||
| − | | | + | |MHF |
|- | |- | ||
| − | | | + | | |
|SHURE VP88 | |SHURE VP88 | ||
|[[File:Mhg.png|frameless]] | |[[File:Mhg.png|frameless]] | ||
| Line 804: | Line 804: | ||
|48V | |48V | ||
|XLR | |XLR | ||
| − | | | + | |MHG |
|- | |- | ||
| − | | | + | | |
|SHURE KSM32 | |SHURE KSM32 | ||
|[[File:Mhk.png|frameless]] | |[[File:Mhk.png|frameless]] | ||
| Line 815: | Line 815: | ||
|48V | |48V | ||
|XLR | |XLR | ||
| − | | | + | |MHK |
|- | |- | ||
| − | | | + | | |
|SHURE KSM137 | |SHURE KSM137 | ||
|[[File:Mhm.png|frameless]] | |[[File:Mhm.png|frameless]] | ||
| Line 826: | Line 826: | ||
|48V | |48V | ||
|XLR | |XLR | ||
| − | | | + | |MHM |
|- | |- | ||
| − | | | + | | |
|SHURE SM7B | |SHURE SM7B | ||
|[[File:Mhs.png|frameless]] | |[[File:Mhs.png|frameless]] | ||
| Line 837: | Line 837: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MHS |
|- | |- | ||
| − | | | + | | |
|SHURE BETA 52A | |SHURE BETA 52A | ||
|[[File:BETA52A.JPG|frameless|155x155px]] | |[[File:BETA52A.JPG|frameless|155x155px]] | ||
| Line 848: | Line 848: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MEF |
| − | + | ||
|- | |- | ||
| − | | | + | | |
|MARSHAL | |MARSHAL | ||
| Line 862: | Line 861: | ||
|48V | |48V | ||
|XLR | |XLR | ||
| − | | | + | |MML |
|- | |- | ||
| − | | | + | | |
|SENNHEISER 421 | |SENNHEISER 421 | ||
|[[File:Mna.png|frameless]] | |[[File:Mna.png|frameless]] | ||
| Line 873: | Line 872: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MNA |
|- | |- | ||
| − | | | + | | |
|SENNHEISER MKH 40 | |SENNHEISER MKH 40 | ||
|[[File:MKH40.jpg|centre|frameless|152x152px]] | |[[File:MKH40.jpg|centre|frameless|152x152px]] | ||
| Line 884: | Line 883: | ||
|48V | |48V | ||
|XLR | |XLR | ||
| − | | | + | |MKH |
| − | + | ||
|- | |- | ||
| − | | | + | | |
|SENNHEISER | |SENNHEISER | ||
E604 DRUM MIC KIT | E604 DRUM MIC KIT | ||
| Line 897: | Line 895: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MAD |
| − | + | ||
|- | |- | ||
| − | | | + | | |
|MNC CONDENSER COMBO KIT | |MNC CONDENSER COMBO KIT | ||
|[[File:Mnc.png|frameless]] | |[[File:Mnc.png|frameless]] | ||
| Line 909: | Line 906: | ||
|48V OR AA | |48V OR AA | ||
|XLR | |XLR | ||
| − | | | + | |MNC |
|- | |- | ||
| − | | | + | | |
|SENNHEISER 441 | |SENNHEISER 441 | ||
|[[File:Mnd.png|frameless]] | |[[File:Mnd.png|frameless]] | ||
| Line 920: | Line 917: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MND |
|- | |- | ||
| − | | | + | | |
|DR.NORMAR'S BINAURAL HEAD | |DR.NORMAR'S BINAURAL HEAD | ||
(MKE 2002) | (MKE 2002) | ||
| Line 932: | Line 929: | ||
|9V ONLY | |9V ONLY | ||
|XLR | |XLR | ||
| − | | | + | |MNE |
|- | |- | ||
| − | | | + | | |
|SONY ECM50 | |SONY ECM50 | ||
|[[File:Mof.png|frameless]] | |[[File:Mof.png|frameless]] | ||
| Line 947: | Line 944: | ||
BAT | BAT | ||
|XLR | |XLR | ||
| − | | | + | |MOF |
|- | |- | ||
| − | | | + | | |
|SONY ECM22P | |SONY ECM22P | ||
|[[File:Moh.png|frameless]] | |[[File:Moh.png|frameless]] | ||
| Line 960: | Line 957: | ||
48V | 48V | ||
|XLR | |XLR | ||
| − | | | + | |MOH |
|- | |- | ||
| − | | | + | | |
|PACIFIC PRO LD1 | |PACIFIC PRO LD1 | ||
|[[File:Mpp.png|frameless]] | |[[File:Mpp.png|frameless]] | ||
| Line 971: | Line 968: | ||
|48V | |48V | ||
|XLR | |XLR | ||
| − | | | + | |MPP |
|- | |- | ||
| − | | | + | | |
|BEYER M160 | |BEYER M160 | ||
|[[File:Mrb.png|frameless]] | |[[File:Mrb.png|frameless]] | ||
| Line 982: | Line 979: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MRB |
|- | |- | ||
| − | | | + | | |
|COLES 4038 | |COLES 4038 | ||
|[[File:Mrc.png|frameless]] | |[[File:Mrc.png|frameless]] | ||
| Line 993: | Line 990: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MRC |
|- | |- | ||
| − | | | + | | |
|RCA 77DX | |RCA 77DX | ||
|[[File:Mrr.png|frameless]] | |[[File:Mrr.png|frameless]] | ||
| Line 1,004: | Line 1,001: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MRR |
|- | |- | ||
| − | | | + | | |
|ROYER R121 | |ROYER R121 | ||
|[[File:Mry.png|frameless|100x100px]] | |[[File:Mry.png|frameless|100x100px]] | ||
| Line 1,015: | Line 1,012: | ||
| | | | ||
|XLR | |XLR | ||
| − | | | + | |MRY |
|- | |- | ||
| − | | | + | | |
|CHAMELEON LABS TS-1 | |CHAMELEON LABS TS-1 | ||
|[[File:Mts.png|frameless|110x110px]] | |[[File:Mts.png|frameless|110x110px]] | ||
| | | | ||
| − | |OMNI, | + | |Variable: |
| + | OMNI, | ||
CARDIOID | CARDIOID | ||
|Small diaphragm tube mic, used primarily on instruments | |Small diaphragm tube mic, used primarily on instruments | ||
| Line 1,027: | Line 1,025: | ||
|EXT | |EXT | ||
|XLR | |XLR | ||
| − | | | + | |MTS |
|- | |- | ||
| − | | | + | | |
|CHAMELEON LABS TS-2 | |CHAMELEON LABS TS-2 | ||
|[[File:Mts2.png|frameless|100x100px]] | |[[File:Mts2.png|frameless|100x100px]] | ||
| Line 1,038: | Line 1,036: | ||
|EXT | |EXT | ||
|XLR | |XLR | ||
| − | | | + | |MTS2 |
|- | |- | ||
| − | | | + | | |
|SE ELECTRONICS SE 5000 | |SE ELECTRONICS SE 5000 | ||
|[[File:Msv.png|frameless]] | |[[File:Msv.png|frameless]] | ||
| Line 1,049: | Line 1,047: | ||
|EXT | |EXT | ||
|XLR | |XLR | ||
| − | | | + | |MSV |
|- | |- | ||
| − | | | + | | |
|SE ELECTRONICS SE 5600 | |SE ELECTRONICS SE 5600 | ||
|[[File:Msz.png|frameless]] | |[[File:Msz.png|frameless]] | ||
| Line 1,060: | Line 1,058: | ||
|EXT | |EXT | ||
|XLR | |XLR | ||
| − | | | + | |MSZ |
|} | |} | ||
[[Category:Media Loan Catalogs]] | [[Category:Media Loan Catalogs]] | ||
__NOEDITSECTION__ | __NOEDITSECTION__ | ||
Revision as of 12:16, 16 December 2021
"General Access" mics accessible to all enrolled students who are in programs paying media fees. The General Access section of Media Loan is different from the "Audio Studio" section, which is just for advanced audio classes and to be used exclusively inside the audio facilities on campus. For help learning about mics check our Microphone Basics page as well as our Audio Fundamentals page.
Explanation of Columns
- Type: The most common category used to describe each mic.
- Sound: Example audio for various mics.
- Usage: The most common use the mic is built for.
- Power Source: Power needed, see the Microphone Basics page to learn about Condensers and Dynamics and what type of transducer needs power to work.
This catalog has sortable columns. Click on the triangle and the top of the column to put the catalog in the order of contents within that column
MICROPHONES
| Type | Brand/Model | Image | Sound | Pattern | Standard Usage | Transducer | Power Source | Connector | Code |
|---|---|---|---|---|---|---|---|---|---|
| Stage | Shure SM-58 | 
|
Cardioid
|
Voice | Dynamic | Not required | XLR | MHA | |
| Stage | Shure SM-57 | 
|
|
Cardioid |
Instruments | Dynamic | Not required | XLR | MHE |
| Stage | Shure Beta 57A | 
|
Supercardioid |
Voice and instruments | Dynamic | Not required | XLR | MHC | |
| Stage | Sennheiser MD-421 | 
|
Cardioid |
Voice and instruments | Dynamic | Not required | XLR | MNA | |
| Broadcast | Electrovoice RE-27 N/D |  |
Cardioid |
Voice | Dynamic | Not required | XLR | MEV | |
| Broadcast | Sennheiser MD46 | 
|
Cardioid |
Voice | Dynamic | Not required | XLR | MSM | |
| Isolating from noise | Beyerdynamic M88 TG | 
|
Hypercardioid |
Vocals and instruments, specifically to capture lower frequency sounds | Dynamic | Not required | XLR | MTG | |
| Broadcast | Beyerdynamic M58 | 
|
Omni |
Voice | Dynamic | Not required | XLR | MBD | |
| Broadcast | Electrovoice 635A | 
|
Omni |
Voice and room mic | Dynamic | Not required | XLR | MED | |
| Isolating from noise | Electrovoice RE-16 | 
|
Supercardioid |
Voice and instruments | Dynamic | Not required | XLR | MEG | |
| Isolating from noise | Electrovoice RE-15 |  |
Supercardioid |
Instruments | Dynamic | Not required | XLR | MEJ | |
| Isolating from noise | Electrovoice RE-18 | 
|
Supercardioid |
Voice | Dynamic | Not required | XLR | MER | |
| Combo Kit | Sennheiser K6 | 
|
|
Variable: Cardioid, Omni, Super Cardioid | Can cater to almost all settings. Great for film, stage use, and studio recording. 1 module + 3 different capsules. | Condenser | 1 AA Battery | XLR | MNC |
| Shotgun | Audio Technica 835B | 
|
Hypercardioid |
Film, broadcast, and field work. | Condenser | 1 AA Battery
or Phantom Power |
XLR | MAU | |
| Shotgun | Rode NTG1 | 
|
Supercardioid |
Film, broadcast, and field work. | Condenser | Phantom Power | XLR | MCNTG | |
| Lavalier | Shure MX185 | 
|
Cardioid |
Interview, broadcast, and presentation. | Condenser | Phantom Power | XLR | MOX | |
| Lavalier | Sony ECM50 | 
|
Omni |
Interview, broadcast, and presentation. | Condenser | 1 AA Battery | XLR | MOF | |
| Lavalier | Audio Technica 899 | 
|
Omni |
Interview, broadcast, and presentation. | Condenser | 1 AA Battery | XLR | MOJ | |
| Stage | Shure SM86 |  |
Cardioid |
Voice | Condenser | Phantom Power | XLR | MSCC | |
| Stereo | Audio Technica AT825 | 
|
Stereo: X/Y Dual Cardioid capsules | Instruments and film | Condenser | 1 AA Battery
or Phantom Power |
XLR | MAI | |
| Stereo | Rode NT4 | 
|
Stereo: X/Y Dual Cardioid capsules | Instruments and film | Condenser | 1 9V Battery
or Phantom Power |
XLR | MCNT4 | |
| Shotgun | Rode VideoMic | 
|
Super Cardioid |
Film, broadcast, and field work. | Condenser | 1 9V Battery | 1/8” | MCV | |
| Stereo | Sony ECM-MS907 | 
|
Stereo | Film, broadcast, and field work. | Condenser | 1 AA Battery | 1/8” | MOT | |
| Stereo | Sony ECM-MS957 | 
|
Stereo | Recording live concerts, conferences, interviews and sound effects. | Condenser | 1 AA Battery | XLR | MOS | |
| Lavalier | Sennheiser ME2 | 
|
Omni |
Interview, broadcast, and presentation. | Condenser | 1/8" plug-in power | 1/8” | MON | |
| PZM | Crown Sound Grabber II |  |
Omni |
Pressure zone mic for recording conferences, interviews, and lectures. | Condenser | 1 AAA Battery | 1/8” | MCP | |
| PZM | Crown Optimus Sound Grabber |  |
Omni |
Pressure zone mic for recording conferences, interviews, and lectures. | Condenser | 1 AA Battery | XLR | MCPX | |
| USB | Blue Yeti Pro | 
|
Variable: Cardioid, Omni, Bi-Directional & Stereo. | Voice | Condenser | Powered by USB, Phantom Power for XLR | USB & XLR | MBY | |
| USB | Plantronics Audio 628 | 
|
Omni |
Headset mic for calls. | Powered by USB | USB | MHU | ||
| Hydrophone | DolphinEar Pro | 
|
Omni |
Designed to capture underwater sounds to depths of 100 meters. Proficiency required. | Contact | Not required | XLR | MHP | |
| Parabolic | Parabolic Kits with Sennheiser K6 | 
|
Omni |
Includes K6 power module, cardioid capsule, rollable dish, dish transport bag, pistol grip handle, tripod adapter, dish cover and duffle bag. Proficiency required. | Condenser | 1 AA Battery
or Phantom Power |
XLR | MGP |
Most recent update: November 2021.
| Brand/Model | Image | Sound | Pattern | Usage | Transducer | Power
Source |
Connector | Code | |
|---|---|---|---|---|---|---|---|---|---|
| AKG D202E |  |
CARDIOID | Designed to eliminate proximity effect, very flat frequency response. | D | XLR | MAA | |||
| AKG D224E | 
|
CARDIOID | Designed to handle high SPL, good midrange,
-20db rear attenuation at all freqs |
D | XLR | MAB | |||
| AKG 460B | 
|
CARDIOID | Low self-noise. Equipped with low cut filters or 10db pad. | C | 48V | XLR | MAE | ||
| AKG D112 | 
|
CARDIOID | Used primarily on kick drums. Handles high SPL. | D | XLR | MAF | |||
| AKG C414 | 
|
VARIOUS | Large diaphragm condenser.
Used on instruments |
C | 48V | XLR | MAH | ||
| ASTON
ORIGIN |
|
CARDIOID | Large diaphragm condenser. Used on instruments and vocals | C | 48V | XLR | MAN | ||
| AUDIO
TECHNICA 4060 |
|
CARDIOID | Vacuum tube condenser. Used on vocals, instruments and amps. | C | 48V | XLR | MAV | ||
| NEUMANN
KM-84 |
|
CARDIOID | Small diaphragm FET condenser. Used for drum overheads and on hi-hats | C | 48V | XLR | MBN | ||
| NEUMANN
U87 |
|
VARIOUS | Used for vocals. has low cut, 10db pad, and omni, cardioid, and figure 8 pickup switches | C | 48V | XLR | MBO | ||
| NEUMANN
KM-83 |
|
OMIN | The Omnidirectional equivalent of the km-84. | C | 48V | XLR | MPB | ||
| NEUMANN
U47 (FET) |
|
HYPER
CARDIOID |
Large diaphragm FET condenser. Good for studio vocals. | C | 48V | XLR | MBQ | ||
| AVANTONE
CK-40 |
|
STEREO
VARIOUS |
Stereo condenser with adjustable pickup patterns and swiveling capsule. Good for recording a room or in a figure 8 pattern. | C | 48V | XLR | MCK | ||
| RODE NT4 | 
|
STEREO
CARDIOID |
Used for stereo recording of live performances, ensembles, etc | C |
9V BAT ONLY |
XLR OR 1/8" | MCNT | ||
| CROWN
PZM |
|
HEMI-
SPHERICAL |
Used for recording multiple voices in a conference or meeting setting. | PZM | 48V OR 2X9V BAT | XLR | MCP | ||
| STUDIO
PROJECTS C4 |
|
CARDIOID AND OMNI CAPSULES | Small diaphragm condenser. Used for overhead or stereo recording of instruments or ensembles. | C | 48V | XLR | MCS | ||
| ELECTRO
VOICE (EV) 635A |
|
OMNI |
A live interview microphone designed to eliminate plosives and other proximity effects. |
D | XLR | MED | |||
| EV RE-16 | 
|
SUPERCARDIOID |
Excellent for podium use where high intelligibility is important. |
D | XLR | MEG | |||
| EV RE-15 | 
|
SUPERCARDIOID | Used for broadcasting and instrument recordings. Also used to mic speaker cabinets. | D | XLR | MEJ | |||
| EV RE-55 | 
|
OMNI | Handheld vocal use for interviews or recording of orchestras etc. | D | XLR | MEM | |||
| EV CS-15 | 
|
CARDIOID, OMNI CAPSULES | Increased bass response at close proximities. Handheld vocal use. | C | 48V | XLR | MEO | ||
| EV RE-20 | 
|
CARDIOID | Very popular vocal recording mic, used extensively in broadcasting. | D | XLR | MEP | |||
| EV RE-18 | 
|
SUPERCARDIOID | Designed to reduce microphone handling noise. Used for spoken word/announcing. | D | XLR | MER | |||
| EV 408B | 
|
SUPERCARDIOID | Instrument mic, used mostly on instruments with high SPL, drums, horns, etc. | D | XLR | MES | |||
| EV 308B | 
|
CARDIOID | Slightly less directional version of the 408b. Instrument mic. | D | XLR | MET | |||
| EARTH
WORKS TC 20 |
|
OMNI | Reference flat microphone, 150db SPL rating, used for calibration or for very loud instruments/sound effects | C | 48V | XLR | MEW | ||
| CASCADE
FATHEAD |
|
FIGURE 8 | Used for mid-side pickup, and on instruments and vocals. | RIBBON | NO | XLR | MFH | ||
| SHURE SM58 | 
|
CARDIOID |
Suitable for vocal use in live performance, sound reinforcement, and studio recording. |
D | XLR | MHA | |||
| SHURE
BETA 87A |
|
SUPERCARDIOD | Hand held vocal mic
good feedback rejection |
C | 48V | XLR | MHB | ||
| SHURE SM53 | 
|
CARDIOID | Vintage hand held vocal mic, designed for low proximity effect. | D | XLR | MHD | |||
| SHURE SM57 | 
|
CARDIOID | good for live sound reinforcement, instruments and vocals. bright, clean sound. | D | XLR | MHE | |||
| SHURE SM81 | 
|
CARDIOID | Used on instruments, popular for pianos. | C | 48V | XLR | MHF | ||
| SHURE VP88 | 
|
CARDIOID,
FIGURE 8 |
Stereo recording mic used in broadcasting. | C | 48V | XLR | MHG | ||
| SHURE KSM32 | 
|
CARDIOID | General purpose condenser mic, useable for vocals/instruments etc. equipped with -15db and low cut switches. | C | 48V | XLR | MHK | ||
| SHURE KSM137 | 
|
CARDIOID | Small diaphragm condenser designed for instruments. | C | 48V | XLR | MHM | ||
| SHURE SM7B | 
|
CARDIOID | Shure’s response to the EV RE-20, a popular broadcasting vocal mic. | D | XLR | MHS | |||
| SHURE BETA 52A | 
|
SUPERCARDIOID | Supercardioid specifically for kick drums | D | XLR | MEF | |||
| MARSHAL
MXL2003 |
|
CARDIOID | General purpose condenser mic, useable on vocals, instruments, ensembles etc | C | 48V | XLR | MML | ||
| SENNHEISER 421 | 
|
CARDIOID | Vocal or instrument mic popular in studios | D | XLR | MNA | |||
| SENNHEISER MKH 40 |  |
CARDIOID | The MKH 40 P 48 is a high frequency condenser microphone with an excellent frequency range. | C | 48V | XLR | MKH | ||
| SENNHEISER
E604 DRUM MIC KIT |
|
CARDIOID | Mic kit specifically built for snare drums. Emphasis on mid and high frequencies, with a fairly clear low frequency clarity. Based on MD 421 technology. | D | XLR | MAD | |||
| MNC CONDENSER COMBO KIT | 
|
VARIOUS | Useful for field recording, comes with various pickup patterns for versatility of recording. | C | 48V OR AA | XLR | MNC | ||
| SENNHEISER 441 | 
|
SUPERCARDIOID | Vocal and instrument mic equipped with a 5 position bass roll off switch and a treble boost switch | D | XLR | MND | |||
| DR.NORMAR'S BINAURAL HEAD
(MKE 2002) |
|
OMNI | Sennheiser binaural microphone pair, for recording a 3d stereo field for playback over headphones. | C | 9V ONLY | XLR | MNE | ||
| SONY ECM50 | 
|
OMNI | Vintage lavalier vocal mic | C | 48V
OR E90 BAT |
XLR | MOF | ||
| SONY ECM22P | 
|
CARDIOID | Instrument/vocal mic, can use external phantom power or battery power between 3.7 and 9 volts | C | 206 BAT OR
48V |
XLR | MOH | ||
| PACIFIC PRO LD1 | 
|
CARDIOID | Large diaphragm condenser, used for vocals, instruments, ensembles etc | C | 48V | XLR | MPP | ||
| BEYER M160 | 
|
HYPERCARDIOID | Designed for instruments, popular on strings. | RIBBON | XLR | MRB | |||
| COLES 4038 | 
|
FIGURE 8 | Vocal/instrument mic, popular with BBC broadcasting and recording studios. | RIBBON | XLR | MRC | |||
| RCA 77DX | 
|
VARIOUS | Vintage ribbon mic, featuring cardioid, omni, and figure 8 polar patterns. Popular in broadcasting for vocals. | RIBBON | XLR | MRR | |||
| ROYER R121 | 
|
FIGURE 8 | High quality ribbon instrument mic. | RIBBON | XLR | MRY | |||
| CHAMELEON LABS TS-1 | 
|
Variable:
OMNI, CARDIOID |
Small diaphragm tube mic, used primarily on instruments | C | EXT | XLR | MTS | ||
| CHAMELEON LABS TS-2 | 
|
VARIOUS | Large diaphragm tube condenser, used primarily on vocals. | C | EXT | XLR | MTS2 | ||
| SE ELECTRONICS SE 5000 | 
|
Large diaphragm tube condenser, used on vocals | C | EXT | XLR | MSV | |||
| SE ELECTRONICS SE 5600 | 
|
Large diaphragm tube condenser, used on vocals | C | EXT | XLR | MSZ |
